Inhaltsangabe
Excerpt from The Theory of Colouring: Being an Analysis of the Principles of Contrast and Harmony in the Arrangement of Colours, With Their Application to the Study of Nature, and Hints on the Composition of Pictures, Etc
Many are averse to use theoretical principles in the study of art: science, it is said, may be learned by theories, but art only by practice. Truly, mere theoretical principles will never make an artist without practice, which they are intended to direct, not to supplant. They are to guide the student in his work, not to do his work for him. The principles of colour stand in the same relationship to painting as the rules of perspective with regard to drawing, neither can be neglected with impunity. These princi ples are not necessarily intuitive, but are to be learned by long, and often bitter experience. If the student will be guided by the experience of others, and adopt the rules set forth, so far as they commend themselves to his judgement, he may reap the fruit of their labours, and share with them the glory of success.
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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor
Excerpt from The Theory of Colouring: Being an Analysis of the Principles of Contrast and Harmony in the Arrangement of Colours, With Their Application to the Study of Nature, and Hints on the Composition of Pictures, Etc
Many are averse to use theoretical principles in the study of art: science, it is said, may be learned by theories, but art only by practice. Truly, mere theoretical principles will never make an artist without practice, which they are intended to direct, not to supplant. They are to guide the student in his work, not to do his work for him. The principles of colour stand in the same relationship to painting as the rules of perspective with regard to drawing, neither can be neglected with impunity. These princi ples are not necessarily intuitive, but are to be learned by long, and often bitter experience. If the student will be guided by the experience of others, and adopt the rules set forth, so far as they commend themselves to his judgement, he may reap the fruit of their labours, and share with them the glory of success.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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