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What is more important in architectural works?their form, shape, and color, or the meanings and symbolism that can be associated with them? Can aesthetic judgments of architecture be independent of the stories one can tell about buildings? Do non-architects perceive buildings in the same way as do architects?

For the greater part of the twentieth century it was common to respond to these and similar questions by relying on psychological theories asserting there is no innocent eye, that we think only in language, and that human visuality results from preexisting, conceptual knowledge. Dramatic breakthroughs in philosophy and psychology over the past two decades, however, have shown us that human visuality functions for the most part independently of conceptual thinking and language.

This book examines the ways in which new theories of human visuality create a different understanding of architectural design, practice, and education. This new understanding coincides with and supports formalist approaches to architecture that have become influential in recent years as a result of the digital revolution in architectural design.

Über den Autor:

Branko Mitrovi? is Professor of Architectural History and Theory at the Unitec Institute of Technology in Auckland and the author of Learning from Palladio and Philosophy for Architects.

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Buchbeschreibung University of Virginia Press, United States, 2013. Hardback. Buchzustand: New. New.. 211 x 155 mm. Language: English . Brand New Book. What is more important in architectural works--their form, shape, and color, or the meanings and symbolism that can be associated with them? Can aesthetic judgments of architecture be independent of the stories one can tell about buildings? Do non-architects perceive buildings in the same way as do architects? For the greater part of the twentieth century it was common to respond to these and similar questions by relying on psychological theories asserting there is no innocent eye, that we think only in language, and that human visuality results from preexisting, conceptual knowledge. Dramatic breakthroughs in philosophy and psychology over the past two decades, however, have shown us that human visuality functions for the most part independently of conceptual thinking and language. This book examines the ways in which new theories of human visuality create a different understanding of architectural design, practice, and education. This new understanding coincides with and supports formalist approaches to architecture that have become influential in recent years as a result of the digital revolution in architectural design. Buchnummer des Verkäufers AAC9780813933788

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Buchbeschreibung University of Virginia Press, 2013. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CE-9780813933788

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Buchbeschreibung University of Virginia Press. Hardback. Buchzustand: new. BRAND NEW, Visuality for Architects: Architectural Creativity and Modern Theories of Perception and Imagination, Branko Mitrovic, What is more important in architectural works--their form, shape, and color, or the meanings and symbolism that can be associated with them? Can aesthetic judgments of architecture be independent of the stories one can tell about buildings? Do non-architects perceive buildings in the same way as do architects? For the greater part of the twentieth century it was common to respond to these and similar questions by relying on psychological theories asserting there is no innocent eye, that we think only in language, and that human visuality results from preexisting, conceptual knowledge. Dramatic breakthroughs in philosophy and psychology over the past two decades, however, have shown us that human visuality functions for the most part independently of conceptual thinking and language.This book examines the ways in which new theories of human visuality create a different understanding of architectural design, practice, and education. This new understanding coincides with and supports formalist approaches to architecture that have become influential in recent years as a result of the digital revolution in architectural design. Buchnummer des Verkäufers B9780813933788

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Buchbeschreibung University of Virginia Press, United States, 2013. Hardback. Buchzustand: New. New.. 211 x 155 mm. Language: English . Brand New Book. What is more important in architectural works--their form, shape, and color, or the meanings and symbolism that can be associated with them? Can aesthetic judgments of architecture be independent of the stories one can tell about buildings? Do non-architects perceive buildings in the same way as do architects? For the greater part of the twentieth century it was common to respond to these and similar questions by relying on psychological theories asserting there is no innocent eye, that we think only in language, and that human visuality results from preexisting, conceptual knowledge. Dramatic breakthroughs in philosophy and psychology over the past two decades, however, have shown us that human visuality functions for the most part independently of conceptual thinking and language. This book examines the ways in which new theories of human visuality create a different understanding of architectural design, practice, and education. This new understanding coincides with and supports formalist approaches to architecture that have become influential in recent years as a result of the digital revolution in architectural design. Buchnummer des Verkäufers AAC9780813933788

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Buchbeschreibung University of Virginia Press. Hardcover. Buchzustand: New. 0813933781 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Buchnummer des Verkäufers 16494079

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Buchbeschreibung University of Virginia Press 2013-05-30, Charlottesville, 2013. hardback. Buchzustand: New. Buchnummer des Verkäufers 9780813933788

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Buchbeschreibung University of Virginia Press. Hardcover. Buchzustand: New. Hardcover. 136 pages. Dimensions: 8.3in. x 6.1in. x 0.8in.What is more important in architectural workstheir form, shape, and color, or the meanings and symbolism that can be associated with them Can aesthetic judgments of architecture be independent of the stories one can tell about buildings Do non-architects perceive buildings in the same way as do architects For the greater part of the twentieth century it was common to respond to these and similar questions by relying on psychological theories asserting there is no innocent eye, that we think only in language, and that human visuality results from preexisting, conceptual knowledge. Dramatic breakthroughs in philosophy and psychology over the past two decades, however, have shown us that human visuality functions for the most part independently of conceptual thinking and language. This book examines the ways in which new theories of human visuality create a different understanding of architectural design, practice, and education. This new understanding coincides with and supports formalist approaches to architecture that have become influential in recent years as a result of the digital revolution in architectural design. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Buchnummer des Verkäufers 9780813933788

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Buchbeschreibung Hardcover. Buchzustand: New. 157mm x 15mm x 211mm. Hardcover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 136 pages. 0.318. Buchnummer des Verkäufers 9780813933788

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