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Verlag: Cambridge University Press, 2003
ISBN 10: 0521825091ISBN 13: 9780521825092
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Cambridge University Press CUP, 2009
ISBN 10: 0521517796ISBN 13: 9780521517799
Anbieter: Books Puddle, New York, NY, USA
Buch
Zustand: New. pp. x + 254.
Verlag: Cambridge University Press, (2009), Cambridge, 2009
Anbieter: Expatriate Bookshop of Denmark, Svendborg, Dänemark
orig.boards Minor rubbing. An ink mark to bottom page-edge. VG., dustwrapper. 26x17cm, x,254 pp., Binding corner bumps. "Providing a new approach to developments in recent modernist music from 1980 to the present day this study also presents an original perspective on the larger history of modernism. Far from being supplanted by a postmodern period, argues David Metzer, modernist idioms remain vital in the contemporary scene. The vitality comes from the ways in which those idioms have extended impulses of modernist styles from the early twentieth century. Since that time, works have participated in lines of inquiry into various compositional and aesthetic topics, particularly the explorations of how to build pieces around such aesthetic ideals as purity and silence and how to deliver and manipulate expressive utterances. Metzer shows how these inquiries have played crucial roles in defining directions taken since 1980, and how, through the inquiries, we can gain a clearer idea of what makes the decades after 1980 a distinct period in the history of modernism" - publisher's description. Minor rubbing. An ink mark to bottom page-edge. VG., dustwrapper.
Verlag: Cambridge University Press, 2009
ISBN 10: 0521517796ISBN 13: 9780521517799
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Buch
Zustand: New. pp. x + 254 Illus.