ALBERT CAMUS; STUART GILBERT TRANSLATOR (26 Ergebnisse)

Mass Market Paperback. Zustand: Very Good. lifted cover.

Zustand: Good. The Modern Library New York 12mo. 278 pages. green cloth boards. binding tight. underlining and notes in margins by previous owner.

Library Binding. Zustand: Very Good. No Jacket. The cover of this all-in-French book is in excellent condition. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. Hardcover 12th printing (1961) in plain black boards has minor shelf-wear, top text-block darkened, tight and unmarked. Unclipped dramatically illustrated jacket in new mylar cover has two inch vertical tear to top front cover, moderate edge-wear, rear flap torn and still attached. A solid copy, not ex-library.

Zustand: New.

Paperback. Zustand: Good. French. Good paperback, ex library copy. Cover and page block are shelf worn, with marks and minor scuffs, light wear to edges and corners, library sticker adhered to spine foot. Usual array of stamps and stickers within. Text block is tightly bound, content clean and clear. CN. Used.

Paperback. Zustand: Fair.

Paperback. Zustand: Good.

Paperback. Zustand: Good.

Zustand: Good. Alfred A. Knopf New York 1958 tenth printing, december 1958. black cloth boards slightly rubbed and stained. previous owner inscription to ffep. binding tight, pages bright.

1st edn 1st printing. 8vo. Original red lettered blue cloth (casing cocked and spine and edges of boards faded), no dustwrapper. Pp. 285 (faint spotting on page edges and endpapers; previous owner's bookplate on front paste-down).

Hardcover. Zustand: Good. No Jacket. 1st US Edition. Black cloth with gilt lettering to spine. Spine ends and corners bumped and frayed, with small splits to cloth. Maroon topstain. Binding shaken and cracked. Text with pen marking and underlining throughout. Interior lightly toned. Prev owner name to ffep, and their blindstamp to an early page. No stickers. Not ex-library. 278 pp.

Paperback. Zustand: Brand New. reissue edition. 308 pages. 7.75x5.25x0.50 inches. In Stock.

Hardcover. Collector's Edition. Octavo, 181 Pages. In Very Good condition. Blue spine with gilded lettering. Full binding in Blue genuine leather with gilt decorative motifs. Boards show minor fraying to bottom corners. Tight and clean internally with no marks or inscriptions. Easton Press Collector's Edition of "L'Etranger", translated by Stuart Gilbert and illustrated by Daniel Maffia. Note: Shelved in Netdesk Column W, ND-W. 1405821. FP New Rockville Stock.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. First U.K. Edition, in very good condition; no dj. In the original green cloth (gilt titles to spine) with fading around the extremities of front board. Booksellers original writing inside front - tight binding. Camus's first novel, and the first to be published in English, preceding the American edition published by Knopf, and with an introduction by Cyril Connolly not present in the American edition.

Cloth. Zustand: Fine. None (illustrator). The second impression of the first English language translation of Albert Camus's absurdist existentialist classic, in the striking original Michael Ayrton dust wrapper. First published in the original French in 1947, and first translated into English the following year, this is the first edition, second impression of the first English language edition, translated by Stuart Gilbert.In the original price clipped dust wrapper, with front flyleaf stamped with the later price of 7s 6d.Camus's novel is set in the French Algerian city of Oran as it combats a plague outbreak and is put under a quarantine. The novel stresses the powerlessness of the individual characters to affect their own destinies.Camus was awarded the Nobel Prize for Literature in 1957, largely due to this novel. In the publisher's original cloth binding, with clipped dust wrapper. Externally, fine. Dust wrapper lightly age toned, with minor loss and a touch of chipping to back strip tail, and with dust wrapper restored with tape to the reverse at back strip head and tail and flyleaf folds head and tail. Price stamp to tail of front flyleaf. Internally, firmly bound. Pages clean and bright. Fine. book.

Hardcover. Zustand: Good+. Zustand des Schutzumschlags: Good. First American Edition. CLEAN Good+ 1948 First American Edition First Printing with Good price clipped dust jacket.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. None (illustrator). First edition. The first English language translation of Albert Camus's absurdist existentialist classic, in the striking original Michael Ayrton dust wrapper. First published in the original French the year prior, this is the first edition, first impression of the first English language edition, translated by Stuart Gilbert.In the original unclipped first impression dust wrapper.Camus's novel is set in the French Algerian city of Oran as it combats a plague outbreak and is put under a quarantine. The novel stresses the powerlessness of the individual characters to affect their own destinies.Camus was awarded the Nobel Prize for Literature in 1957, largely due to this novel. In the publisher's original cloth binding, with unclipped dust wrapper. Back strip and board perimeters age toned, with small mark to tail of front board, and a touch of shelf wear to back strip tail. Light spotting to text block fore edge. Dust wrapper exceptionally bright, with minor loss to tail of fold over rear joint, and just a touch of chipping to back strip head. Internally, firmly bound. Pages exceptionally clean and bright. Very Good. book.

Hardcover. First American Edition, First Printing. Octavo, 278 pages. In Good condition with a Good minus condition dust jacket. Blue-grey and black spine with black, red, and white lettering. Dust jacket is wrapped in a mylar covering, price is uncut "$3.00 net", has moderate shelving wear, mild to moderate wear along the extremities, chipping along the joints and fore edges, scratches on the rear cover, tears along the head edges and spine, and moderate age-toning. Boards have mild age-toning along the head and tail edges, mild wear along the extremities, stains on the rear board, and bending wear along the spine head and tail edges. Text block has mild splitting to the gutter pages 89-121, stains on the rear end-page and paste-down, moderate age-toning throughout, mild wear along the edges, and faded dark red inking along the head edge. DL consignment. Shelved in Case 6. Albert Camus was born November 7, 1913 in Dréan, Algeria (then French Algeria). Camus' mother was deaf and illiterate, his father killed in acting in 1914 serving in World War I and he would grow up very poor pied-noir (a slang term for French and other European people born in Algeria). Camus would be diagnosed with tuberculosis in 1930, at which time he moved in with his uncle Gustave Acault. Living with his uncle, Camus found a great love for philosophy, taking particularly to Greek philosophers and Nietzsche. This love of philosophy would push Camus to completing a degree in philosophy in 1936. During and after his time in university, Camus would join the Algerian Communist Party and Algerian People's Party, both of which sought freedom from colonial rule in Algeria. Camus' work with the ACP greatly involved organizing the "Théâtre du Travail" [Worker's Theater] which would be renamed "Théâtre de l'Equipe" [Theater of the Team] after Camus and the ACP split. Some of the scripts written for "Théâtre de l'Equipe" would become the basis for his later novels. In 1938 Camus solidified his anti-colonial feelings, working for a leftist newspaper which spoke out against the colonial regime as well as the rising fascist regimes across Europe. In 1940 Camus moved to Paris after the banning of the newspaper, there producing his "first cycle" of works on the absurd, including his most famous work "L'Étranger" ("The Stranger"). With the outbreak of World War II and the German invasion of France, Camus fled Paris, moving first to Lyon in southeast France, then to Algeria, and then to the Frech Alps to recover from a flare up of tuberculosis. It was in the Alps that Camus began work on his "second cycle" of works, now dealing more with revolt. "La Peste" or "The Plague" would be published in 1947 in France, and in 1948 in the US riding on Camus' infamy gained both for his earliest works and for his role in the French Resistance against German occupation. It depicts the Algerian city of Oran amidst a devastating plague and many different people's reactions to it, from feelings of despair to those who fight bravely against the illness. Both Camus' own tuberculosis and a cholera epidemic which killed a large portion of Oran in 1849 were inspirations for the novel, though it was set in the 1940's. The novel has been noted as allegorical for the French resistance to Nazi occupation during World War II. Upon it's release, "The Plague" received generally positive critical reception with moderate commercial success. However, during the COVID-19 pandemic in 2020, the novel became a best-seller with publisher Penguin Classics reporting difficulties matching demand. Many hailed "The Plague" as a reflection of the time, with lockdown measures compared to the novel's cordon sanitaire, and Camus' own daughter noting that it should be inspiration for people to take responsibility in how they reacted to the pandemic. 1387500. Shelved Dupont Bookstore.

Hardcover. First American edition. First American edition, first printing. vi, 278, [2] pp. Bound in publisher's black cloth with blindstamped front board, gilt lettering on spine. Near Fine with tiny stain to front board, old bookstore ticket on front free endpaper, in a Very Good dust jacket, price-clipped, rubbed along edges, tiny chip in top of front panel, a few tape mends to verso. Camus' existentialist novel, La Peste in the original French, set in Oran, Algeria.

Zustand: Very Good. First American Edition. First American edition, first printing. [vi], 154, [1] pp. with advertisement page tipped in at front. Bound in publisher's tan cloth with maroon spine lettering and red topstain; lacking dust jacket. Very Good with lean and fading to spine, light waterstaining and scattered foxing to cloth. Minimal soiling and previous owner inscription to front endsheet. Camus' existential novel made a splash when it was translated into English in 1946 -- the New York Times called him "an outstanding leader of the writers who have emerged in France since the war" -- and is now taught in schools worldwide.

Zustand: Near Fine. First American Edition. First American edition, first printing. [vi], 154, [1] pp. Bound in publisher's tan cloth with maroon spine lettering and red topstain; lacking dust jacket. Near Fine with light wear to covers and light foxing to covers and endpapers. A nice first American edition of Camus' existential novel.

Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First American Edition. First American edition, first printing. [vi], 155, [1] pp. Bound in publisher's beige cloth stamped in brown, red topstain. Near Fine with offsetting to endpapers from dust jacket. In a Very Good unclipped dust jacket with light edgewear, light toning and moderate soiling, and creasing to lower rear panel. An attractive copy of the existentialist classic. The Stranger was first published in France in 1942, in a limited print run of 4,400 copies. By 1946, Camus was an international celebrity thanks to his role as editor of the Resistance journal Combat, and his novel was simultaneously published in Britain and the United States to great acclaim.

Zustand: Very Good. First American Edition. First American edition, first printing. [vi], 154, [1] pp. Bound in publisher's tan cloth with maroon spine lettering, red topstain. Very Good with tanning and foxing to spine and edges. Offsetting and foxing at endsheets with ownership of writer and artist Mariquita Villard [Platov], Reed College, Portland, Ore. at front free endpaper. A nice first American edition of Camus' existential novel.

First UK Edition. First Impression. Octavo (19cm); gray-green textured cloth, with titles stamped in gilt on the spine; [ii],104pp. Hint of sunning to spine, scattered foxing to upper and right edge of textblock; Near Fine. Dustjacket is unclipped (priced 6s. net), gently spine-sunned and lightly edgeworn, with a few tiny nicks and tears to extremities, and some faint foxing to rear panel; Very Good+.Camus's first novel, and the first to be published in English, preceding the American edition published by Knopf, and with an introduction by Cyril Connolly not present in the American edition. Since it was first published by Gallimard as L'Etranger in 1942, Camus's first-person narrative of solitude and disaffection has become a classic of existential literature, and the basis for the 1967 Luchino Visconti film starring Marcello Mastroianni and Anna Karina. Connolly 100.

First American Edition. First American edition. [vi], 154, [1] pp. Bound in publisher'sl tan cloth with maroon spine lettering, red topstain. Basically Fine, contents unmarked, hint of toning to spine, lacking the dust jacket. A very nice copy of the classic existential novel.