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  • Chamberlain, Richard, Stapleton, Annamarie, Rayner, Geoff

    Verlag: ACC Editions, 2009

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: Aardvark Rare Books, Bucknell, SHROP, Vereinigtes Königreich

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    EUR 7,50 für den Versand von Vereinigtes Königreich nach Deutschland

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    Anzahl: 1 verfügbar

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    Paperback. Zustand: New. **PAPERBACK**.

  • Rayner, Geoff; Stapleton, Annamarie; Chamberlain, Richard

    Verlag: ACC Art Books, 2009

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich

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    EUR 5,74 für den Versand von Vereinigtes Königreich nach Deutschland

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    Zustand: New. In.

  • Rayner, Geoff|Stapleton, Annamarie|Chamberlain, Richard

    Verlag: ACC Art Books, 2015

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: moluna, Greven, Deutschland

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    Kostenlos für den Versand innerhalb von/der Deutschland

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    Zustand: New. Showcases the textiles design work of Czech designer Jacqueline Groag.KlappentextrnrnShowcases the textiles design work of Czech designer Jacqueline Groag.

  • Geoff Rayner,Annamarie Stapleton,Richard Chamberlain

    Verlag: Antique Collectors' Club 2015-06-02, 2015

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich

    Verkäuferbewertung 4 von 5 Sternen 4 Sterne, Erfahren Sie mehr über Verkäufer-Bewertungen

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    EUR 14,98 für den Versand von Vereinigtes Königreich nach Deutschland

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    Paperback. Zustand: New.

  • Geoff Rayner, Annamarie Stapleton, Richard Chamberlain

    Verlag: ACC Art Books, GB, 2015

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich

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    EUR 2,31 für den Versand von Vereinigtes Königreich nach Deutschland

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    Paperback. Zustand: New. Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.

  • Geoff Rayner, Annamarie Stapleton, Richard Chamberlain

    Verlag: ACC Art Books, GB, 2015

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich

    Verkäuferbewertung 5 von 5 Sternen 5 Sterne, Erfahren Sie mehr über Verkäufer-Bewertungen

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    EUR 2,31 für den Versand von Vereinigtes Königreich nach Deutschland

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    Anzahl: 20 verfügbar

    In den Warenkorb

    Paperback. Zustand: New. Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.

  • Geoff Rayner, Annamarie Stapleton, Richard Chamberlain

    Verlag: ACC Art Books, GB, 2015

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: Rarewaves USA, OSWEGO, IL, USA

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    EUR 3,40 für den Versand von USA nach Deutschland

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    Anzahl: 2 verfügbar

    In den Warenkorb

    Paperback. Zustand: New. Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.

  • Geoff Rayner, Annamarie Stapleton, Richard Chamberlain

    Verlag: ACC Art Books, GB, 2015

    ISBN 10: 1851495908 ISBN 13: 9781851495900

    Sprache: Englisch

    Anbieter: Rarewaves USA United, OSWEGO, IL, USA

    Verkäuferbewertung 5 von 5 Sternen 5 Sterne, Erfahren Sie mehr über Verkäufer-Bewertungen

    Verkäufer kontaktieren

    EUR 3,40 für den Versand von USA nach Deutschland

    Versandziele, Kosten & Dauer

    Anzahl: 2 verfügbar

    In den Warenkorb

    Paperback. Zustand: New. Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.

  • Rayner, Geoff Geoff Rayner, Richard Chamberlain, Annamarie Stapleton,

    Verlag: ACC Art Books -, 2012

    ISBN 10: 1851496297 ISBN 13: 9781851496297

    Sprache: Englisch

    Anbieter: Bahamut Media, Reading, Vereinigtes Königreich

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    EUR 3,45 für den Versand von Vereinigtes Königreich nach Deutschland

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    Anzahl: 1 verfügbar

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    paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

  • Rayner, Geoff Geoff Rayner, Richard Chamberlain, Annamarie Stapleton,

    Verlag: ACC Art Books, 2012

    ISBN 10: 1851496297 ISBN 13: 9781851496297

    Sprache: Englisch

    Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich

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    EUR 4,59 für den Versand von Vereinigtes Königreich nach Deutschland

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    paperback. Zustand: Very Good. Artists' Textiles 1940-1976 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .