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Venice and the Islamic World, 828-1797.

CARBONI, Stefano:

ISBN 10: 0300124309 / ISBN 13: 9780300124309
Verlag: New York: Metropolitan Museum Of Art/ New Haven & London: Yale University Press, 2007., 2007
Gebraucht Zustand: Near Fine Hardcover
Verkäufer Ted Kottler, Bookseller (Redondo Beach, CA, USA)

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Original cloth, 4to. Near Fine, in near fine dust jacket. Buchnummer des Verkäufers 24149

Bibliografische Details

Titel: Venice and the Islamic World, 828-1797.

Verlag: New York: Metropolitan Museum Of Art/ New Haven & London: Yale University Press, 2007.

Erscheinungsdatum: 2007

Einband: Hardcover

Zustand: Near Fine

Zustand des Schutzumschlags: Near Fine

Auflage: 2nd Edition

Über diesen Titel

Inhaltsangabe:

Book by Carboni Stefano

Reseña del editor:

From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the partitioning of the conquered Venetian Republic by Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines how and why artistic and cultural ideas that originated in the Islamic world were absorbed and elaborated in Venice. "Venice and the Islamic World" features paintings and drawings by familiar Venetian artists such as Bellini, Titian, and Giorgione, along with printed books, tapestries and carpets, inlaid metalwork, ceramics, lacquered wood, enamelware, and gilded glass - decorative artworks by both Venetian craftsmen and from contemporaneous Venetian collections representing the Mamluks in Egypt, the Ottomans in Turkey, and the Safavids in Iran. Together these exquisite objects illuminate the ways Venetian art was visually and ideologically indebted to and inspired by Islamic art, while highlighting Venice's own view toward the region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.

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