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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Writing about art is most valuable when it does just that thing that Hainleydescribes Sturtevant as accomplishing: the separation of "cognition from the habit of mindlessrecognition." As in his poetry and previous prose efforts, this is exactly the experienceHainley offers. Buchnummer des Verkäufers

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The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.

Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: "I create vertigo." Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then "hot" artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself.

Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.

In Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit.

About the Author:

Bruce Hainley lives and works in Los Angeles. A contributing editor at Artforum, he is the author of two books of poetry, one of which, Foul Mouth, was a finalist in the National Poetry Series. With John Waters, he wrote Art -- A Sex Book. He teaches in the MFA programs of Art Center College of Design and the Roski School of Fine Arts, University of Southern California.

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Hainley, Bruce
Verlag: Semiotext(e)
ISBN 10: 1584351225 ISBN 13: 9781584351221
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Buchbeschreibung Semiotext(e). Buchzustand: Like New. Book appears unread. Book is square, clean, and umarked, with crisp pages All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping. Buchnummer des Verkäufers BOS-H-3e-00443

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Buchbeschreibung Semiotext(e). Buchzustand: Very Good. A bright, square, and overall a nice copy All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping. Buchnummer des Verkäufers BOS-L-12e-00067

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Buchbeschreibung Semiotext(e), 2014. Hardcover. Buchzustand: Good. Book appears unused; however has remainder mark on top and bottom page edges. SHIPS WITHIN 24 HOURS! Tracking Provided. DHL processing & USPS delivery for an average of 3-5 Day Standard & 2-3 Day Expedited! FREE INSURANCE! Fast & Personal Support! Careful Packaging. No Hassle, Full Refund Return Policy!. Buchnummer des Verkäufers mon0000595159

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Buchbeschreibung 2014. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers TM-9781584351221

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Buchbeschreibung MIT Press. Buchzustand: New. Brand New. Buchnummer des Verkäufers 1584351225

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Buchbeschreibung AUTONOMEDIA, United States, 2014. Hardback. Buchzustand: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: I create vertigo. Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then hot artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant s first solo exhibit, every work in it created by herself.Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.In Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant s work but also the essential problem that it poses. Hainley examines all of Sturtevant s projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art s place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit. Buchnummer des Verkäufers BTE9781584351221

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Buchbeschreibung AUTONOMEDIA, United States, 2014. Hardback. Buchzustand: New. Language: English . Brand New Book. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: I create vertigo. Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then hot artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant s first solo exhibit, every work in it created by herself.Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.In Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant s work but also the essential problem that it poses. Hainley examines all of Sturtevant s projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art s place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit. Buchnummer des Verkäufers AAZ9781584351221

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Verlag: Semiotext(e) 2014-02-18, Los Angeles, CA (2014)
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Buchbeschreibung Semiotext(e) 2014-02-18, Los Angeles, CA, 2014. hardback. Buchzustand: New. Buchnummer des Verkäufers 9781584351221

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Buchbeschreibung Semiotext, Los Angeles, Ca, 2013. Hardcover. Buchzustand: New. Buchnummer des Verkäufers L35L21

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Buchbeschreibung AUTONOMEDIA, United States, 2014. Hardback. Buchzustand: New. Language: English . Brand New Book. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: I create vertigo. Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then hot artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant s first solo exhibit, every work in it created by herself.Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.In Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant s work but also the essential problem that it poses. Hainley examines all of Sturtevant s projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art s place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit. Buchnummer des Verkäufers AAZ9781584351221

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