LUCAS VORSTERMAN (98 Ergebnisse)

LeatherBound. Zustand: NEW. LeatherBound edition. Condition: New. Reprinted from [nach 1685] edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 290.

Bruxelles, E.Bruylant, 1893. 270 pp. Ills. Softcover. - A bit worn.Limited edition of 756 numbered copies (No. 443).

Zustand: as new. Catalogue raisonné, avec biographie, pièces justificatives, index.Bruxelles 1893. Reprint 1972. 274 pp, 3 ills, 7 pls. Clothbound, 23x16. {series: SAM 11} Condition : as new copy. Keywords : ,

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- im linken Außenrand mit alten Heftlöchern, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- on the left outer margin with old binding holes, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- im linken Außenrand mit alten Heftlöchern, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- on the left outer margin with old binding holes, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- im linken Außenrand mit alten Heftlöchern, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- on the left outer margin with old binding holes, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- im linken Außenrand mit alten Heftlöchern, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- on the left outer margin with old binding holes, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- mit kleinem braunen Fleck im Himmelbereich, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- with small brown stain in the upper part of the image, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- mit hinterlegtem Randeinriss, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- with backed tear, otherwise in very good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. Sprache: Niederländisch Gewicht in Gramm: 10.

Acquaforte in tiratura settecentesca, mm. 180x165 alla battuta, ampi marg. bianchi.

rilegato. Zustand: Buono (Good). BTT147QOpera con copertina editoriale rigida e sovraccoperta alettata, in lingua francese, ristampa dell'edizione di Bruxelles del 1893, volume complessivamente in buone condizioni, illustrato,  copertina e interno in ottimo stato, legatura salda, la sovraccoperta presenta un piccolo strappo sul dorso,  270  pagine circaCopertina come da foto ISBN/ASIN 9060251113 . Book.

Zustand: Good. Etching on Rag. 4.15" x 6". Good with tears along edges, losses.Portrait of Anthony van Dyck, half-length seen from behind but looking over his shoulder towards the viewer; after Vorsterman who engraved Van Dyck's self-portrait; later state with title and added scratched letter at top.Copy at the British Museum.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28 x 15 cm. -- im linken Außenrand mit alten Heftlöchern, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- on the left outer margin with old binding holes, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- leicht fleckig, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- slightly stained, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. Sprache: Niederländisch Gewicht in Gramm: 20.

Blatt-Maße: ca. 41,5 x 26 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century -- in good condition. la Gewicht in Gramm: 20.

Beau portrait d'après Van Dyck. Coupé au cuivre, infime manque à l'angle supérieur gauche. 23,8 x 16.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- im linken Außenrand mit alten Heftlöchern, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- on the left outer margin with old binding holes, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- teils leicht fleckig, sonst gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- partly slightly stained, otherwise in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 15 cm. -- gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- in good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. Sprache: Niederländisch Gewicht in Gramm: 20.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. Sprache: Niederländisch Gewicht in Gramm: 20.

Seltener original Kupferstich von Lucas Vorsterman (1595-1675) nach Jan Peeters (1624-1677), von ca. 1680. -- Blatt-Maße: ca. 28,5 x 16,5 cm. -- gut erhalten. || Rare original copper engraving by Lucas Vorsterman (1595-1675) after Jan Peeters (1624-1677) from c. 1680. -- in very good condition. || Jan Peeters the Elder was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings. He was born 1624 in Antwerp. He studied with his brothers Bonaventura and Gillis as well as Joannes Boots. He became a master of Antwerp's Guild of St. Luke in 1645. He was active in Hoboken near Antwerp from 1645 to 1654, likely working in his brother Bonaventura s workshop. Jan was trained by his brother and painted marine subjects. His subjects ranged from domestic marine scenes to Mediterranean settings. Some paintings represent naval battles and naval attacks on fortresses. He painted rough seas with shipwrecks and ships sailing in calm waters. He was good at representing atmospheric conditions, especially of clouds. He also painted city views and architectural landscapes as well as some portraits. In 1659 he spent six months in the Dutch Republic drawing panoramas of several towns and harbours. These were later engraved by the Flemish engraver Gaspar Bouttats. Because of his many drawings of distant locations he is believed to have travelled throughout France, Italy, Libya, Cairo and Jerusalem. Gaspar Bouttats also etched the 14 plates for a folio volume of city views of Jerusalem and the surrounding areas published in 1672 by the publisher Jacob Peeters under the title Views from Arabia, Judea, Chaldea, Syria, Jerusalem, Antiochia, Aleppo, Mecca etc. after drawings by Jan Peeters. Bouttats also used drawings by Jan Peeters for the 1674 publication Thooneel der Steden ende Sterckten van t'Vereenight Nederlandt. This work offered city views of the major cities and forts in the Dutch Republic, Flanders and along the Rhine. Drawings by Jan Peeters also were the basis for some of the prints engraved by Gaspar Bouttats and Lucas Vorsterman II for the publication by Jacob Peeters in Antwerp of several sets of prints issued under the title Description des principales villes, havres et isles du golfe de Venise du cote oriental, comme aussi des villes et fortresses de la Moree et quelques places de la Grece et es isles principales de l'Archipel. This was a series of maps and views of locations in Southern Europe, Northern Africa and the Middle East. Jan Peeters the Elder was the teacher of Adriaen van Bloemen. In 1677 he died in Antwerp. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Niederländisch Gewicht in Gramm: 10.

No Binding. Zustand: Very Good. PEETERS, JAN - LUCAS VORSTERMAN Satalia nel Arcipelago [Antalya - Turkey]. Antwerpen: c. 1680. Copper engraving, black/white. 11x38 cm. Very good ISBN: CATALOG: Maps & Engravings KEYWORDS: Antalya - Attalia - Adalia Engraving.

Jacopo Tintoretto (illustrator). '101'Original antique print showing a portrait of an unidentified elderly man and boy.Made by Lucas Vorsterman after Jacopo Tintoretto.Etching / engraving on hand laid (verge) paper.Sheet size: 25 x 31.5 cm (9.84 x 12.4 inch). Image size: 16.1 x 22.5 cm. (6.34 x 8.86 inch).OLD MAN-BOY-PORTRAIT-PL. 101PCOX-E2-36BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Tintoretto (Jacopo Robusti 1518 - 1594) was an Italian painter identified with the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jacopo Tintoretto (illustrator). '103'Original antique print showing a portrait of an unidentified bearded man.Made by Lucas Vorsterman after Jacopo Tintoretto.Etching / engraving on hand laid (verge) paper.Sheet size: 19.5 x 25 cm (7.68 x 9.84 inch). Image size: 10.7 x 16 cm. (4.21 x 6.3 inch).BEARDED MAN-PORTRAIT-PL. 103PCOX-E2-35BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Tintoretto (Jacopo Robusti 1518 - 1594) was an Italian painter identified with the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma (illustrator). '191'Original antique print showing a portrait of a boy with a helmet.Made by Lucas Vorsterman after Palma.Etching / engraving on hand laid (verge) paper.Sheet size: 17.5 x 23 cm (6.89 x 9.06 inch). Image size: 9.5 x 12.5 cm. (3.74 x 4.92 inch).BOY WITH HELMET-PORTRAIT-PL. 191PCOX-E2-38BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Palma Vecchio (c. 1480 30 July 1528), born Jacopo Palma and also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Titian (illustrator). '76'Original antique print showing a portrait of a man with a bird.Made by Lucas Vorsterman after Titian.Etching / engraving on hand laid (verge) paper.Sheet size: 21.5 x 28 cm (8.46 x 11.02 inch). Image size: 13.8 x 18.3 cm. (5.43 x 7.2 inch).PORTRAIT OF A MAN-BIRD-PL. 76PCOX-E2-38BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Tiziano Vecelli or Vecellio (c.?1488/90 27 August 1576), known in English as Titian was an Italian painter during the Renaissance, considered the most important member of the 16th-century Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Titian (illustrator). '86'Original antique print showing a portrait of an unidentified bearded man.Made by Lucas Vorsterman after Titian.Etching / engraving on hand laid (verge) paper.Sheet size: 24.5 x 31.5 cm (9.65 x 12.4 inch). Image size: 16.3 x 22 cm. (6.42 x 8.66 inch).BEARDED MAN-PORTRAIT-PL. 86PCOX-E2-36BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Tiziano Vecelli or Vecellio (c.?1488/90 27 August 1576), known in English as Titian was an Italian painter during the Renaissance, considered the most important member of the 16th-century Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.