Verkäufer
THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Verkäuferbewertung 5 von 5 Sternen
AbeBooks-Verkäufer seit 14. Juni 2006
New copy - Usually dispatched within 7-11 working days. Bestandsnummer des Verkäufers B9780262544238
A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history.
In Tokyoids, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history.
Blanciak first puts the robot face into historical perspective, examining the importance of the face in architectural theory and demonstrating that the construction of architecture’s emblematic portraits triggered the emergence of a robot aesthetics. He then explores the emotions conveyed by the photographed buildings’ robot faces, in chapters titled “Awe,” “Wrath,” “Mirth,” “Pain,” “Angst,” and “Hunger.” As he does so he considers, among other things, the architectural relevance of Tokyo’s ordinary buildings; the repression of the figural in contemporary architecture; an aesthetic of dismemberment, linked to the structure of the Japanese language and local building design; and the influence of automation technology upon human interaction.
Part photographic survey, part theoretical inquiry, Tokyoids upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
Über die Autorin bzw. den Autor:
François Blanciak is an architect and Associate Professor in the Department of Architecture at the National University of Singapore. He is the author of Siteless: 1001 Building Forms (MIT Press).
Titel: Tokyoids: The Robotic Face of Architecture
Verlag: MIT Press Ltd
Erscheinungsdatum: 2022
Einband: Paperback / softback
Zustand: New
Anbieter: AMM Books, Gillingham, KENT, Vereinigtes Königreich
paperback. Zustand: Very Good. In stock ready to dispatch from the UK. Bestandsnummer des Verkäufers mon0000280191
Anzahl: 1 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 52664289-6
Anbieter: Bellwetherbooks, McKeesport, PA, USA
paperback. Zustand: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. Bestandsnummer des Verkäufers mon0000006955
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 44122746-n
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history.A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history.In Tokyoids, architect Fran ois Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables-size, material, historical style-but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture-before the birth of robotics-and has played a central role in architectural history.Blanciak first puts the robot face into historical perspective, examining the importance of the face in architectural theory and demonstrating that the construction of architecture's emblematic portraits triggered the emergence of a robot aesthetics. He then explores the emotions conveyed by the photographed buildings' robot faces, in chapters titled "Awe," "Wrath," "Mirth," "Pain," "Angst," and "Hunger." As he does so he considers, among other things, the architectural relevance of Tokyo's ordinary buildings; the repression of the figural in contemporary architecture; an aesthetic of dismemberment, linked to the structure of the Japanese language and local building design; and the influence of automation technology upon human interaction.Part photographic survey, part theoretical inquiry, Tokyoids upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot. "Part photographic survey, part theoretical inquiry, Tokyoids focuses on the field of robotic aesthetics from a conceptual point of view, and identifies the robotic face as a critical apparatus of modern culture"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780262544238
Anbieter: Books Puddle, New York, NY, USA
Zustand: New. Bestandsnummer des Verkäufers 26395267113
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history.In Tokyoids, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables-size, material, historical style-but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture-before the birth of robotics-and has played a central role in architectural history. Blanciak first puts the robot face into historical perspective, examining the importance of the face in architectural theory and demonstrating that the construction of architecture's emblematic portraits triggered the emergence of a robot aesthetics. He then explores the emotions conveyed by the photographed buildings' robot faces, in chapters titled "Awe," "Wrath," "Mirth," "Pain," "Angst," and "Hunger." As he does so he considers, among other things, the architectural relevance of Tokyo's ordinary buildings; the repression of the figural in contemporary architecture; an aesthetic of dismemberment, linked to the structure of the Japanese language and local building design; and the influence of automation technology upon human interaction. Part photographic survey, part theoretical inquiry, Tokyoids upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot. Bestandsnummer des Verkäufers LU-9780262544238
Anzahl: Mehr als 20 verfügbar
Anbieter: Strand Book Store, ABAA, New York, NY, USA
Paperback. Zustand: New. Bestandsnummer des Verkäufers 3505099
Anbieter: Massive Bookshop, Greenfield, MA, USA
Paperback. Zustand: New. Bestandsnummer des Verkäufers 9780262544238
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 44122746
Anzahl: 15 verfügbar