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Verlag: Hamilton Haiku Workshop Press, Hamilton, Ontario, 1985
Anbieter: W. Fraser Sandercombe, Burlington, ON, Kanada
Erstausgabe
Soft cover. Zustand: Very Good. First Edition. 83 pp. Staple-bound in pictorial card covers. Edge and corner wear; no interior markings. Writing by: Wayne Ray; Belle Avery; Shaunt Basmajian; Herb Batt; Catherine M. Buckaway; John J. Carey; Suzanne Duce; Chris Faiers; William Hart; Linda Hutton; Beth Jankola; Irving Kalushner; Don L. A. Keegan; Karen Kusch; Jean McDavid; Lenard D. Moore; Mary Partridge; J. B. Reynolds; Ronald Rice; Margaret Saunders; Jeff Seffinga; Dorothy Cameron Smith; Felicity Swart; George Swede; and Lorraine Vernon. Size: 8vo. Book.
Verlag: British Library, Historical Print Editions, 2011
ISBN 10: 1241598878ISBN 13: 9781241598877
Anbieter: Lucky's Textbooks, Dallas, TX, USA
Buch
Zustand: New.
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Erscheinungsdatum: 2023
Anbieter: True World of Books, Delhi, Indien
Buch Print-on-Demand
LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1816 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 412 William Hutton , Catherine Hutton.
Verlag: J. Nichols ETC, GB, 1819
Anbieter: Richard Sylvanus Williams (Est 1976), WINTERTON, Vereinigtes Königreich
Zustand: VG-. 4th Edition. DISBOUND TEXT (No covers). In fact this copy has been professionally PREPARED FOR REBINDING with new endpapers and plain grey boards and spine strengthened with raised bands. Clean tight text has some pencilling. Book is in very good minus condition with minor but noticeable signs of wear and/or age.
Verlag: Charles Knight & Co, London, 1841
Anbieter: Tony Hutchinson, Seale, Vereinigtes Königreich
Hard Cover. 135pp. Still well bound. Interior in nice clean condition. No names or inscriptions. Gilt titling to spine a bit faded.
Verlag: LIGHTNING SOURCE INC, 2016
ISBN 10: 1357990189ISBN 13: 9781357990183
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.
Verlag: LIGHTNING SOURCE INC, 2016
ISBN 10: 1358155852ISBN 13: 9781358155857
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: Legare Street Press, 2022
ISBN 10: 1018534024ISBN 13: 9781018534022
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: CEPA / JAA Press Buffalo / New York, NY / NY, 1987
ISBN 10: 0939784173ISBN 13: 9780939784172
Anbieter: Specific Object / David Platzker, New York, NY, USA
Buch
142 pp.; 21.5 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Artists' publication edited by Barbara Ess and J.M. Sherry. Contains photographs by Barbara Ess, Glenn Branca, Alice Albert, Vikky Alexander, Al Arthur, Lynne Augeri, Judith Barry, Ellen Brooks, Brian Buczak, Susan Britton, Alan Belcher, Tom Brazelton, Glenn Branca, Dara Birnbaum, Ellen Carey, Jim Casebere, Catherine Ceresole-Bachman, Sarah Charlesworth, Myrel Chernick, Nancy Chunn, Glegg & Guttman, Ellen Cooper, Mitch Corber, William Coupon, Paula Court, Peter Cummings, Roger Cutforth, Dorit Cypis, Mararet Dewys, Lea Douglas, Sara Driver, Nancy Dwyer, Bradley Eros, Aline Mare, Bart Everly, Stephen Frailey, Matthew Geller, Joe Gibbons, Mike Glier, Nan Goldin, Robert Goldman, Jack Goldstein, Dan Graham, Rodney Graham, Rudolph Grey, Susan Hanel, Sam Marshall Harvey, Steven Harvey, Marilyn Hawkridge, Geoff Hendricks, Susan Hiller, John Hilliard, Becky Howland, Ulli Rimkus, Peter Hujar, Peter Hutton, Glenda Hydler, Gary Indiana, Jeffrey Isaac, Bill Jacobson, Jim Jarmusch, Tod Jorgensen, Daile Kaplan, Peggy Katz, Christof Kohlhofer, Silvia Kolbowski, Barbara Kruger, Beth Lapides, Louise Lawler, Thomas Lawson, Annette Lemieux, Greg Letson, Daniel Levine, Nancy Linn, Carla Liss, Rik Little, Ken Lum, Meredith Lund, Mark Lyon, Francie Lyshak, Rona Patrice Lytkens, Frank Majore, Gianfranco Mantegna, Sheila McLaughlin, Allan McCollum, Paul McMahon, Richard Morrison, Matt Mullican, Peter Nadin, Peter Nagy, Joseph Nechvatal, Gary Nickard, Mike Osterhout, Carol Parkinson, Victor Poisontete, Virginia Piersol, Jeffrey Pittu, Richard Prince, John Rehberger, Bill Rice, Walter Robinson, Jon Rubin, Arleen Schloss, Kathleen Seltzer, Laurie Simmons, Teri Slotkin, Kiki Smith, Michael Smith, Studio Melee, Jim Sutcliffe, Karen Sylvester, Lynne Tillman, Diane Torr, Anne Turyn, Gail Vachon, Sokhi Wagner, Jeff Wall, Tom Warren, Oliver Wasow, James Welling, Sally C. White, Robin Winters, Dan Witz, David Wojnarowicz, and Michele Zalopany. Essays by Rosetta Brooks, Tricia Collins, Richard Millazzo, John Hilliard, Gary Indiana, Cookie Mueller, David Rattray, Carol Souiers, Amy Taubin, and Lynn Tillman. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 216 and 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Rubbing of cover edges and light scratching of covers. 2 mm. bumping of page edges. 1.6 cm. pencil marking on corner of title page. Contents otherwise clean and unmarked.
Verlag: J. Nichols and Son, London, 1819
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Leather. Zustand: Very Good. None (illustrator). A historical work on Birmingham written by William and Catherine Hutton and bound in half calf. In half calf with marbled paper to the boards with gilt details and text and raised bands to the spine.The fourth edition.This historical work was originally written and published by English poet and historian William Hutton in 1782 and was continued by his daughter Catherine Hutton after his death. This work provides a comprehensive historical account of Birmingham, the city where William Hutton resided. In a half calf binding with paper to the boards. Externally, generally smart with light bumping to the extremities, rubbing to the boards and light rubbing to the spine and extremities resulting in very minor loss to the leather to extremities of the boards. Rear hinges tender but very firm. Internally firmly bound with bright pages. Light scattered spotting heavier to the front and rear. Very Good. book.
Verlag: J. Nichols and Son and Baldwin, Cradock and Joy, London, 1819
Anbieter: Portman Rare Books, Tonbridge, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good. 4th Edition. Very good condition, octavo, contemporary half red leather with marbled boards, some rubbing, 5 raised bands with gilt titles and decoration on spine, top edges gilt, marbled end papers , vi plus 471 pages. [QP].
Verlag: Neither item dated. The explanatory note by 'WB' dated, 1843
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität
Both items are laid down on a 12mo leaf extracted from an album. All in good condition, on lightly-aged paper. Laid down on the reverse of the leaf is an early eighteenth-century engraving of a man (William Hutton?) holding a book. The explanatory note, on one side of the leaf from the album, reads: 'This Leaf, given to me by Mr. Samuel Hutton, High Street, is taken from a Volume of unpublished poems, composed by, and in the Autograph of, William Hutton. | That below which I received from Mr. Belcher, Bookseller, High Street, is in the handwriting of his Daughter, Catherine Hutton when 87 years of age. | WB | 1843'. The fragment of William Hutton's autograph poetry is a poignant survival: as his entry in the Oxford DNB explains, his juvenile verses were destroyed in the Birmingham Riots of 1791 ('after writing down what he could remember of them, he began again to compose verses and published two volumes of poems in 1793'). ONE: Part of unpublished autograph poem by Hutton. 2pp., 12mo. Headed '2'. Forty lines of verse, comprising twenty couplets in iambic tetrameters. The fragment begins, with 'Jack' addressing a 'Sage': '"A step mother, I daily see | "Who acts the very shrew to me | "For when my father gives me meat | "She'd have me choak'd, with what I eat | "And fixes such an evil eye | "Upon me, that it makes me cry'. TWO: Fragment of Catherine Hutton's handwriting, on rectangular slip of paper. Reads: 'Catherine Hutton sends her respects to Mr. Belcher, and wishes he would procure for her, [.]'.
Verlag: Printed for Baldwin, Cradock and Joy, Paternoster Row and Beilby and Knotts, Birmingham, London, 1817
Anbieter: Stephen Rench, Shipston on Stour, Vereinigtes Königreich
Verbandsmitglied: PBFA
Half leather. Zustand: Good. vii, [i], 408 pages + frontispiece. Bound in more modern half leather. Pages spotted throughout, heavily in places. Title page and frontispiece are heavily spotted. Pencil and ink owners' names to one of the front free end papers. Book.
Verlag: ONE: No place; 4 December TWO: Bennett's Hill; 21 January 1827. THREE: 'Saturday Morn.', 1821
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität
All three items in good condition, on lightly aged paper. ONE: 4 December 1821. 3pp., 12mo. Bifolium. The letter, which concerns her plans for a book, begins: 'My dear Sir | In consequence of your opinion, I send a prospectus for Mr. Dawes [the critic Manassah Dawes (d.1829)?], which you will have the goodness to forward at a proper opportunity. But for this opinion, I should not have had the courage to apply to him, though the refusal of two persons ought not to prevent the application to a third. Nothing in my opinion could have been more certain than the subscriptions of Mr. Corrie [John Corrie (1769-1839) of Woodville] and Mr. Galton [Samuel Galton (1753-1832), member of the Lunar Society]; the former, the president of the Philosophical Society, took ten days to say "No;" the latter seems to suppose I wanted to make him my agent.' She explains that she has written Galton a letter disabusing him of his notion, 'and saying that, as the former associate of Dr. Priestley, Mr. Boulton, Mr. Watt and Mr. Keir, I considered it a duty to give him an opportunity to subscribe, if such should have been his choice'. She asks him to tell her 'truly your opinion of my incipient "Queens." Not that I mean implicitly to abide by it; this would be too much to expect either from an author or a lady, neither of whom are the most reasonable of beings'. Her last letter from 'Mr. Baldwin [her London publisher Robert Baldwin, of the firm Baldwin, Cradock & Joy] seems to hold out some encouragement for a future undertaking, and I mean to send it for his opinion, in my packet to Dr. Hutton'. She concludes by asking for 'the manuscript with Mr. Dawes's answer'. Both Catherine Hutton and her father have entries in the Oxford DNB. TWO: Bennett's Hill; 21 January 1827. 3pp., 12mo. Bifolium. With seal in black wax. A moving letter, written as the recipient's mother is dying, which begins: 'My dear Friend | I feel sincerely for you situation, but I do not write to offer useless condolence. The sick you cannot save; yourself, I hope you may, and it is a duty you owe to yourself and your friends. I, who am one of the latter, demand it of you. Many daughters have sacrificed themselves to hopeless, dying mothers, but you are the only son I ever heard of that incurred such a risk. Sickness is apt to be selfish; no person can watch with such attention, as those who are the most attached, and these offices are generally required where best performed. But remember yourself, you who ought to exist when your parent must necessarily be no more.' She continues by stating that 'Few persons have been called upon to practice what I here recommend more than myself. I was five years the nurse of a mother, a most beloved mother, who was hopelessly and deplorably ill. I procured attendants for day and night, during twenty two months, who relieved each other at stated hours, and I was in regular attendance myself from eight o'clock in the morning till twelve at night; but beyond this I never went, or was required to go. With my father the case was different; he was not ill, but infirm. My mind was always with him, and my hands were ever ready to assist him. I fed him, I helped to undress him, I saw him safe in bed, and I then left him to the care of a servant, who slept in his room.' She 'might have done more [.] though he never asked me to do so; but, being the first to observe, I might always have been the first to execute; but I contented myself with saying to the servant, "whatever you neglect, do not neglect my father," and with seeing that my orders were punctually andn minutely observed'. The next paragraph reads: 'To bid you moderate your grief would be to "charm away with words, I only bid you go to bed. [last three words underlined]'. She concludes in the hope that her lines, 'dictated by [.] reason, as well as [.] true regard', may be of some service. THREE: 'Saturday Morn.' 1p., 12mo. Bifolium. With seal in red wax. She joins her cousin Samuel Hutton in thanking him 'for the trouble you have undertaken respecting Dr. Hutton's bust'. She has informed Hutton, and has 'written to Mr. Boulton on a prospectus, and inclosed a letter from Dr. Hutton (not the one you saw) and a copy of one from the late Mr. Rennie [the engineer John Rennie (1761-1821)]'.