Tender Buttons: Objects, Food, Rooms (Classic Reprint)

Gertrude Stein

ISBN 10: 1332203531 / ISBN 13: 9781332203536

Verlag: Forgotten Books, 2016

Beschreibung

Print on Demand. This book presents an innovative analysis of a fascinating collection of words and phrases taken from an array of topics including food, objects, and common experiences. While the author, a renowned modernist writer, does not provide definitions in the traditional sense, he prompts readers to reflect upon the words' meanings and associations through a series of challenging and thought-provoking passages. In doing so, the author invites a profound exploration of the nature of language, the boundaries of communication, and the subjective interpretation of reality. This book is an essential read for anyone interested in literature, linguistics, or the intricate workings of the human mind. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.

Bestandsnummer des Verkäufers 9781332203536_0

Bibliografische Details

• Titel: Tender Buttons: Objects, Food, Rooms (Classic Reprint)
• Verlag: Forgotten Books
• Erscheinungsjahr: 2016
• Sprache: Englisch
• ISBN-10: 1332203531
• ISBN-13: 9781332203536
• Einband: Paperback
• Zustand: New
• Buchtyp: print-on-demand item
• Verkäuferkataloge:
  • Home and Household

Über diesen Titel

Inhaltsangabe

Excerpt from Tender Buttons: Objects, Food, Rooms

A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading.

Glazed Glitter.

Nickel, what is nickel, it is originally rid of a cover.

The change in that is that red weakens an hour. The change has come. There is no search. But there is, there is that hope and that interpretation and sometime, surely any is unwelcome, sometime there is breath and there will be a sinecure and charming very charming is that clean and cleansing. Certainly glittering is handsome and convincing.

There is no gratitude in mercy and in medicine. There can be breakages in Japanese. That is no programme. That is no color chosen. It was chosen yesterday, that showed spitting and perhaps washing and polishing. It certainly showed no obligation and perhaps if borrowing is not natural there is some use in giving.

A Substance In A Cushion.

The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Tender Buttons: Objects, Food, Rooms

A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling?) The difference is spreading. 2 g'

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.