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Erscheinungsdatum: 2023
Anbieter: True World of Books, Delhi, Indien
Buch Print-on-Demand
LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1774 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 212 Language: Italian.
Erscheinungsdatum: 2022
Anbieter: S N Books World, Delhi, Indien
Buch Print-on-Demand
LeatherBound. Zustand: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1774 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 212 Language: Italian Pages: 212.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Near Fine. 1st Edition. Large Original Etching, 11" X 6", Ample Margins All Around, Plate Number N. Xxiii At Upper Right. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-Circa 1790) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Near Fine. 1st Edition. Large Original Etching, 11 3/8" X 7 7/8", Ample Margins All Around, Plate Number N. Xxvii At Upper Right. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-Circa 1790) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Near Fine. 1st Edition. Large Original Etching, 11 " X 8 3/4", Ample Margins All Around, Plate Number N. Iii At Upper Right. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-Circa 1790) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around, Mounted On A Larger Sheet. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, 1.2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, 1.2"+ Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, 1.2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around, Mounted On A Larger Sheet. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around, Mounted On A Larger Sheet. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around, Mounted On A Larger Sheet. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around, Mounted On A Larger Sheet. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Near Fine. 1st Edition. Large Original Etching, 11 3/8" X 7 5/8", Ample Margins All Around, Plate Number N. Vi At Upper Right. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-Circa 1790) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Near Fine. 1st Edition. Large Original Etching, 12 1/8" X 5 1/8', Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-Circa 1790) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Near Fine. 1st Edition. Large Original Etching, 11 7/8" X 7", Ample Margins All Around, Plate Number N. Iii At Upper Right. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-Circa 1790) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around, Mounted On A Larger Sheet. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Anbieter: Celler Versandantiquariat, Eicklingen, Deutschland
Verbandsmitglied: GIAQ
Buch
(um 1780). Maße: ca. 8,5 cm x 20,5 cm, im Passepartout, (Blattrand gering fleckig)--- 54 Gramm.
Anbieter: Celler Versandantiquariat, Eicklingen, Deutschland
Verbandsmitglied: GIAQ
Buch
(um 1780). Maße: ca. 12 cm x 16 cm, im Passepartout--- 54 Gramm.
Erscheinungsdatum: 1775
Anbieter: BOTTEGHINA D'ARTE GALLERIA KÚPROS, Rosignano Solvay, LI, Italien
Kunst / Grafik / Poster
No legatura. Zustand: buono. Tratta dall'opera "Disegni originali d Eccellenti Pittori esistenti nella Real Galleria di Firenze incisi ed imitati nella loro grandezza e colori. All Altezza Reale di Pietro Leopoldo Principe Reale d Ungheria e di Boemia Arciduca d Austria, Granduca di Toscana &c &c &c. Protettore Magnanimo e Glorioso delle Belle Arti. Stefano Mulinari Incisore Fiorentino. In Atto di Umilissimo Ossequio dedica e consacra". Stefano Mulinari, Firenze, 1774 1782. Da autore non riportato, incisione in rame all'acquatinta, cm 14,5 x 26 (il foglio). Una abrasione sul volto di una delle figure femminili, peraltro buono lo stato di conservazione.
Anbieter: Antiquariaat Arine van der Steur / ILAB, Den Haag, Niederlande
Helen, abducted by Paris, is rushed to the seaside. Some desperate maidens follow. On the right the sea and sailors waiting for Paris to join the crew on the larger boat. Seventeenth-century brown ink mixed technique.The original drawing of the composition is preserved at the Gabinetto dei disegni e delle stampe of the Uffizi inv. GDSU 1413F (signaled by S. Stemerding). Etching and aquatint trimmed to plate, on handmade laid paper; total: 276 x 261 mm; two tiny worm holes at bottom, some dirt on the most external margins, otherwise in very good condition. Contours retouched on plate. Rare.
Verlag: Rome Circa 1775-1780, 1780
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Kunst / Grafik / Poster Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. Large Original Etching, Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari (1741-) Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master, Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati, Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art, Which Combined Etching, Engraving And Aquatinting, Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools, Entitled, Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo, Raphael, Caravaggio, Parmigiano And Guercino Were Created By Mulinari. In Total, Stefano Mulinari Published Over Two Hundred Original Etchings, Including Thirteen Based Upon The Drawings Of Guercino.
Erscheinungsdatum: 1775
Anbieter: BOTTEGHINA D'ARTE GALLERIA KÚPROS, Rosignano Solvay, LI, Italien
Kunst / Grafik / Poster
No legatura. Zustand: buono. Tratta dall'opera "Disegni originali d Eccellenti Pittori esistenti nella Real Galleria di Firenze incisi ed imitati nella loro grandezza e colori. All Altezza Reale di Pietro Leopoldo Principe Reale d Ungheria e di Boemia Arciduca d Austria, Granduca di Toscana &c &c &c. Protettore Magnanimo e Glorioso delle Belle Arti. Stefano Mulinari Incisore Fiorentino. In Atto di Umilissimo Ossequio dedica e consacra". Stefano Mulinari, Firenze, 1774 1782. Da autore non riportato, incisione in rame all'acquatinta, cm 16 x 24 (il foglio). Un irrilevante difetto del foglio al margine tondo inferiore, stretti margini oltre la filettatura dell'inciso, buono lo stato di conservazione. .
Verlag: 1760-1790, 1760
Anbieter: Pictura Prints, Art & Books, Overasselt, Niederlande
Kunst / Grafik / Poster
Giorgio Vasari (illustrator). Print depicts what seems to be a pagan or tribute offering.Made by Stefano Mulinari after Giorgio Vasari .Medium: Aquatint on handlaid paper.Sheet size: 20 x 19.4 cm (7.87 x 7.64 inch). Image size: 16.9 x 13.7 cm. (6.65 x 5.39 inch).PAGAN-OFFERING-TRIBUTE | MAP-MASTERPRINTSBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Stefano Mulinari (1741-1804) was an Italian artist known for his etchings. One of his notable works is an etching titled 'Numa Pompilius giving laws to the Romans', which he created after a painting by Polidoro da Caravaggio. In this piece, Numa Pompilius, the legendary second king of Rome, is depicted imparting laws to the Roman people. The original painting by Polidoro da Caravaggio inspired Mulinari's etching, capturing the historical moment with intricate details and skillful execution.Biography artist: Giorgio Vasari (1511-1574) was an Italian Renaissance painter and architect, who is best known for his work Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of all art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
Erscheinungsdatum: 1775
Anbieter: BOTTEGHINA D'ARTE GALLERIA KÚPROS, Rosignano Solvay, LI, Italien
Kunst / Grafik / Poster
No legatura. Zustand: buono. Tratta dall'opera "Disegni originali d Eccellenti Pittori esistenti nella Real Galleria di Firenze incisi ed imitati nella loro grandezza e colori. All Altezza Reale di Pietro Leopoldo Principe Reale d Ungheria e di Boemia Arciduca d Austria, Granduca di Toscana &c &c &c. Protettore Magnanimo e Glorioso delle Belle Arti. Stefano Mulinari Incisore Fiorentino. In Atto di Umilissimo Ossequio dedica e consacra". Stefano Mulinari, Firenze, 1774 1782. Da Pierin Del Vaga, incisione in rame all'acquatinta, cm 18,5 x 29 circa (il foglio). Una minuta abrasione al centro dell'immagine, in corrispondenza della spalla della figura centrale, peraltro ottimo stato di conservazione.
Erscheinungsdatum: 1775
Anbieter: BOTTEGHINA D'ARTE GALLERIA KÚPROS, Rosignano Solvay, LI, Italien
Kunst / Grafik / Poster
No legatura. Zustand: buono. Tratta dall'opera "Disegni originali d Eccellenti Pittori esistenti nella Real Galleria di Firenze incisi ed imitati nella loro grandezza e colori. All Altezza Reale di Pietro Leopoldo Principe Reale d Ungheria e di Boemia Arciduca d Austria, Granduca di Toscana &c &c &c. Protettore Magnanimo e Glorioso delle Belle Arti. Stefano Mulinari Incisore Fiorentino. In Atto di Umilissimo Ossequio dedica e consacra". Stefano Mulinari, Firenze, 1774 1782. Da Giuseppe Salviati, incisione in rame all'acquatinta virata al verde, cm 17 x 30 circa (il foglio). In margini e in buono stato di conservazione.
Anbieter: BOTTEGHINA D'ARTE GALLERIA KÚPROS, Rosignano Solvay, LI, Italien
Buch
No legatura. Zustand: buono. Tratta dall'opera "Disegni originali d Eccellenti Pittori esistenti nella Real Galleria di Firenze incisi ed imitati nella loro grandezza e colori. All Altezza Reale di Pietro Leopoldo Principe Reale d Ungheria e di Boemia Arciduca d Austria, Granduca di Toscana &c &c &c. Protettore Magnanimo e Glorioso delle Belle Arti. Stefano Mulinari Incisore Fiorentino. In Atto di Umilissimo Ossequio dedica e consacra". Stefano Mulinari, Firenze, 1774 1782. Dal Parmigianino, incisione in rame all'acquaforte virata al marrone, cm 12 x 16 (il foglio). Rifilata all'inciso (più ampio l'inferiore con i nomi degli Autori), peraltro buono lo stato di conservazione. .
Erscheinungsdatum: 1775
Anbieter: BOTTEGHINA D'ARTE GALLERIA KÚPROS, Rosignano Solvay, LI, Italien
Kunst / Grafik / Poster
No legatura. Zustand: buono. Tratta dall'opera "Disegni originali d Eccellenti Pittori esistenti nella Real Galleria di Firenze incisi ed imitati nella loro grandezza e colori. All Altezza Reale di Pietro Leopoldo Principe Reale d Ungheria e di Boemia Arciduca d Austria, Granduca di Toscana &c &c &c. Protettore Magnanimo e Glorioso delle Belle Arti. Stefano Mulinari Incisore Fiorentino. In Atto di Umilissimo Ossequio dedica e consacra". Stefano Mulinari, Firenze, 1774 1782. Da Giorgio Vasari, incisione in rame all'acquatinta, cm 22 x 35 circa (il foglio). Un aloncino con una sbiancatura al margine laterale sinistro, peraltro in margini e in buono stato di conservazione.