"You have to keep your ears open for Alan Bennett's Insurance Man. It had visual impact so powerful that you were in danger of missing some very good lines simply because nobody spoke them in close up; you had to catch them on the wing. And if there was one line that summed up both Bennett's play and Kafka's novel The Trial, which provided some of this framework, that line was "Just because you're the injured party, it doesn't mean you're not guilty"." (Guardian). Kafka himself figures in these two brilliant scripts: one a hilarious comedy, the other a profound and searching drama. This edition includes an introduction by Alan Bennett.

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Alan Bennett first appeared on the stage in 1960 as one of the authors and performers of the revue 'Beyond the Fringe'. His stage plays include Forty Years On, Getting On, Habeas Corpus, The Old Country and The Lady in the Van, and he has written many television plays, notably A Day Out, Sunset Across the Bay, A Woman of No Importance and the series of monologues Talking Heads. An adaptation of his television play, An Englishman Abroad, was paired with A Question of Attribution in the double-bill Single Spies, first produced at the National Theatre in 1988. This was followed in 1990 by his adaptation of The Wind in the Willows and in 1991 by The Madness of George III. Alan Bennett is the author of the best-selling biography Writing Home, and the short novels The Clothes They Stood Up In, Father Father Burning Bright, The Lady in the Van and The L

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