PUNK NEW WAVE UNDERGROUND (11 Ergebnisse)

Glossy wrappers saddle-stapled. Zustand: Near Fne. Pat Moriarity [cover] (illustrator). First Edition. Small 4to (8.25 x 11 inches). Pp. 107, including covers. Illustrated throughout with black & white photography. Printed on newspaper stock with glossy wraps, saddle-stapled with a color illustration by Pat Moriarity on front cover. A bright, fresh copy with just a hint of edge wear. This issue features a cover illustration by Pat Moriarity, with articles on Surgery, Flour, Mark of Cain, King Snake Roost, Killdozer, the Lunachicks, and, the best band of the era, Lubricated Goat. Now housed in a removable, clear archival sleeve with an acid-free backing.

Glossy wrappers saddle-stapled. Zustand: Very Good. The Pizz [cover] (illustrator). First Edition. Small 4to (8.25 x 11 inches). Pp. 87, including covers. Illustrated throughout with black & white photography and comix. Printed on newspaper stock with glossy wraps, saddle-stapled with a color cover illustration by The Pizz. Just a hint of edge-wear. A bright copy. This issue features a cover illustration by The Pizz, with articles on Vertigo, Stripminers, Don Fleming, Jerry Lee Lewis, the Dwarves, Crawlspace, etc. Now housed in a removable, clear archival sleeve with an acid-free backing.

Glossy wrappers saddle-stapled. Zustand: Near Fine. First Edition. Small 4to (8.25 x 11 inches). Pp. 84, including covers. Illustrated throughout with black & white photography and comix. Printed on newspaper stock with photo-illustrated glossy wraps, saddle-stapled. Some age-toning and slight edge wear. A bright copy. This issue with features a Charles Peterson cover photo, with articles on Poison Idea, Laughing Hyenas, Seattle's Cat Butt featuring David Duet and Charlie Ryan ("Circus Charlie"), and a fine Peterson photo of the U-Men. Now housed in a removable, clear archival sleeve with an acid-free backing.

Glossy wrappers saddle-stapled. Zustand: Very Good+. Jeff Gaither [cover art] (illustrator). First Edition. Small 4to (8.25 x 11 inches). Unpaginated. Illustrated throughout with black & white photography and comix. Printed on newspaper stock with glossy wraps, saddle-stapled with a color illustration by Jeff Gaither over covers. Some age-toning and slight edge wear. A bright, fresh copy. This issue features a cover illustration by Jeff Gaither, with articles on Playhouse, Sister Ray, Happy Flowers, the Cows, Menudo, the Droogs, Angry Samoans, a New York scene report and assorted comix. Now housed in a removable, clear archival sleeve with an acid-free backing.

Zustand: Near Fine. First Edition. Small 4to. Illustrated with black & white photography. Bound in printed paper wrappers stapled. A bright, fresh copy. Debut issue of the Chicago-based fanzine, which takes a special look at the Pacific Northwest, with articles on an Olympia festival titled Love Rock Revolution Girl Style Now, an article on Gas Huffer, ("Janitorially Yours" -- a reference to their album title "Janitors of Tomorrow"), Seaweed, Treepeople, etc. Now housed in a removable, clear archival sleeve with an acid-free backing. Silkscreened wrappers saddle stapled.

Printed wrappers. Zustand: Near Fine. First Edition. 8vo. Pp. 24, including covers. Illustrated with black & white illustrations and comix. Bound in loose paper wrappers. A bright copy with just a suggestion of wear. A super cool fanzine largely devoted to the Cramps and the garage milieux, with references to the Fuzztones, "Riot on Sunset Strip," the Nomads, the Legendary Stardust Cowboy, etc. Includes a two-sided Tim Elcoch poster measuring 12 x 17 inches. Now housed in a removable, clear archival sleeve with an acid-free backing.

Poster. Zustand: Good+. First Edition. Single sheet 11 x 17 poster printed on buff card stock. Light foxing, chips and pinholes to corners. Jim Basnight's second band the Moberlys was formed in 1978 and disbanded in 1980. Now housed in a removable, clear archival sleeve with acid-free backing.

Poster. Zustand: Good+. First Edition. Single sheet 11 x 17 poster printed on yellow card stock. Light foxing to upper portion, chips and pinholes to corners. Chinas Comidas was founded by ex-Red Dress members Cynthia Genser and Rich Riggins, and the bands frequently gigged together around 1980. Now housed in a removable, clear archival sleeve with acid-free backing.

Zustand: Very Good. R. K. Sloane [front cover]; Jeff Gaither, Michael Roden, Ed Roth [rear cover] (illustrator). First Edition. 4to. Pp. 56, including covers. Illustrated throughout with black & white photography and comix. Printed on newspaper stock, saddle-stapled with an illustration by R. K. Sloane on front cover and rear cover illustration by Jeff Gaither, Michael Roden. Old horizontal fold now mellowed, minor edge-wear. An early issue in the original large format, before the fanzine transitioned to the smaller glossy size. This issue features articles on Anthrax, Big Stick, Doctors Mob, Faith No More, Seattle stand-outs the U-Men, The Mentors, Samhain, etc. Now housed in a removable, clear archival sleeve with an acid-free backing. Printed wrappers saddle-stapled.

Zustand: Very Good. First Edition. Loose sheet printed both sides, bifolium measures 8 x 11.75 inches; opened, 16 x 11.75 inches. Illustrated with black & white photographs and comix. Crease across middle now mellowed. A newsletter and guide to the Tom Robinson Band's 1979 North American Tour - North American inasmuch as it included a single Canadian stop in Vancouver, BC. Scarce. The "Seattle" venue was a short-lived spot on Pacific Highway South near Federal Way. Now housed in a removable, clear archival sleeve with an acid free backing.

Zustand: Good+. First Printing. Original large-format poster measures 12" x 19". Offset three color printing on glossy stock. Old horizontal crease across middle of poster, now mellowed. Pinholes at corners, and a closed one-inch tear at left side. Designer is credited to Peter G. A showbill for the British ska band Madness at the Husky Union Building, in the heart of the University of Washington campus. Oddly, the show was promoted by John Bauer Concert Company, then disparaged by the underground crowd for promoting lame AOR bands along the lines of Toto or Ted Nugent. The concert was produced in conjunction with the ASUW (Associated Students of the University of Washington).