Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Buchnummer des Verkäufers
Inhaltsangabe: It is June 1950 and a sleepy English village is about to be awakened by the discovery of a dead body in Colonel de Luce's cucumber patch. The police are baffled, and when a dead snipe is deposited on the Colonel's doorstep with a rare stamp impaled on its beak, they are baffled even more. Only the Colonel's daughter, the precocious Flavia -when she's not plotting elaborate revenges against her nasty older sisters in her basement chemical laboratory, that is - has the ingenuity to follow the clues that reveal the victim's identity, and a conspiracy that reached back into the de Luce family's murky past. Flavia and her family are brilliant creations, a darkly playful and wonderfully atmospheric flavour to a plot of delightful ingenuity.
Amazon Best of the Month, April 2009: It's the beginning of a lazy summer in 1950 at the sleepy English village of Bishop's Lacey. Up at the great house of Buckshaw, aspiring chemist Flavia de Luce passes the time tinkering in the laboratory she's inherited from her deceased mother and an eccentric great uncle. When Flavia discovers a murdered stranger in the cucumber patch outside her bedroom window early one morning, she decides to leave aside her flasks and Bunsen burners to solve the crime herself, much to the chagrin of the local authorities. But who can blame her? What else does an eleven-year-old science prodigy have to do when left to her own devices? With her widowed father and two older sisters far too preoccupied with their own pursuits and passions?stamp collecting, adventure novels, and boys respectively?Flavia takes off on her trusty bicycle Gladys to catch a murderer. In Alan Bradley's critically acclaimed debut mystery, The Sweetness at the Bottom of the Pie, adult readers will be totally charmed by this fearless, funny, and unflappable kid sleuth. But don't be fooled: this carefully plotted detective novel (the first in a new series) features plenty of unexpected twists and turns and loads of tasty period detail. As the pages fly by, you'll be rooting for this curious combination of Harriet the Spy and Sherlock Holmes. Go ahead, take a bite. --Lauren Nemroff A Q&A with Alan Bradley
Question: With the publication of The Sweetness at the Bottom of the Pie, you?ve become a 70-year-old-first time novelist. Have you always had a passion for writing, or is it more of a recent development?
Alan Bradley: Well, the Roman author Seneca once said something like this: ?Hang on to your youthful enthusiasms--you?ll be able to use them better when you?re older.? So to put it briefly, I?m taking his advice.
I actually spent most of my life working on the technical side of television production, but would like to think that I?ve always been a writer. I started writing a novel at age five, and have written articles for various publications all my life. It wasn?t until my early retirement, though, that I started writing books. I published my memoir, The Shoebox Bible, in 2004, and then started working on a mystery about a reporter in England. It was during the writing of this story that I stumbled across Flavia de Luce, the main character in Sweetness.
Q: Flavia certainly is an interesting character. How did you come up with such a forceful, precocious and entertaining personality?
AB: Flavia walked onto the page of another book I was writing, and simply hijacked the story. I was actually well into this other book--about three or four chapters--and as I introduced a main character, a detective, there was a point where he was required to go to a country house and interview this colonel.
I got him up to the driveway and there was this girl sitting on a camp stool doing something with a notebook and a pencil and he stopped and asked her what she was doing and she said ?writing down license number plates? and he said ?well there can't be many in such a place? and she said, ?well I have yours, don?t I? ? I came to a stop. I had no idea who this girl was and where she came from.
She just materialized. I can't take any credit for Flavia at all. I?ve never had a character who came that much to life. I?ve had characters that tend to tell you what to do, but Flavia grabbed the controls on page one. She sprung full-blown with all of her attributes--her passion for poison, her father and his history--all in one package. It surprised me.
Q: There aren?t many adult books that feature child narrators. Why did you want Flavia to be the voice of this novel?
AB: People probably wonder, ?What?s a 70-year-old-man doing writing about an 11-year-old-girl in 1950s England? ? And it?s a fair question. To me, Flavia embodies that kind of hotly burning flame of our young years: that time of our lives when we?re just starting out, when anything--absolutely anything!--is within our capabilities.
I think the reason that she manifested herself as a young girl is that I realized that it would really be a lot of fun to have somebody who was virtually invisible in a village. And of course, we don?t listen to what children say--they?re always asking questions, and nobody pays the slightest attention or thinks for a minute that they?re going to do anything with the information that they let slip. I wanted Flavia to take great advantage of that. I was also intrigued by the possibilities of dealing with an unreliable narrator; one whose motives were not always on the up-and-up.
She is an amalgam of burning enthusiasm, curiosity, energy, youthful idealism, and frightening fearlessness. She?s also a very real menace to anyone who thwarts her, but fortunately, they don?t generally realize it.
Q: Like Flavia, you were also 11 years old in 1950. Is there anything autobiographical about her character?
AB: Somebody pointed out the fact that both Flavia and I lacked a parent. But I wasn?t aware of this connection during the writing of the book. It simply didn?t cross my mind. It is true that I grew up in a home with only one parent, and I was allowed to run pretty well free, to do the kinds of things I wanted. And I did have extremely intense interests then--things that you get focused on. When you?re that age, you sometimes have a great enthusiasm that is very deep and very narrow, and that is something that has always intrigued me--that world of the 11-year-old that is so quickly lost.
Q: Your story evokes such a vivid setting. Had you spent much time in the British countryside before writing this book?
AB: My first trip to England didn?t come until I went to London to receive the 2007 Debut Dagger Award, so I had never even stepped foot in the country at the time of writing Sweetness. But I have always loved England. My mother was born there. And I?ve always felt I grew up in a very English household. I had always wanted to go and had dreamed for many years of doing so.
When I finally made it there, the England that I was seeing with my eyes was quite unlike the England I had imagined, and yet it was the same. I realized that the differences were precisely those differences between real life, and the simulation of real life, that we create in our detective novels. So this was an opportunity to create on the page this England that had been in my head my whole life.
Q: You have five more books lined up in this series, all coming from Delacorte Press. Will Flavia age as the series goes on?
AB: A bit, not very much. I think she?s going to remain in the same age bracket. I don?t really like the idea of Flavia as an older teenager. At her current age, she is such a concoction of contradictions. It's one of the things that I very much love about her. She's eleven but she has the wisdom of an adult. She knows everything about chemistry but nothing about family relationships. I don?t think she?d be the same person if she were a few years older. She certainly wouldn?t have access to the drawing rooms of the village.
Q: Do you have a sense of what the next books in the series will be about?
AB: The second book, The Weed That Strings the Hangman's Bag, is finished, and I?m working on the third book. I have a general idea of what?s happening in each one of the books, because I wanted to focus on some bygone aspect of British life that was still there in the '50s but has now vanished. So we have postage stamps in the first one... The second book is about the travelling puppet shows on the village green. And one of them is about filmmaking--it sort of harks back to the days of the classic Ealing comedies with Alec Guinness and so forth.Q: Not every author garners such immediate success with a first novel. After only completing 15 pages of Sweetness, you won the Dagger award and within 8 days had secured book deals in 3 countries. You?ve since secured 19 countries. Enthusiasm continues to grow from every angle. How does it feel?
AB: It's like being in the glow of a fire. You hope you won't get burned. I?m not sure how much I?ve realized it yet. I guess I can say I?m ?almost overwhelmed?--I?m not quite overwhelmed, but I?m getting there. Every day has something new happening, and communications pouring in from people all over. The book has been receiving wonderful reviews and touching people. But Flavia has been touching something in people that generates a response from the heart, and the most often mentioned word in the reviews is love--how much people love Flavia and have taken her in as if she?s a long-lost member of their family, which is certainly very, very gratifying.
(Photo © Jeff Bassett)
Buchbeschreibung Orion, 2009. Hardcover. Buchzustand: Used; Good. Buchnummer des Verkäufers 1211849
Buchbeschreibung Orion, 2009. Hardcover. Buchzustand: Very Good. All orders are dispatched the following working day from our UK warehouse. Established in 2004, we have over 500,000 books in stock. No quibble refund if not completely satisfied. Buchnummer des Verkäufers mon0001188544
Buchbeschreibung Paperback. Buchzustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Buchnummer des Verkäufers GOR001678350
Buchbeschreibung Orion (an Imprint of The Orion Publishing Group Ltd ). Buchzustand: Good. Hardcover This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly. Buchnummer des Verkäufers G-01-0468
Buchbeschreibung Orion (an Imprint of The Orion Publishing Group Ltd ). Hardcover. Buchzustand: Very Good. 0752891936. Buchnummer des Verkäufers EEE0015628
Buchbeschreibung Orion 2009-01-22, 2009. Hardcover. Buchzustand: Very Good. All books are pre-owned and will have been read by someone else before you. They may well show signs of minor wear and tear. Please note, cover images are illustrative only, and the actual book cover and edition can vary. Buchnummer des Verkäufers 9780752891934-21
Buchbeschreibung Orion, London, 2009. Soft Cover. Buchzustand: Fine. First Edition. UNCORRECTED BOOK PROOF. Book as new, unread, FINE condition. Synopsis: It is June 1950 and a sleepy English village is about to be awakened by the discovery of a dead body in Colonel de Luce's cucumber patch. The police are baffled, and when a dead snipe is deposited on the Colonel's doorstep with a rare stamp impaled on its beak, they are baffled even more. Only the Colonel's daughter, the precocious Flavia -when she's not plotting elaborate revenges against her nasty older sisters in her basement chemical laboratory, that is - has the ingenuity to follow the clues that reveal the victim's identity, and a conspiracy that reached back into the de Luce family's murky past. Flavia and her family are brilliant creations, a darkly playful and wonderfully atmospheric flavour to a plot of delightful ingenuity. Galley/Proof. Buchnummer des Verkäufers 007649
Buchbeschreibung Orion (an Imprint of The Orion Publishing Group Ltd ) 2009-01-22, 2009. Hardcover. Buchzustand: good. 0752891936. Buchnummer des Verkäufers 633637
Buchbeschreibung Orion (an Imprint of The Orion Publishing Group Ltd ), 2009. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers 12739372
Buchbeschreibung Orion (an Imprint of The Orion, 2009. Hardcover. Buchzustand: New. Buchnummer des Verkäufers P110752891936