This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: The Unfinished Print investigates the changing taste for prints that reveal the traces of their making, a subject never before considered across its full historical sweep, from the fifteenth to the early twentieth century. Buchnummer des Verkäufers
Inhaltsangabe: The question of "finish" in the artistic endeavour has been regarded with increasing fascination since the Renaissance. In the graphic arts this question has involved what it means to achieve aesthetic resolution in printmaking. This book investigates the history of finish and unfinish in printmaking from the 15th to the early 20th century. Historically speaking, proof impressions establish a partial record of the artist's procedure and, like drawings done in preparation for a painting or sculpture, they allow us to trace the thinking that attends the making of any work of art. Yet unlike these other media, printed proofs record exact stages in the evolution of the actual image itself. Printmakers have always been aware of the value of this process; certainly for Rembrandt, printmaker among printmakers, the revelation of creative process through successive states and differing impressions became fundamental to the concept of invention. But over time, collectors began also to take an interest in the various states of a print, which acquired value in their own right. The opening essay of this work examines the problem of finish in printmaking in its broader intellectual and cultural context. The second essay examines Rembrandt's radically experimental series of sketch-sheet etchings, and the final essay analyzes the extraordinary set of proof impressions of a multi-plate colour etching by Jacques Villon, a project that unveils the artist's break out of the aesthetic of the belle epoque and into modernity.
Buchbeschreibung Lund Humphries Publishers Ltd 28/06/2001, 2001. Hardcover. Buchzustand: Good. Some light wear to the top of the jacket. The content is clean and readable throughout, a decent copy. Hardcover. Buchnummer des Verkäufers 066246-5
Buchbeschreibung National Gallery of Art, Washington, DC, 2001. US Edition. Qto. VG+VG. solid black slender DJ spine, with solid black rear panel, fully illustrated in light gray and black, a fine art image under centered black, gray, black for the three words of the title. edgewear is moderate and mostly along upper perimeter. gently bumped corners of the slim black clothbound HB. slim black cloth spin has imprinted silver lettering in tiny characters from tip to mid-spine only. just title appears stamped along upper edge of front board. fine black cloth over solid strong boards. tightly bound interior. illustrated in b/w with sketch plates and other etchings and engravings, aquatint also for those shaded. light gray spotless endsheets. the two-column textblock runs through volume, with numbered figures throughout. slender volume, clean edges, all sides. 100 pp. ISBN # 0853318204. Shelve in illustration section. Dupont. Buchnummer des Verkäufers 9-13-1209218
Buchbeschreibung Lund Humphries Pub Ltd, 2001. Hardcover. Buchzustand: New. 1st. Buchnummer des Verkäufers DADAX0853318204
Buchbeschreibung Lund Humphries Pub Ltd, 2001. Hardcover. Buchzustand: Brand New. 1st edition. 112 pages. 11.50x8.75x0.75 inches. In Stock. Buchnummer des Verkäufers zk0853318204
Buchbeschreibung Lund Humphries, 2001. Hardcover. Buchzustand: Used: Good. We ship International with Tracking Number! May not contain Access Codes or Supplements. Buy with confidence, excellent customer service! j. Buchnummer des Verkäufers 0853318204D