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Verlag: Tournay : Typographie de J. Casterman, 1839
Anbieter: Lirolay, Wilmington, DE, USA
Erstausgabe
Zustand: Very Good. Florent Fidèle Constant Bourgeois du Castelet (1767-1841) (illustrator). First Edition. ~ Gravure dépliable en frontispice avec vue de Florence, d'après Bourgeois, gravé par Devilliers jeune & vignette sur page de titre ~ Demi-basane blonde époque, dos lisse avec titre et fleurons dorés, tranches marbrées ~ 282p+2f ~ 19x12x2cm. ~ Fente naissante sur le premier mors, petites taches marginales sur qq. pages, déchirure marginale de la gravure (réparée). Très bon exemplaire tout de même ~ LANGUAGE: Français / Additional images available/// We accept PayPal & EU bank transfer in EUROS //.
Verlag: Parigi,, 1800
Anbieter: libreria antiquaria perini Sas di Perini, Verona, VR, Italien
Kunst / Grafik / Poster
Incisione in rame, mm 145x210. Veduta del paese con villa in primo piano.
Verlag: Paris: Photo-Club de Paris, 1894
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Erstausgabe
Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .