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Gattorno. With 38 reproductions and a few: HEMINGWAY, Ernest.

HEMINGWAY, Ernest.

Verlag: Havana: Ucar, Garcia Y Cia, 1935 (1935)

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Von: Peter Harrington. ABA member (London, Vereinigtes Königreich)

Bewertung: 5 Sterne

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Beschreibung: Havana: Ucar, Garcia Y Cia, 1935, 1935. Quarto (254 x 192 mm). Recent green cloth, gilt titles to spine on red morocco label. With the original front wrapper bound in. Closed tear to top edge of front wrapper with creases to extremities, a little dampstaining affecting edges of preliminaries and first few pages, small loss to colophon leaf, illustrations and text clean. A very good copy of a fragile publication. Text in two columns in English and Spanish. Lithograph portrait and 37 lithographic illustrations by Gattorno. First edition, sole printing, number 442 of 460 copies of this scarce Hemingway publication championing the art of Antonio Gattorno (1904-1980). Presentation copy inscribed by the artist to Juan Jose Sicre: "Para J. J. Sicre, su amigo, Gattorno, Santa Amalia 15/6/1935". Juan José Sicre (1898-1974) was a Cuban sculptor and painter who, along with Gattorno, introduced a distinctly European style of modern art to Cuba. Having both studied in Europe in the 1920s, Gattorno and Sicre fell under the influence of artists such as Picasso and, particularly for Gattorno, Paul Gauguin, whose rural primitivism helped develop an interest in the rural poor and an increased sense of nationalism. On returning to Cuba Sicre became the professor of sculpture at the Academy of San Alejandro and contributed to the avant garde magazine Revista de Avance in order to establish a new form of Cuban national identity in the arts. Through this sense of national pride, Sicre became "the most famous Cuban sculptor of his time" (Bethell, p. 413). It is likely that Gattorno met Hemingway as early as 1929 when Gattorno was living in France as part of El Grupo de Montparnasse, a contingent of Spanish and Latin American artists and writers who embodied the European modern art movement of the 1920s. Through the influence of these writers Gattorno's art changed conspicuously, with Sicre expressing concern that Gattonro had become all "too modern" by embracing a European romantic conception of Cuban national identity. But, as Hemingway notes in his foreword to this edition, Gattorno had undergone a transformation from "a Cuban painter" into "a painter for the world [.]. Now it is time for him to leave [Cuba] again but he will always return to it where he is painting". Hemingway's patronage of Gattorno extended far beyond the foreword to this monograph. Hemingway "was well aware of the magnetic effect his name might have on such a publication" and sent two copies of the book to the editor of US magazine Esquire, Arnold Gingrich, encouraging him to publish eight full-colour reproductions of Gattorno's work in the 1936 edition (Baker, p. 264). Within a year Gattorno was invited to hold a solo exhibition in New York, paving the way for Gattorno's success in 1937 when he was commissioned by the Bacardi Company to paint a mural in their offices in the Empire State Building. Grissom B21; Hanneman B17. See Sean Poole, Gattorno: A Cuban Painter for the World (2004). Bestandsnummer des Verkäufers 120905

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Hemingway, Ernest (stories); de Weymer, Ott [pseud. of Georges Duplaix] (translation)

Verlag: Gallimard, Paris (1928)

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Von: Captain Ahab's Rare Books (Stephenson, VA, USA)

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Beschreibung: Gallimard, Paris, 1928. First French Edition. First Printing, limited issue, one of 100 copies bound for the Bibliophiles de la Nouvelle Revue Français, numbered in Roman numerals from I to C, this being copy no.I. Octavo (18.75cm); printed wrappers; original glassine overlay; 226,[6]pp. With a presentation inscription from the translator (in ink) on the front endpaper: "A M. Louis Daniel Hirsch / en témoignage et sympathie / Ott de Weymer." Mild toning to spine and front wrapper extremities, with small, faint stain to upper margin of front wrapper; clean throughout, with pages unopened; Near Fine, in a lightly toned and edgeworn glassine. The first of Hemingway's books published in French, collecting the title story and five others: "Mon vieux," " L'Invincible," "Le Champion," "Le village indien," and "Les Tueurs." A distinguished copy, inscribed by the translator to Louis Daniel Hirsch, author and Director of Sales at Gallimard between 1922-1974. Likely the first Hemingway book translated into any language, and a title with no English-language equivalent. Hanneman D69. Bestandsnummer des Verkäufers 2545

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HEMINGWAY, Ernest (Alfred EISENSTAEDT)

Verlag: Limited Editions Club (1990), [New York] (1990)

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Beschreibung: Limited Editions Club (1990), [New York], 1990. Hardcover. Alfred Eisenstaedt (illustrator). First Limited Edition. Oblong folio (14-1/2" x 11") bound in blue goatskin leather and linen boards. Illustrated with five photogravures by Alfred Eisenstaedt printed from the original negatives created by Eisenstaedt in 1952 for the Life Magazine appearance of the novel. Copy #447 of 600 numbered copies SIGNED by the photographer on the colophon page. Monthly letter laid in. Fine in a Near Fine suede-lined linen clamshell box with leather label with some sunning and light soiling. Bestandsnummer des Verkäufers 017282

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SIGNED Doc letter Manuscript by Ernest Hemingway: Ernest Hemingway

Ernest Hemingway

Verlag: FLORIDA USA (1935)

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Beschreibung: FLORIDA USA, 1935. Sin Encuadernar. Zustand: Excelente. Zustand des Schutzumschlags: Excelente. FANTASTIC original MANUSCRIPT of 1935 document letter by Ernest Miller Hemingway.SIGNED.Dated: 1935, Good CONDITION. SIZE 24 cm x 14 cm. Firmado por el autor. Bestandsnummer des Verkäufers 000028

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Hemingway, Ernest.

Verlag: New York: Limited Editions Club, (1990)

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Beschreibung: New York: Limited Editions Club, 1990. Of an edition of 600 copies with the photographs printed from the original negatives Eisenstaedt produced for the Life Magazine appearance, this is No. 137. It is signed by the photographer. Oblong folio, quarter blue morocco & cream linen. Photographs. Fine in original black suede-lined clamshell case, with Newsletter laid-in. Limited Editions Club. jjh. Bestandsnummer des Verkäufers 4171bda

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Winner Take Nothing [Signed, First Printing in: Hemingway, Ernest

Hemingway, Ernest

Verlag: Charles Scribner's Sons, New York (1933)

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Beschreibung: Charles Scribner's Sons, New York, 1933. Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Good. First Edition. First printing with A and Scribner's seal at copyright in original wrapper. Rare. Beautifully signed by Ernest Hemingway on signature cut lightly adhered at title page. Stylish early fountain pen signature contemporary with this title. Black, coated cloth boards w/crisp gold labels at cover and spine, light shelf wear. Deckled pages fine; no writing. Red top edge. Bind fine; hinges intact. Original first state dust jacket in black, red and white with Laurence Stallings review at back; clipped, protected in clear sleeve. Moderate edge wear, rub, discoloration; some adhesive to back of dj. Sharp near fine first edition in good wrapper. Ernest Hemingway's third collection of short stories and first new book of fiction since the publication of "A Farewell to Arms" in 1929 contains fourteen stories of varying length. Some appeared in magazines, but the majority had not been previously published. Characters and backgrounds are widely varied. "A Clean, Well-Lighted Place" is about an old Spanish Beggar. "Homage to Switzerland" concerns various conversations at a Swiss railway-station restaurant. "The Gambler, the Nun, and the Radio" is laid in the accident ward of a hospital in western USA. Hemingway made his literary start as a short-story writer and excelled in this medium with this selection revealing some of his best. 244 pages. Insured post. Size: 12mo - over 6¾" - 7¾" tall. Signed by Author. Book. Bestandsnummer des Verkäufers 019407

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ERNEST HEMINGWAY SIGNED AUTOGRAPHED Color Plastichrome POSTCARD,: ERNEST HEMINGWAY Personally

ERNEST HEMINGWAY Personally Hand SIGNED AUTOGRAPHED Color POSTCARD on Front in Black Ink, Own a Vintage Collectible By Famous Author

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Beschreibung: Unbound. No Jacket. First Edition. Postcard approx 5 1/4 X 3 1/4 in. , Postcard Signed on Front has light Rub, wear, NF+ Condition, SIGNATURE GUARANTEED AUTHENTIC, Few FoXing Marks on blank Address Side of PostCard, The autograph is NOT a facsimile, preprint, copy or otherwise. Signed by Author. Bestandsnummer des Verkäufers 23202

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FOR WHOM THE BELL TOLLS: Ernest Hemingway

Ernest Hemingway

Verlag: Johnathan Cape (1945)

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Beschreibung: Johnathan Cape, 1945. Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1945, Inscribed w/dj, FOR WHOM THE BELL TOLLS, Ernest Hemingway, Jonathan Cape, London, tenth impression. Signed and inscribed by Hemingway to his good friend George. Excellent signature, 443 pages, 5.5 x 7.75, exactly as shown. Volume is in near fine coindition, original dust jacket is near vg, tears, chips, and shelf wear. Guaranteed authentic. Free USA shipping is via USPS Priority. Good luck & thanks. Inscribed by Author(s). Bestandsnummer des Verkäufers ABE-1511016558803

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Maurer, Paul. Hemingway, Ernest

Verlag: Serafina, NM (2017)

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Beschreibung: Serafina, NM, 2017. Artist's book, one of 4 copies, on various papers, hand lettered with metal pens and sumi ink, original block prints with water-based inks, signed by the artist on the colophon. Page size: 7.5 x 8.25 inches; 24pp; + colophon. Bound by the artist: hand-sewn in red linen thread, brown paper wrappers that have been printed with overall pattern of deep brown and vertical rectangular image of matador standing and saluting the crowd with his red cape and sword in his hand on the front on gold gilt ground and a horizontal rectangle image of black bull on red ground, housed in cover stock brown paper with block print of matador inserting two banderillas (from the 2nd stage of the corrida) into the bull's shoulders. The dramatic titlepage, a block engraving printed in black and red is followed by an opening page spread that has the text starting, "So I went to Spain." on the verso and an image of a bull and picador with the ensuing blood, The text lines are curved, following the block print lines. This is the relationship between each subsequent image and text page. The curving lines and bulls curving neck as well as the muleta are all intertwined to make striking images of the ritual that Hemingway describes as a tragedy. The artist's images are often stark, bold, and haunting. This Spanish spectacle is centuries old but is fast losing popular support. The sport in which it is certain that the bull dies is approaching its own demise. The shock of the corrida is aptly conveyed by Paul Maurer's images. The ambivalence of Hemingway's words, "If I could have made this enough of a book it would have had everything in it." which is the last text page, is indicative of another time. Bestandsnummer des Verkäufers 11298

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ERNEST HEMINGWAY Signed WWI German War Theater: Hemingway, Ernest

Hemingway, Ernest

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Beschreibung: 1947. Map. Zustand: Good. Original & Authentic Ernest Hemingway Signed WWI German War Theater Map measuring 28" x 34 1/2". Ernest Hemingway signed and dated 12th of December, 1947 at back panel w/reference to Berlin, Luxemburg, etc. Frameable, restored twenty-fold map w/hand written notes and original signature. Titled: "Flemmings Kriegskarte No. 24 Spezialkarte Der Südlichen Westfront". A 1918 World War I German 'Special Map of the Southern Westfront' by Julius Iwan Kettler and produced by the Carl Flemming company of Berlin and Glogau. Acquired from collector of Cuban related and Hemingway rarities in Miami, Florida whose grandfather collected these while in Cuba decades prior. An item from Hemingway's personal effects. It is estimated Hemingway had a collection of 4,000-6,000 books and other similar effects. Generally clean, very good w/adhesive to folds at back. Suitable for framing; posted folded as shown. A topographic map mounted on linen w/relief shown by spot heights. Includes legend and shows cities and villages, fortresses, roads, and railroads. Nations shown on this map are France, Germany, Belgium, Luxembourg, etc. The Western Front or Western Theater was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The tide of the advance was dramatically turned with the Battle of the Marne. Following the Race to the Sea, both sides dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. This line remained essentially unchanged for most of the war. Insured post. Signed by Subject. Bestandsnummer des Verkäufers 018949

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Le Cercle enchanté: scènes de la vie: HEMINGWAY, Ernest.) GENTY,

HEMINGWAY, Ernest.) GENTY, Charles.

Verlag: Paris: Le Goupy, 1924 (1924)

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Beschreibung: Paris: Le Goupy, 1924, 1924. Quarto. Original cream wrappers printed in black and red. Housed in a black cloth solander box by the Chelsea Bindery. Loose in the rubbed and rather marked outer wrappers, tanned at the edges and with a split to the lower portion of the front joint. 12 hand-coloured compositions. First edition, first printing, one of 925 numbered copies (of a total edition of 976). With the signed presentation inscription to the half-title, "To Ernest Hemingway from Harold Stearns. Any guy who can write 'My Old Man' deserves this—and plenty of it. Paris, September, 1924". Stearns had been associate editor of The Dial prior to heading to Paris where he wrote of his fellow expatriates, of their lives and their writing. The reference in this inscription is to one of Hemingway's earliest published short stories. Hemingway made great claims for his own pugilistic capacity. Stearns perhaps meant this little picture book to serve as a gentle reminder that writing about the fight game is a good deal less painful than participation in it. Bestandsnummer des Verkäufers 36055

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A Farewell to Arms (SIGNED): Hemingway, Ernest

Hemingway, Ernest

Verlag: Grosset & Dunlap, Publishers (1929)

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Beschreibung: Grosset & Dunlap, Publishers, 1929. Hardcover. Zustand: Good+. No Jacket. Early Printing. Black cloth hardcover with red title labels on spine and front; no jacket; new clear plastic protector. Inscribed and signed in black ink by Hemingway on the blank leaf preceding the half-title page: "For W. N. Gardner, wishing him all good luck, Ernest Hemingway." Good plus condition : cloth on spine very slightly faded; spine label faded from red to orange; mild spotting to boards; mild wear to top and bottom edges of binding with slight loss of cloth at corners and head of spine; straight and tight; light toning to endpapers; very slight occasional flaw to pages but they are really in quite nice condition. Published by Grosset & Dunlap in arrangement with Charles Scribner's Sons (imprint on title page); copyright page states 1929 but probably issued circa 1931/ 8vo; (viii), 356 pages. The binding agrees with Hanneman A8d, but lacks the blindstamped G&D logo on the front cover. It retains the Scribner printing information on the title page, and the Scribner seal on the copyright page. The page block measures 8-1/16 by 5-1/2 inches. Size: 8vo - over 7¾ - 9¾" tall. Signed by Author(s). Book. Bestandsnummer des Verkäufers 071629

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THE OLD MAN AND THE SEA: Ernest Hemingway

Ernest Hemingway

Verlag: Charles Scribner's Sons, New York (1952)

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Beschreibung: Charles Scribner's Sons, New York, 1952. Hardcover. Zustand: Fine. 1st Edition. 1952 Pulitzer prize winner, 1st Edition/1st Printing, rebound in full sumptuous leather, THE OLD MAN AND THE SEA, published by Charles Scribner's Sons, New York, with "very best wishes, Ernest Hemingway" inscription laid in, Scribner "A", and colophon seal as shown. Book is fine or better. Clean and sound, bold signature, gift quality, full deep navy leather, exactly as shown. Original spine bound in, 140 pages, complete. Free US Shipping is via USPS Priority mail with tracking and insurance. Good luck & thanks. Inscribed by Author(s). Bestandsnummer des Verkäufers ABE-1510856893068

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HEMINGWAY, ERNEST.

Verlag: New York: ScribnerÕs, 1953 (1953)

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Beschreibung: New York: ScribnerÕs, 1953, 1953. Reprint edition. Some foxing; a very good copy. Presentation copy; inscribed by the author, 'To Tommy [Shevlin] remembering all the fine days. Papa.' The recipient was a long-time friend of the author, accompanying him on fishing and hunting expeditions, as well as visiting him in Pamplona. All books described as first editions are first printings unless otherwise noted. Bestandsnummer des Verkäufers 23901

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Hemingway, Ernest.

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Beschreibung: Cuba, July 12 & 17, 1957. 1 page, 11x8.5", on Finca Vigia letterhead, folds and minor wrinkles. Hemingway orders books from Mr. Stevens, with Stevens' notations when books were ordered and sent, forwarding this letter to a Mr. Kropotkin. SIGNED IN PENCIL BY ERNEST HEMINGWAY. The books were: THE WITCHES by Jay Williams, MASSACRE by Marshall Sprague, THE TURN OF THE TIDE by Arthur Bryant, THE INVASION OF FRANCE AND GERMANY by Samuel Eliot Morison, THE TRUMPETING HERD AND LEOPARD'S IN THE NIGHT by Guy Muldoon, OPERATION SEA LION by Peter Fleming, SOME REFLECTIONS ON HANGING by Arthur Koestler, and SECRET SERVANTS by Ronald Seth. "Kropotkin" was Igor Kropotkin, head of the Scribner's Book Store and later President of the American Booksellers Association; "Stevens" was evidently an employee of the store. Kropotkin is mentioned in Carlos Baker's ERNEST HEMINGWAY, SELECTED LETTERS 1917-1961 in a letter Hemingway wrote (dated only a month and a half before this one) to Wallace Meyer (an editor at Scribner's), in which Hemingway thanks Meyer for Kropotkin's name. A great piece, sloppily typed (by Ernie himself?), fitting nicely into the Hemingway timeline. Bestandsnummer des Verkäufers 95-3111

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SIGNED by Ernest Hemingway A FAREWELL TO: Ernest Hemingway

Ernest Hemingway

Verlag: London (1932)

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Beschreibung: London, 1932. Encuadernación de tapa dura. Zustand: Excelente. Zustand des Schutzumschlags: Excelente. CAPE (illustrator). FANTASTIC Genuine 1932 excellent edition of the book. A FAREWELL TO ARMS by Ernest Miller Hemingway.SIGNED. 1932 UK Edition hardcover with original cover.NICE CONDITION. SIZE 18 cm x 12 cm.COMPLETE. 288 PAGES PRINTED 1932 IN LONDON. Firmado por el autor. Bestandsnummer des Verkäufers 000020

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Beschreibung: Zustand: Near Fine. Check No. 62 for $200, in Hemingway's hand and signed by him, drawn on The National City Bank of New York, September 14 1932, and made payable to Sarah E. Dousman. The online Guide to the Ernest Hemingway Collection at The John F. Kennedy Library, Boston, MA, records an undated 4-page letter from Dousman in Red Lodge, MT, to Pauline, but does not elucidate its contents or her relationship to the Hemingways. However, the main character, Robert Jordan, in FOR WHOM THE BELL TOLLS hails from Red Lodge, which was a favorite vacation spot of Hemingway's, so perhaps they knew each other (or conducted business) during his visits there. Together with Check No. 176 for $100 made out to "Cash" on May 22 1933 and signed by Pauline. Matted and framed together with a copy of the well-known AP images of Hemingway arriving in New York on an oceanliner in 1934 with "(second wife) Pauline 'Fife' Pfeiffer." Checks are approximately 2.5 x 6.5"; photo is approximately 6 x 6" and frame is approximately 12.5 x 21". Altogether near fine. Bestandsnummer des Verkäufers 53856

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Ernest Hemingway

Manuskript / Papierantiquität
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Von: Adam Andrusier Autographs ABA PADA (London, Vereinigtes Königreich)

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Beschreibung: A scarce signed and inscribed 10" X 8" portrait by Ernest Hemingway, signed Ernest. The author is shown in the audience at a bullfight. Boldly signed in fountain pen ink to a light portion, and additionally signed by photographer, Cano (Francisco Cano). Neatly laid down to card, with some moisture stains to the background, which have been professionally retouched and are not noticeable. Otherwise in very fine condition. Signed by Author(s). Bestandsnummer des Verkäufers 000103

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Hemingway, Ernest

Verlag: Charles Scribner's Sons: NY (1940)

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Von: John K King Used & Rare Books (Detroit, MI, USA)

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Beschreibung: Charles Scribner's Sons: NY, 1940. 8.5 x 5.75", cloth, 471pp, covers rubbed, spine ends bumped, spine browned, hinges loose, eps toned, (esp. at gutter, as usual), pp lightly toned and used, in a rubbed and edge-chipped dustjacket (with photographer's name below rear cover photo). Later printing (no "A") but INSCRIBED "To Vesta and Gilder Jackson / wishing them good luck always" AND SIGNED BY THE AUTHOR, ERNEST HEMINGWAY. Bestandsnummer des Verkäufers 99-4281

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The Torrents of Spring.: Hemingway, Ernest

Hemingway, Ernest

Verlag: Charles Scribner's Sons, New York (1926)

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Von: Raptis Rare Books, ABAA/ ILAB (Palm Beach, FL, USA)

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Preis: EUR 3.677,80
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Beschreibung: Charles Scribner's Sons, New York, 1926. First edition of Hemingway's first novel, one of 1250 printed. Octavo, original cloth. Near fine in a very good dust jacket with a few small chips. A much nicer example than usual. Ernest Hemingway's first novel and third published book was preceded by Three Stories and Ten Poems and the collection of stories In Our Time. "Hemingway was planning a carefully engineered campaign for breaking his contract with Boni and Liveright and maneuvering to place his novel [The Sun Also Rises] with Scribner's. The vehicle was. [the] satirical novel, The Torrents of Spring, which was clearly calculated to cause problems with his publisher, since it was a deliberate parody of Sherwood Anderson [Boni and Liveright's best-selling author]. Boni and Liveright had the option on his next three books, one of which had to be a novel. If, however, they turned down the book that Hemingway submitted next, he was free of his obligations to the publisher and could go elsewhere." Hemingway wrote Ezra Pound that he "had written 'a funny book'. It was a satire on America, he claimed, 'Probably unprintable but funny as hell. Wrote it to destroy Sherwood [Anderson] and various others. It's first really adult thing have done. Jesus Christ it is funny. It is a regular novel only it shows up all the fakes of Anderson, Gertrude [Stein], [Sinclair] Lewis, [Willa] Cather, Hergo [Joseph Hergesheimer] and all the rest of the pretentious faking bastards. I don't see how Sherwood will ever be able to write again" (Mellow, Hemingway). Bestandsnummer des Verkäufers 90580

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Death in the Afternoon [Signed]: Hemingway, Ernest

Hemingway, Ernest

Verlag: Charles Scribner's Sons, New York - London (1953)

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Von: The BiblioFile (Gladstone, MI, USA)

Bewertung: 5 Sterne

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Beschreibung: Charles Scribner's Sons, New York - London, 1953. Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Beautifully signed and inscribed by Ernest Hemingway at front endpaper: "To Luz Alvarez Calderon De Bates wishing her all good things always, Ernest Hemingway. Cabo Blanco, 17/5/56". Hemingway spent six weeks at Cabo Blanco in 1956 and was on set with Spencer Tracy for the filming of "The Old Man and The Sea" and while there managed to reel in a 910-pounder. During the northern Peruvian hot spot’s heyday, Marilyn Monroe, John Wayne, Humphrey Bogart, and Joe DiMaggio flocked to the club for its famed black marlin sportfishing. Black full cloth boards, gilt embossed spine titles, accent, moderate shelf wear, rub. Pages very good, clean; no writing. Early printing; 1953 at title page, Scribner colophon at copyright. Bind fine, square; hinges intact. Dust jacket moderate edge wear, rub; unclipped, protected in clear sleeve. This wrapper features the dynamic 'Toros' bullfighting painting by Roberto Domingo; rear panel with b&w photo of Hemingway and notice of his winning the Nobel Prize in Literature for "The Old Man and The Sea". This book, "Death in the Afternoon," is a treatise on the ceremony and traditions of Spanish bullfighting. Hemingway details the history and magnificence of bullfighting, while also proffering deeper contemplation into the nature of fear and courage. Includes a 120-page photo-plate section with description of the bulls, the fighters, the fight itself, and an eighty-four page explanatory glossary. Still considered one of the best ever written about bullfighting, and an impassioned look at the sport by one of its true aficionados. It reflects Hemingway's conviction that bullfighting was more than mere sport and reveals a rich source of inspiration for his art - the unrivaled drama of bullfighting. 517 pages. Insured post. Size: 8vo - over 7¾ - 9¾" Tall. Signed by Author. Book. Bestandsnummer des Verkäufers 019363

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Green Hills of Africa [Signed First Edition]: Hemingway, Ernest

Hemingway, Ernest

Verlag: Charles Scribner's Sons, New York - London (1935)

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Von: The BiblioFile (Gladstone, MI, USA)

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Beschreibung: Charles Scribner's Sons, New York - London, 1935. Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Shenton, Edward (Decoration) (illustrator). First Edition. Scribner's "A" and seal at copyright page. First printing in original jacket. Signed in navy fountain pen at tipped-in endpaper: "Ernest Hemingway." Attractive signature contemporaneous with original publishing of this title. Tipped-in leaf neatly inserted adjacent to front pastedown. Green full cloth boards, facsimile of Hemingway's signature impressed in gilt at front board, gilt spine titles on black fields, moderate shelf wear, some spine wear, toning. Deckled pages very good, clean. Antiquarian signature in black fountain pen following tipped-in page at front blank endpaper: "Lucy Scott". Bind fine, square; hinges intact. Dust wrapper, moderate edge wear, spine chip, closed tear at back panel, some rub, crease, adhesive to back of wrapper; unclipped 2.75, protected in new clear sleeve. Classic 1930's wrapper design features white titles on black with decorative band of illustrations to left; back panel features 1934 photo of Hemingway in Africa with two antelope and blurb below. Front flap features cast of "The People in the Book"; back flap lists "Books by Ernest Hemingway". Near good first edition in same wrapper. Tastefully and charmingly illustrated throughout by Edward Shenton with decorative chapter vignettes, large headings and tailpieces in a simple, yet refined near silhouette motif. Sets the mood and adventure of old Africa, the culture, and free roaming wildlife during this period in an intriguing stylized manner. Printed in the United States of America. 295 pages. Insured post. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author. Book. Bestandsnummer des Verkäufers 019723

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Across the River and Into the Trees: Hemingway, Ernest

Hemingway, Ernest

Verlag: Charles Scribner's Sons, New York (1950)

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Von: Wolfmueller's Books (Kerrville, TX, USA)

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Beschreibung: Charles Scribner's Sons, New York, 1950. Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition. First edition with Charles Scribner's Sons-A-on copyright page. Signed to previous owner "To Bill West with all best wishes Ernest Hemingway" on FFEP. Book is in very good plus condition, tight, clean, crisp pages. Cloth covered boards are clean. Spine lettering is rubbed (see photo). Dust jacket, priced $3.00, is very good plus. Front panel top edge has short tear/crease over the I. Spine head has some small chipping. Back panel, Hemingway photo by Paul Radkai, shows edge rubs, age line and age toning. Now in a protective cover. 308 pages. Signed. Bestandsnummer des Verkäufers 025400

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HEMINGWAY, Ernest

Verlag: Charles Scribner's Sons, New York (1948)

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Von: Sanctuary Books, A.B.A.A. (New York, NY, USA)

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Beschreibung: Charles Scribner's Sons, New York, 1948. Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Later printing. Very good in a worn dust jacket. Inscribed and signed by Hemingway in Cuba: "For Nita with regards and affection (Ernest Hemingway) Mr. Papa. 22/7/49." Junaita Jensen was Hemingway's secretary in Cuba. When she married Walter Houk in 1952, Hemingway gave the bride away, acted as witness, and hosted the reception at Finca. A nice association copy of this great work. Bestandsnummer des Verkäufers 4581

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Ernest Hemingway

Verlag: Charles Scribner's Sons, New York (1950)

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Von: APPLEDORE BOOKS, ABAA (WACCABUC, NY, USA)

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Beschreibung: Charles Scribner's Sons, New York, 1950. Cloth. Zustand: Collectible; Fine. Zustand des Schutzumschlags: Very Good. INSCRIBED BY ERNEST HEMINGWAY (TO "MAURITZ LANDSBERG") ON THE SECOND FREE ENDPAPER AND DATED IN HIS HAND "HAVANA 1951". A solid copy to boot of this 1950 1st edition, later state (lacking the 'A' on the copyright page). Tight and Near Fine (with bright gilt-lettering to the front panel and spine) in a crisp, price-clipped, VG dustjacket, with light creasing --and very light chipping-- along the panel edges and light soiling to the rear panel. Still though, presentable and attractive --and quite uncommon signed. Octavo, 308 pgs. Signed by Author. Bestandsnummer des Verkäufers 11080

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Death in the Afternoon (Signed by Ernest: Ernest Hemingway

Ernest Hemingway

Verlag: NY: Scribner's Sons (1932)

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Von: Mystery Pier Books, Inc.,ABAA, ILAB, ABA (West Hollywood, CA, USA)

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Beschreibung: NY: Scribner's Sons, 1932. Hardcover. Zustand: Fine. 1st Edition. Stunning First Edition, First State copy of the author’s epic work on bullfighting.  Juan Gris frontispiece and many black-and-white photographs. This stunning copy is superbly bound in burgundy full morocco leather with gilt titles, raised bands, extra gilt lettering and decoration on spine and front board.  Additionally, the facsimile Hemingway signature has been cut from the original cloth copy and inlaid here on the front board.  Matching marbled endpapers complete what is a masterwork of a production.  More importantly, this copy is boldly inscribed by Hemingway in ink on the front free endpaper as follows: To T.H. / from E.H. / 1932 A sensational copy. Signed by Author(s). Bestandsnummer des Verkäufers ABE-1525580000108

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Les vertes collines de l'Afrique: HEMINGWAY Ernest

HEMINGWAY Ernest

Verlag: Nrf (1937)

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Von: Librairie Le Feu Follet (Paris, Frankreich)

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Beschreibung: Nrf, 1937. Couverture rigide. - Nrf, Paris 1937, 11,5x18,5cm, relié. - Edition originale de la traduction française, fausse mention de quatrième édition. Reliure à la bradel en plein cartonnage sable, dos lisse, pièce de titre de chagrin noir, couvertures conservées. Envoi autographe signé d'Ernest Hemingway à Paul Pinay. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition in French, falsely stated the fourth Light brown Bradel paper boards, black shagreen title label, covers preserved Inscribed by Hemingway to Paul Pinay. Bestandsnummer des Verkäufers 50976

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A Farewell to Arms: Hemingway, Ernest

Hemingway, Ernest

Verlag: Scribner's (1929)

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Von: Bookbid (Beverly Hills, CA, USA)

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Beschreibung: Scribner's, 1929. Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Very good first edition, seventh printing as stated on copyright page (last statement on list of printings is 7th in 1929). Inscribed on front free endpaper: "To Doc West and his voice. From Hemingstein. Glamour House, 1939." Light tanning between pastedown and endpapers. Creasing and wear on spine label and cover label. Housed in custom-made slipcase. Inscribed by Author(s). Bestandsnummer des Verkäufers 1803037

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The Old Man and the Sea: Hemingway, Ernest

Hemingway, Ernest

Verlag: Jonathan Cape Thirty Bedford Square, London (1958)

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Von: James Cummins Bookseller, ABAA (New York, NY, USA)

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Beschreibung: Jonathan Cape Thirty Bedford Square, London, 1958. 127 pp. 1 vols. 8vo. Reprint. Reprint. 127 pp. 1 vols. 8vo. Inscribed on flyleaf: "To Solange Doernie/ With all best wishes/ Ernest Hemingway" Pale blue cloth. Fine in fine pictorial dust jacket. Bestandsnummer des Verkäufers 227023

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HEMINGWAY Ernest

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Von: Bauman Rare Books (Philadelphia, PA, USA)

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Beschreibung: 1948. "HEMINGWAY, Ernest. L'Adieu aux armes [Farewell to Arms]. Paris: Gallimard, 1948. Small octavo (4-3/4 by 6-3/4 inches), original maroon paper boards, original dust jacket. $6000.Early French edition, presentation/association copy inscribed on the half title by Hemingway to Professor Fraser Drew in reference to Drew's 1955 visit with Hemingway and a day spent discussing literature, "For Frazer [sic] Drew, hoping he has a good trip home, Ernest Hemingway." From Hemingway's own library.As a young teacher Drew wrote a letter to which Hemingway responded with uncharacteristic kindness, signing a number of Drew's books. Hemingway then invited Drew to visit, and on April 8, 1955, one year after Hemingway won the Nobel Prize, they spent a long afternoon discussing literature, later recounted by Drew in his article "Unedited Notes on a Visit to Finca Vigia" (in Bruccoli, Conversations With Ernest Hemingway, 89-98). At the end of Drew's visit Hemingway said "Let's go up to the house and sign those books of yours." Hemingway inscribed all the books Drew had brought with him and presented him with many others from his own collection. Hemingway's inscription in this early French edition of A Farewell to Arms makes particular reference to Drew's imminent departure at the end of his visit with Hemingway. This work is "probably [Hemingway's] best After it one could no more imitate that musical crystal-clear style; blown like glass from the white-heat of violence" (Connally 60). "A Farewell to Arms was the novel that placed Hemingway, early, among the American masters the consummate masterpiece, among Hemingway's novels" (Mellow, 377-79). Preceded by the American edition, first issued in 1929, and the 1932 French edition. See Hanneman 8-A; D-70. From the library of Fraser Drew with his bookplate.A fine inscribed presentation copy with an especially memorable association.". Signed. Bestandsnummer des Verkäufers 105419

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