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Verlag: Independently published, 2023
Anbieter: California Books, Miami, FL, USA
Buch Print-on-Demand
Zustand: New. Print on Demand.
Anbieter: Librería Antonio Azorín, San Lorenzo de El Escorial, M, Spanien
Iria Flavia, 1999. Revista num. XIX, año V. Rústica 15,5x21,5. 168 pp.
Verlag: Mascot Books, 2013
ISBN 10: 162086200XISBN 13: 9781620862001
Anbieter: SecondSale, Montgomery, IL, USA
Buch
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Verlag: Buenos Aires Stilcograf, 1957
Anbieter: Chaco 4ever Books, Montevideo, MO, Uruguay
Magazin / Zeitschrift
Encuadernación de tapa blanda. Zustand: Muy bien. In-4. #1 Oct 1957 - #6 Oct/Nov 1960. (Complete set with 2 extra issues Sartre Ideolgia y Revolucion and Jean Daniel Albert Camus). Wrappers. Collaborators : Nina Cotese, Julio Silvain, David Viñas, Horacio Constantini, Mijail Kalatazov, Julio Cortazar, Simon de Beauvoir, Jorge Alberto Saez. Oscar Castelo, Beatriz Guido, Ernesto Sabato, Adelaida Gigli, Among others. Illustrated by Schurjin, Kalondi, Among others. The magazine's leitmotif, gray is all theory and green is the golden tree of life not very dialectical, let's say , stained several details of the outer sheet of the first issue (cover, contract and both withdrawals in green); playful wink, objectively trivial and perhaps onerous. The small and manageable format, the widely oxygenated design, distinguished it from the crowded black and white tabloid that had been preferred by various cultural gazettes on the left. El Grillo de Papel produced six neatly bimonthly issues over a year, between October 1959 and October-November 1960. Faced with the proverbial irregularity of Argentine literary magazines, this already meant a type of ambitious insertion. Shortly after the anniversary issue was published, the government's censorship of Arturo Frondizi closed Stilcograf, the company that printed this and other left-wing magazines; one of them was Gaceta Literaria, closer to the Communist Party, where in fact the young creators of El Grillo had briefly participated. Both magazines were renamed after a few months: Gaceta reformulated in Hoy en la cultura; the one in question, identical in design and project and bearing allusions that show continuity, such as El Escarabajo de Oro from May / June of '61 and in other 48 issues until 1974. In a certain sense, El Grillo de Papel well exemplifies the genesis, in the cultural field, of what is usually called the new left , a variety of small groups that appeared in these years, generally detached from the main left parties with criticism both to authoritarianism as well as to the reformism of its conductions. El Grillo de Papel published short stories (and also poems) by various Argentine authors, some of which will become true best sellers before the middle of the Boom decade: Julio Cortázar, Ernesto Sábato, Beatriz Guido, Castillo himself .Tarcus p45. B2.