SCHWITTERS, KURT; ROTHENBERG, JEROME (13 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.35.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardcover, in jacket. Clean, unmarked, tightly bound. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Soft cover. Zustand: Near Fine. 8vo, xxxiv + 252pp. Softcover, in excellent unread condition. Like new.

Trade Paperback. Zustand: Very Good. xxxiii, four pages in color, chronology, index, 251 pages. Moderate spine lean, light fading to spine, light rubbing, scuffing, and denting to cover and page edge extremities, PEN Center Award sticker attached to front cover. Sound spine, unmarked interior pages.

Softcover. Zustand: Near Very Good. First edition w/NAP, trade paperback, PEN Center Award sticker to the center of the front cover, the book also has a strong vertical bow to the center of the bookblock, bumps to the spine ends and cover corners, a thin crease to the upper corner of the front cover, and a touch of soiling to the edges of the text block. Overall, this is a solid, tight, Near Very Good copy.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. cloth, hardcover in dust jacket., sun-fade to background of dj spine with lettering unaffected. no other flaws, clean, no writing or markings, tight binding/hinges, no bumps, tears, spots.; xxxiii-251pp., four color plates, some b/w illustrations. collects many of schwitters' written pieces. Size: 4to - over 9¾" - 12" tall.

Hardcover. Zustand: Very good. First edition. 251pp. Quarto [26 cm] Black cloth over boards with a silver stamped title on the spine. The bottom edges of the covers are a bit scuffed. The jacket is lightly soiled, faded at the spine, and has a 1" closed tear in the top edge of the rear panel. "My aim is the total Merz art work, which combines all genres into an artistic unity. First I married off single genres. I pasted words and sentences together into poems in such a way that their rhythmic composition created a kind of drawing. The other way around, I pasted together pictures and drawings containing sentences that demand to be read. I drove nails into pictures in such a way that besides the pictorial effect a plastic relief-effect arose. I did this in order to erase the boundaries between the arts." - Kurt Schwitters.

Paperback. Zustand: New.

paperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Zustand: Fine. Covers show the slightest shelf wear, otherwise as-new in every respect.

First edition, first printing New and bright pictorial stiff wraps with excellent spine and crisp bright text. A lovely copy and gift quality.

Zustand: Fine. One of fifty copies, signed by both the translator and artist, of this livre d'artiste edition of six Schwitters poems. From Steven Clay's noted press, an exuberant fine-press interpretation of the great German avant garde poet. Influenced by Schwitters own typographic constructivism, includes version of his poems "Die Wiese," "Wunde Rosen bluten," "Die Rabenblute," "Es ist Herbst," "Leise," and "Banalitaten aus dem Chinesischem." A handsome production from an important press. 12.5'' x 12''. Original beige linen-covered boards, with mounted paper spine label ("Schwitters"). [32] pages. #19/50 copies (10 hors commerce and forty for sale, plus one artist's proof), signed by both Rotheberg and Fahrner. From the colophon: "designed by Barbara Fahrner and printed by Dieter Sdun in Dreieich, Germany on a Korrex-machine using the typefaces Bodoni, Legende, Koch-Antiqua, Futura, Glass-Antiqua and Candida. The paper is Arches. The drawings were made by the artist using pen, ink, watercolour, linocut and cliche-print. The bindings were made by Jill Jevne." Slightest lean. Else sharp, clean, sound, and bright.

First Edition. Drawings by Barbara Fahrner One of an edition limited to fifty copies, signed by the author and translator and the artist Large 4to Fine copy Fahrner treats her images as a third language, elaborating on and challenging the texts. The earnest playfulness of this homage would surely have delighted Schwitters. Designed by Barbara Fahrner and printed by Dieter Sdun in Germany on a Korrex-machine using the typefaces Bodoni, Legende, Koch-Antiqua, Futura, Glass-Antiqua and Candida. The paper is Arches. The drawings were made by the artist using pen, ink, watercolour, linocut and cliche. Full cloth with printed paper label on spine.