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Verlag: Inst of Karmic Guidance, 1989
ISBN 10: 0924944005ISBN 13: 9780924944000
Anbieter: GreatBookPrices, Columbia, MD, USA
Buch
Zustand: New. Malcolm Aaron (illustrator).
Verlag: Inst of Karmic Guidance, 1989
ISBN 10: 0924944005ISBN 13: 9780924944000
Anbieter: GreatBookPrices, Columbia, MD, USA
Buch
Zustand: As New. Malcolm Aaron (illustrator). Unread book in perfect condition.
Verlag: Authorhouse, 2004
ISBN 10: 1418436291ISBN 13: 9781418436292
Anbieter: Mahler Books, PFLUGERVILLE, TX, USA
Buch
Paperback. Zustand: Very Good. This book is in very good condition; no remainder marks. It does have some shelfwear; light creasing to front cover. Inside pages are clean. ; 8 X 5 X 0.38 inches; 168 pages.
Verlag: Inst of Karmic Guidance, 1989
ISBN 10: 0924944005ISBN 13: 9780924944000
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Buch
Paperback. Zustand: Brand New. Malcolm Aaron (illustrator). 99 pages. 8.75x5.75x0.50 inches. In Stock.
Verlag: Inst of Karmic Guidance, 1989
ISBN 10: 0924944005ISBN 13: 9780924944000
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Buch
Paperback. Zustand: Brand New. Malcolm Aaron (illustrator). 99 pages. 8.75x5.75x0.50 inches. In Stock.
Verlag: Inst of Karmic Guidance, 1989
ISBN 10: 0924944005ISBN 13: 9780924944000
Anbieter: GreatBookPricesUK, Castle Donington, DERBY, Vereinigtes Königreich
Buch
Zustand: New. Malcolm Aaron (illustrator).
Erscheinungsdatum: 2023
Anbieter: True World of Books, Delhi, Indien
Buch Print-on-Demand
LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1835 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 290 Volume 6.
Erscheinungsdatum: 2023
Anbieter: True World of Books, Delhi, Indien
Buch Print-on-Demand
LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1835 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 292 Volume 10 Lodge, Edmund, 1756-1839,Dean, T.A., engraver,Wright, Thomas, engraver,Picart, Charles, ca.1780-ca.1837, engraver,Scriven, Edward, 1775-1841, engraver,Freeman, Samuel, 1773-1857, engraver,Robinson, H., engraver,Cooper, Robert, fl. 1800-1836, engraver,Holl, William, 1771-1838, engraver,Thomson, James, 1789-1850, engraver,Fry, William Thomas, 1789-1845, engraver,Cochran, John, engraver,Rydall, Henry Thomas, 1811-1867, engraver,Purple Heather, engraver,Blood, T., fl. 1809-1823, engraver,Jenkins, J., engraver,Kellaway, G., engraver,Parker, J., engraver,Agar, John Samuel, approximately 1770-approximately 1835, engraver,Cook, Henry R., fl. 1800-1845, engraver,Parker, G., engraver,Pofselwhite, J., engraver,Mote, William Henry, fl. 1830-1864, engraver,Cochran, J., engraver,Lightfoot, Peter, 1805-1885, engraver,Holbein, Hans, 1497-1543, ill,Titian, approximately 1488-1576, ill,Gerard, Mark, ill,Flick, Auguste Emile, ill,Moore, Antonio, Sir, ill,Ketel, Cornelis, 1548-1616, ill,Zuccheri, Federico, 1540-1609, ill,Hilliard, Nicholas, 1547?-1619, ill,Pantoja de la Cruz, Juan, 1551-1608, ill,Jansen, ill,Mytens, Daniel, 1590-1648, ill,Van Somer, ill,Miereveld, Michiel Jansz van, ill,Van Dyke, Anthony, Sir, 1599-1641, ill,Rubens, Peter Paul, 1577-1640, ill,Walker, ill,Honthorst, Gerrit van, 1590-1656, ill,Lely, Peter, 1618-1680, ill,Oliver, P., ill,Knapton, ill,Van Loo, ill,Jarvis, Charles, 1675?-1739, ill,Ramsay, ill,Hoare, Richard Colt, Sir, 1758-1838, ill,Reynolds, Joshua, Sir, 1723-1792, ill,Cotes, Francis,1726-1770, ill,Dance, George, 1741-1825, ill,Rosalba, 1675-1757, ill,Gainsborough, Thomas, 1727-1788, ill,Hoppner, John, 1758-1810, ill,Copley, John Singleton, ca. 1738-1815, ill,Opie, John, 1761-1807, ill,Rivers, J. A. (John Abbot), ill,Chalon, Alfred Edward, 1780-1860, ill,Knight, ill.
Erscheinungsdatum: 2023
Anbieter: True World of Books, Delhi, Indien
Buch Print-on-Demand
LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1835 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 292 Volume 3.
Erscheinungsdatum: 2023
Anbieter: True World of Books, Delhi, Indien
Buch Print-on-Demand
LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1835 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 332 Volume 7 Language: English.
Verlag: Inst of Karmic Guidance, 1989
ISBN 10: 0924944005ISBN 13: 9780924944000
Anbieter: GreatBookPricesUK, Castle Donington, DERBY, Vereinigtes Königreich
Buch
Zustand: As New. Malcolm Aaron (illustrator). Unread book in perfect condition.
Verlag: London, 1603
Anbieter: William Reese Company - Americana, New Haven, CT, USA
Circular wax and resin medallion, 5¾ inches (14.61 cm) in diameter, cast from a matrix created by Nicholas Hilliard. Wax browned, rubbed along the edges. Harp of Ireland on the verso obscured by contemporary manipulation of the wax. Ends of a parchment tag protruding from opposite sides of the wax seal, with the vellum tag at the top of the seal likely detached from an English state document. A very good impression. Housed in a felt-lined custom cloth box (9¾ x 8½ x 1¼ inches), calligraphic paper label, spine gilt. An excellent example of the celebrated Second Great Seal of Queen Elizabeth I, commissioned by Royal Warrant in 1584. The seal was created by the Queen's portraitist and "limner" (miniaturist), Nicholas Hilliard, who created the seal designs, and Derrick Anthony, the Chief Graver at the Royal Mint, who engraved the designs to produce the seal matrix in silver. The seal's primary purpose was to guarantee the authenticity of the document to which it was attached and to symbolize the Queen's approval to matters contained within the document. In addition to its import in Elizabethan government, the Second Great Seal also stands as a testament to Elizabeth's skill in cultivating her public image. Through her choice of design for the Second Great Seal, Elizabeth was able to engage in an important form of communication not only with her subjects, but also with the princes and dignitaries representing England's enemies and allies, both reassuring and warning them that although she was a childless unmarried woman, she was the daughter of a king, able to wield immense power for the defense and betterment of her people, and that she had unquestioned divine right to rule. Throughout the years Elizabeth reigned, she carefully crafted her image in order to make herself an icon to her people, with each portrait released serving to enhance Elizabeth's status in the eyes of her subjects. Nicholas Hilliard, Elizabeth's trusted portraitist, created several drawings from which Elizabeth selected two to use as the portraits on both sides of the Second Great Seal. The selection of the portraits for use in such a public format as that of the Great Seal was of great importance since the drawings to be engraved would become the basis for many subsequent versions of Elizabeth's portrait released to satisfy the public's demand for new images of the Queen. By the 1580s Elizabeth's First Great Seal, which had been in use since her accession to the throne in 1558, was becoming unserviceable from a great deal of use. In a 1584 royal warrant to Nicholas Hilliard and Derrick Anthony Elizabeth stated that "Forasmuch as our Great Seale of England by much use and wearing waxing unserviceable, we have resolved that a new Great Seale shalbe made." and declares: "Our will pleasure and commandement is that upon the receipt hereof you shall embosse by your selves, and by other skilfull workmen by your choice if need require it, in Leade wax or other stuf fit and necessary for that purpose, paternes for a new greate Seale according to the last paterne made upon parchment by you our servant Hilliard, delivered unto us, and by us allowed, and by the same paternes you chall worke, engrave, sinke finishe and bringe to perfection ready to be used with all convenient speede suche a new Greate Seale in silver." More than the monarchs that came before her, Elizabeth understood the importance of image, and its power to reinvent herself in the public eye. The Second Great Seal is an important example of Elizabeth's mastery over the use of symbolism in crafting her public image. At the time the Second Great Seal was created, Elizabeth was middle-aged, childless, under threat from Catholic assassination attempts, and was fighting Spanish aggression that would soon lead to war. It was necessary to create an image of herself in the public eye in order to command the support of all her subjects during this difficult period. As Elizabeth rarely sat for portraits, she periodically had an idealized portrait created to serve as the basis for artists to copy in order to fulfill the public's need for more likenesses to feed what historian Roy Strong has called the "cult of Elizabeth." The Second Great Seal presented Elizabeth with an opportunity to have an updated portrait created by Nicholas Hilliard. Hilliard created several portraits for each side of the Second Great Seal for the Queen to choose from, with each portrait replete with symbolism, allowing Elizabeth to craft an image of beauty, strength and power to maintain her iconic status among her subjects. The portrait Elizabeth chose for the obverse of the Second Great Seal shows her enthroned, crowned, and resplendent in court dress and ruff. She is holding the orb and scepter with hands reaching down from the heavens to hold her cape, and her coats of arms on either side of her seated figure are encircled by the motto "Honi So[it] Qui Mal Y Pense" ("shame on him who thinks evil of it" - the motto of the Order of the Garter). Along the outer edge, a banner encircling the Queen contains the phrase, "ELIZABETHA DEI GRACIA ANGLIE FRANCIE ET HIBERNIE REGINA FIDEI DEFENSOR" (Elizabeth, by the Grace of God, Queen of England, France, and Ireland). The portrait Elizabeth chose for the reverse of this Second Great Seal shows her again crowned and resplendent in court dress and ruff, but this time riding a horse sidesaddle, emphasizing her strength and implicit command of the military. She rides through a field of roses and lilies, which in the language of flowers symbolize her earthly beauty and love (of her people), as well as her purity and chastity, while at the same time alluding to Elizabeth's resemblance to the Queen of Heaven (the Virgin Mary). Elizabeth is surrounded by the badges of her dominions, each surmounted by a crown - the Tudor rose of England on the left, and the fleur-de-lys of France on right. The harp of Ireland, which should also appear to the right, in this cast has b.