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Vertigo: The Making of a Hitchcock Classic

Auiler, Dan

Verlag: St. Martin's Griffin, 2000
ISBN 10: 0312264097 / ISBN 13: 9780312264093
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Titel: Vertigo: The Making of a Hitchcock Classic

Verlag: St. Martin's Griffin

Erscheinungsdatum: 2000

Einband: Soft cover

Zustand: Used


This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: "Auiler's devotion is so compelling and his book is so informative that it should help movie lovers take a fresh look at the film."--San Francisco Examiner "Lavishly illustrated throughout, the book contains not only stills from the film, but also design sketches, storyboards, memos, telegrams, and behind the scenes snaps of the stars.making this a book not so much to be read as devoured!"--Film Review. Buchnummer des Verkäufers ABE_book_usedgood_0312264097

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Inhaltsangabe: Alfred Hitchcock's 1958 film Vertigo--in which obsessve ex-cop James Stewart pursues troubled loner Kim Novak throughout San Francisco--is one of the most dissected, discussed, and revered movies of all time. Now, for the first time, the story of this remakable film is revealed. Writing with the full cooperation of the director's family and many crew members, Dan Auiler offers up a remarkable in-deph re-creation of Hitchcock's signature thriller. The result is one of the most thorough and illuminating studies of a single film ever published, and a testament to the enduring power of Hitchcock's masterwork of suspense.

Rezension: Vertigo is Alfred Hitchcock's masterpiece and perhaps his most personal film. To view it once is to be devastated. With each subsequent screening, most viewers notice bits of business, depths of thought, and stunning ironies that had previously eluded them. Vertigo is a riveting experience, haunting its fans in the same way that Scottie Ferguson (James Stewart) is haunted by the mysterious Madeleine Elster (Kim Novak).

Upon researching the film, author Dan Auiler found that "this odd, obsessional, very un-matter-of-fact film was created" under "systematic, businesslike, matter-of-fact circumstances." His book gives us the opportunity to witness the construction of a film that seems at once amazing complex and absolutely seamless. He discusses the painstaking development of the screenplay (including its controversial explication of the mystery only two-thirds of the way through the film), the decision to cast Novak instead of Vera Miles opposite Stewart, the typically meticulous Hitchcock shoot, the film's amazing special effects and extraordinary credit and dream sequences, and the legendary musical score composed by Bernard Herrmann. Upon finishing the book, readers will appreciate the various contributions of Hitchcock, Herrmann, Stewart, Novak, actress Barbara Bel Geddes, Thomas Narcejac and Pierre Boileau (who wrote the book upon which it is based), uncredited scenarists Maxwell Anderson and Angus MacPhail, screenwriters Alec Coppel and Samuel Taylor, cinematographer Robert Burks, editor George Tomasini, costume designer Edith Head, and many others. The book includes a list of cast and crew, an appendix discussing the VistaVision process in which it was shot, a forward by Vertigo enthusiast Martin Scorsese, and hundreds of production photos, reproductions of memos, storyboard sketches, and posters. Vertigo: The Making of a Hitchcock Classic has enhanced even this avid fan's appreciation of a film he's long known and loved. --Raphael Shargel

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