ALL WOMAN AND SPRINGTIME
a novel By Brandon W. JonesALGONQUIN BOOKS OF CHAPEL HILL
Copyright © 2012 Brandon W. Jones
All right reserved.ISBN: 978-1-61620-077-0Chapter One
Gyong-ho fed another pant leg into a powerful, old cast iron machine, counting the stitches as she ran a perfect inseam. She watched intently as the needle danced across the rough fabric, plunging in and out of the cloth with methodic violence—she was amazed the fabric did not bleed. It was a paradox of sewing, that such brutality could bind two things together. A distant cloud shifted, liberating a pocket of sunlight that had been building up behind it, flooding the dirty windows high on the factory wall and illuminating her work station in smeared and spotted light. Now the needle glinted as it stabbed. Gyong-ho felt grateful for the light because of its illusion of warmth—she could still see her breath, and her dry fingers ached. The factory was a cold concrete cavern, full of fabric scraps and echoes, a container for damp and chilly air.
She glanced up only momentarily. The Great Leader, Kim Il-sung, and his son the Dear Leader, Kim Jong-il, looked down on her from behind their golden frames. They perched on the wall, smiling, like they did on every wall, looking down on her, watching and weighing her every move. Reflexively she prostrated from within, bowed her head and worked harder. She was not good enough. The portraits filled her with awe and fear. It is by the grace of the Dear Leader that I live so well, she recited to herself mechanically.
Gyong-ho was in a nest of sound. The air around her hummed and stuttered with the staccato of one hundred sewing machines starting and stopping at random. Electricity buzzed from lights and machines, and seemingly from the factory women themselves, who were plugged into the walls by unseen tethers. Scissors snipped and clipped at threads in punctuating chops, sharp steel sliding on sharp steel. Holding the sounds together, corralling them, was the shuffling step of the foreman pacing his vengeful circuit of the factory floor, dragging his mangled foot as he walked—thump, slide ... step; thump, slide ... step. The sounds were a kind of music to Gyong-ho, helping her focus, occupying a busy part of her mind that was always looking to distill order from chaos.
The pained and lumbering gait of the foreman drew nearer, and Gyong-ho tensed. His powerful body odor preceded him, pinning her to her chair. He was both sour and flammable. He stopped in front of her, and she could hear his raspy breathing, could smell the smoke on his breath. Without looking up at him, she could see his scarred and slanted face, lined with disapproval. He grunted and then labored onward, shuffling away. Gyong-ho exhaled. She knew that his obvious pain was an example of his impeccable citizenship: He walked all day in spite of it for the glory of the republic.
Foreman Hwang would tolerate no disruption to production, and even restroom emergencies were met with heavy scorn and public humiliation. there was a sign on the wall that read, Eat No Soup. It was a campaign designed to increase production by curbing restroom visits. Unfortunately for Gyong-ho, thin soup had been the only food available that morning at the orphanage. She had tried not to eat too much of it, but she had been hungry; so she danced around her straining bladder, working her hips back and forth in coordination with her sewing.
She worked in rhythm, fast and precise, feeding legs and waists and cuffs into her hungry machine as fast as it could chew them. She worked to outpace a memory that was pursuing her, reaching for her, breathing on her. She was afraid that if she slowed down for even a moment, it might catch up with her, grasping the back of her neck with a black-gloved claw. It was a demon chasing her down a long corridor, his hard shoes echoing, his stride longer than hers, leather hands grazing the little hairs on the back of her neck as they snatched for her, always catching up with her. She kept up a mental race in an effort to evade the memory, her mind in overdrive to distraction.
She chanced a brief look to her right. Her best friend, Il-sun, was finishing a cuff. The seam staggered drunkenly, and one of the trouser legs appeared a little longer than the other. It was a wonder how she could get away with it; but then, she was the pretty one. Sunlight, whenever it shone, seemed to cling to her. Most days it condensed right on her, running in bright rivulets down her body, drawing eyes down the length of her. She was even beautiful with dark circles under her eyes from lack of sleep, and her lethargic motions were fluid—seemingly an open invitation to caress. Her heart-shaped face was set off by pouting red lips and eyes that gazed mischievously from the corners of their sockets. Her skin was flawlessly smooth and her pin-straight hair hung in a black curtain just below her shoulders. In just the last year her body had taken on a new shape that made her hips and shoulders move in hypnotic opposition as she walked. People turned to watch her whenever she glided by, their gaze causing her to radiate even more, to be even more beautiful. Men in particular were affected by her presence, losing their ability to speak, looking both fearful and hungry. Gyong-ho did not like the change.
She worried that Il-sun would again not meet the day's quota. This would make the fifth day in a row. How long could she go on like this, so indifferent to authority? It was as if she did not understand the consequences of being so ... individualistic.
They had been working at the factory for less than a year. At seventeen years old, they had been excited to join the ranks of working adults—the novelty of going to the factory every day was a welcome break from the tedium of school. They had felt a sense of maturity as they left the orphanage each morning in their factory uniforms—bright red caps, pressed white shirts, and navy blue trousers—the younger girls gazing at them with awe and respect. Their heads had been filled with images of going to the factory with a feeling of pride and purpose, as if every day was going to be more exciting and fulfilling than the last; after all, this was called the Worker's Paradise. In a short time, however, all the basics of sewing were mastered, and the job itself did not require much more than that—cut, match, sew, snip, cut, match, sew, snip. Every day, day in and day out, it was the same pair of trousers over and over again. The work transformed quickly from excitement to drudgery, especially under the thumb of the fearsome and cranky foreman.
Finally, a whistle blew and the foreman announced, as if it were against his better judgment, that lunch was being served in the cafeteria. Gyong-ho and Il-sun stood up and, in rigid military fashion, filed out the factory door. Gyong-ho wondered if there really would be lunch, or just the sawdust gruel that was served most days.
The women splintered into small groups as they exited the workroom, and the air filled with chatter. It seemed an odd contrast between the martial atmosphere of the workroom and the casual muddle of the lunch room, as if they were ants that morphed into women and then back into ants again. Occasional laughter could be heard, and a Party anthem played in the background on tinny speakers. Gyong-ho made a break for the latrine. When she returned, she and Il-sun queued up in the cafeteria, waiting for the day's ration, which turned out to be a small scoop of rice and a slice of boiled cabbage. On the wall behind the...
