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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine Left of the Dial , looks at how mainstream and punk media shape the public's outlook on the music's history and significance. Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities. This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, Visual Vitriol includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others. Buchnummer des Verkäufers

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Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine Left of the Dial, looks at how mainstream and punk media shape the public's outlook on the music's history and significance.

Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities.

This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, Visual Vitriol includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others.

From the Inside Flap: How the punk scene's do-it-yourself flyers and posters create a lens into the pounding heart of the music and movement

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Buchbeschreibung University Press of Mississippi. PAPERBACK. Buchzustand: Very Good. 1617030732 Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge - Nice!. Buchnummer des Verkäufers Z1617030732Z2

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Buchbeschreibung University Press of Mississippi. Paperback / softback. Buchzustand: new. BRAND NEW, Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation, David Ensminger, "Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation" is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine "Left of the Dial," looks at how mainstream and punk media shape the public's outlook on the music's history and significance.Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities.This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, "Visual Vitriol" includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others. Buchnummer des Verkäufers B9781617030734

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Buchbeschreibung University Press of Mississippi 2011-06-16, 2011. Paperback. Buchzustand: Fair. 1617030732 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Buchnummer des Verkäufers POTM-1617030732

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Buchbeschreibung University Press of Mississippi, 2011. Buchzustand: good. A good reading copy. May contain markings or be a withdrawn library copy. Expect delivery in 2-3 weeks. Buchnummer des Verkäufers 9781617030734-4

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Buchbeschreibung University Press of Mississippi, 2011. Paperback. Buchzustand: Used: Very Good. Buchnummer des Verkäufers SONG1617030732

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Buchbeschreibung University Press of Mississippi 2011-06-16, 2011. Paperback. Buchzustand: New. 1617030732 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Buchnummer des Verkäufers TM-1617030732

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Buchbeschreibung University Press of Mississippi. PAPERBACK. Buchzustand: Fine. 1617030732 Like New Condition. Buchnummer des Verkäufers LN6.0823034

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Buchbeschreibung University Press of Mississipp, 2011. Paperback. Buchzustand: Very Good. Buchnummer des Verkäufers P021617030732

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