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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Contents: Introduction: portraiture's selves, Andrea Pearson; Gender and the configuration of early Netherlandish devotional skill, Bret Rothstein; Productions of meaning in portraits of Margaret of York, Andrea Pearson; The posthumous image of Mary of Burgundy, Ann M. Roberts; Effaced: falling widows, Allison Levy; Daddy's little girl: patrilineal anxiety in 2 portraits of a Renaissance daughter, Katherine A. McIver; Engaging negation in Hans Holbein the Younger's portrait of Christina of Denmark Duchess of Milan, Christiane Hertel; All the queen's women: female double portraits at the Caroline court, Jennifer L. Hallam; Troubling identities and the agreeable game of art: from Madame de Pompadour's theatrical 'breeches' of decorum to Drouais' portrait of Madame Du Barry en homme, Melissa Hyde; Sculpting her image: Sarah Siddons and the art of self-fashioning, Heather McPherson; Works cited; Index. Buchnummer des Verkäufers

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Inhaltsangabe: As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.

About the Author: Andrea Pearson is a specialist in the visual culture of northern Europe from the fourteenth through the sixteenth centuries, she has published on gender and devotional art in Gesta, Renaissance Quarterly, Woman's Art Journal, and the Sixteenth Century Journal.

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Andrea Pearson, Allyson M. Poska, Abby Zanger
Verlag: Ashgate Publishing Group
ISBN 10: 0754656667 ISBN 13: 9780754656661
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Buchbeschreibung Ashgate Publishing Group. Hardback. Buchzustand: new. BRAND NEW PRINT ON DEMAND., Women and Portraits in Early Modern Europe: Gender, Agency, Identity (New edition), Andrea Pearson, Allyson M. Poska, Abby Zanger, As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far.It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject. Buchnummer des Verkäufers B9780754656661

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Pearson, Andrea
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Buchbeschreibung Routledge, 2016. Paperback. Buchzustand: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Buchnummer des Verkäufers ria9780754656661_lsuk

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97807546566610000000

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Pearson, Andrea
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Buchbeschreibung Ashgate Pub Co, 2008. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers KS-9780754656661

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Andrea Pearson
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Buchbeschreibung Routledge, 2008. HRD. Buchzustand: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Buchnummer des Verkäufers IP-9780754656661

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PEARSON, ANDREA
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Buchbeschreibung Routledge, 2008. Hardback. Buchzustand: NEW. 9780754656661 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Buchnummer des Verkäufers HTANDREE01014751

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Verlag: Taylor Francis Ltd, United Kingdom (2008)
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Buchbeschreibung Taylor Francis Ltd, United Kingdom, 2008. Hardback. Buchzustand: New. Language: English . Brand New Book. As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women s images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book s broad contributions: it dispels false assumptions about agency s possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency.The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject. Buchnummer des Verkäufers AAS9780754656661

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Verlag: Taylor Francis Ltd, United Kingdom (2008)
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Buchbeschreibung Taylor Francis Ltd, United Kingdom, 2008. Hardback. Buchzustand: New. Language: English . Brand New Book. As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women s images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book s broad contributions: it dispels false assumptions about agency s possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency.The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject. Buchnummer des Verkäufers AAS9780754656661

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Andrea Pearson
Verlag: Ashgate 2008-04-17 (2008)
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Buchbeschreibung Ashgate 2008-04-17, 2008. Hardcover. Buchzustand: New. 0754656667. Buchnummer des Verkäufers 628993

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Andrea Pearson, Andrea Pearson (Editor)
Verlag: Ashgate (2008)
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Buchbeschreibung Ashgate, 2008. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0754656667

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