Inhaltsangabe:
James S. Baumlin’s Theologies of Language in English Renaissance Literature offers a revisionist history of discourse, taking Shakespeare, Donne, and Milton as its touchstones. Their works mark stages in dieEntzauberung or “disenchantment,” as Max Weber has termed it: that is, in the “elimination of magic from the world.”
Über die Autorin bzw. den Autor:
James S. Baumlin is professor of English at Missouri State University, where he teaches renaissance literature, the history of rhetoric, and critical theory. A graduate of Georgetown (B.A. 1977) and Brown University (Ph.D. 1983), he has authored or co-edited a dozen books on diverse subjects. With SUNY Press, Southern Methodist University Press, the University of Missouri Press, and NCTE, he has published in fields of classical and contemporary rhetoric, seventeenth-century English poetry, composition pedagogy, and critical theory; with Moon City Press, he has published extensively in fields of creative nonfiction and regional history. Including chapters in edited collections, Baumlin has authored or co-authored more than one hundred book chapters, peer-reviewed essays, encyclopedia articles, scholarly notes, and reviews. His work has received two national awards and been reprinted in several anthologies and textbooks. Supplementing his scholarship, Baumlin has co-authored scripts for the stage, which have been video-recorded and performed professionally in theatres throughout Southwest Missouri (including Branson). Baumlin founded and serves as a senior editor of Moon City Press, an academic small press distributed nationally in consortium with the University of Arkansas Press. He is also a past president of the South-Central Renaissance Conference, the first and oldest active renaissance conference in North America. His wife, Tita French Baumlin, is a Shakespearian and fellow faculty member of the Missouri State University English Department. When he is not scholarly engaged, Baumlin sings with several arts groups, including Springfield’s Messiah Project and SRO Lyric Theatre. Overlooking Lake Springfield, his backyard is a local stomping ground for deer and wild turkey.
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