Abigail fine (61 Ergebnisse)
Anbieter: Orion Tech, Kingwood, TX, USAOrion Tech
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diary. Zustand: Good.
- Hardcover
- Erstausgabe
- Signiert
Anbieter: L. Michael, North Hollywood, CA, USAL. Michael
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EUR 11,06
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. B00K; Fine/+ $34.56 068911804X ONE WOMAN LOST; .Signed. McCARTHY, Abigail; Muskie, Jane Gray Atheneum New York 1986 Glossy Grey To Light Blue To Dark Green Spine With Title In Red to White Letters, Dust Jacket: Fine, Slightest Of Shelf Ware. Hard Cover B0K…; Fine/+, 322 Numbered Pages, Which Were Probably Not Read, And Are Clean And Tight To The Spine, Slight Shelf, Corner And Edge Ware, Gift Inscription In The Front Of BooK, Signed By Abigail McCarthy In Black Ink. = Description Applies To This B00K, Only. = This Author Signed Book Has A Special Significance, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE. =*=* California State Law Now Requires The Following Notice Be Given: *=*=* Seller Did Not See And Was Not Present When This Item Was Signed. No Certificate Of Authenticity Is Included In This Sale/Purchase Price. If You Would Like A Certificate Of Authenticity, You Can Obtain One At Your Own Convenience And Expense, Which Is Not Included In The Purchase Price Of This Item. =*=*. B00K; Fine/+ 1986 (illustrator). Signed by Author(s).
- Softcover
Anbieter: Housing Works Online Bookstore, New York, NY, USAHousing Works Online Bookstore
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EUR 25,79
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Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.
- Softcover
Anbieter: Books From California, Simi Valley, CA, USABooks From California
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EUR 25,02
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paperback. Zustand: Fine.
- Softcover
Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices
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EUR 36,21
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Zustand: New.
- Softcover
Anbieter: PBShop.store US, Wood Dale, IL, USAPBShop.store US
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EUR 38,55
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: Brook Bookstore On Demand, Napoli, NA, ItalienBrook Bookstore On Demand
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EUR 32,53
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Zustand: new.
- Softcover
Anbieter: BargainBookStores, Grand Rapids, MI, USABargainBookStores
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EUR 39,98
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Paperback or Softback. Zustand: New. The Composer Embalmed: Relic Culture from Piety to Kitsch. Book.
- Softcover
Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices
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EUR 38,79
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Zustand: As New. Unread book in perfect condition.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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EUR 37,19
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes KönigreichRarewaves.com USA
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EUR 42,93
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Paperback. Zustand: New. The first granular study of nineteenth-century composer devotion-a network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers i…nto figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culture-a culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration.
- Softcover
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandKennys Bookshop and Art Galleries Ltd.
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EUR 33,49
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Zustand: New. 2025. paperback. . . . . .
- Softcover
Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA
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EUR 44,99
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Paperback. Zustand: New. The first granular study of nineteenth-century composer devotion-a network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers i…nto figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culture-a culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration.
- Softcover
Anbieter: Grand Eagle Retail, Bensenville, IL, USAGrand Eagle Retail
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EUR 45,16
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Paperback. Zustand: new. Paperback. The first granular study of nineteenth-century composer devotiona network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made com…posers into figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culturea culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books
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EUR 40,56
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Zustand: New.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 40,87
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Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: Chiron Media, Wallingford, Vereinigtes KönigreichChiron Media
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EUR 35,06
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paperback. Zustand: New.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 40,21
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Zustand: New. In.
- Softcover
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes KönigreichGreatBookPricesUK
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EUR 37,18
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Zustand: New.
- Softcover
Anbieter: Books Puddle, New York, NY, USABooks Puddle
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EUR 52,49
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Zustand: New.
Verlag: Abigail Furey Fine Prints and Drawings LLC, Brighton, MA, 2003
- Softcover
- Erstausgabe
Anbieter: Resource Books, LLC, East Granby, CT, USAResource Books, LLC
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Zustand: Gebraucht - Gut
EUR 37,90
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In den WarenkorbPaperback. Zustand: Very Good. First Edition. Brighton, MA: Abigail Furey Fine Prints and Drawings LLC, 2003. Original 2003 catalog illustrated in black and white, 112 examples shown, with pricing. Softcover, 28 pages. Light foxing to the top of the front cover, binding firm, pages clean, no names or other markings. First Editio…n. Soft Cover. Very Good. 4to - over 9¾" - 12" tall.
- Softcover
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes KönigreichGreatBookPricesUK
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EUR 41,02
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Zustand: As New. Unread book in perfect condition.
Verlag: Brighton, MA: Abigail Furey., 2001
- Softcover
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
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EUR 30,86
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In den WarenkorbZustand: Good. Abigail Furey Fine Prints and Drawings, Catalog July 2001, No. 9. Stapled Wraps, 4to. 8-1/2 x 11 inches. [28 pp.] Coated stock. Illustrated with black and white photos of prints and drawings by Childe Hassam, Joseph Pennel, Hugo Gellert, many others. Fine.From the collection of Frederick Gale Ruffner, Jr. (1926-20…14) the founder of the Detroit based reference book publisher, Gale Research.
- Softcover
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes KönigreichTHE SAINT BOOKSTORE
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EUR 42,47
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Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
- Softcover
Anbieter: Biblios, frankfurt am main, HESSE, DeutschlandBiblios
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EUR 50,40
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Zustand: New.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 53,51
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Paperback. Zustand: Brand New. 288 pages. 9.00x6.00x9.00 inches. In Stock.
- Hardcover
Anbieter: Books From California, Simi Valley, CA, USABooks From California
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EUR 75,27
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hardcover. Zustand: Good. No dust jacket. Clean, unmarked copy.
- Softcover
Anbieter: Speedyhen, Hertfordshire, Vereinigtes KönigreichSpeedyhen
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EUR 33,37
EUR 47,92 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 3 verfügbar
Zustand: NEW.
- Softcover
Anbieter: CitiRetail, Stevenage, Vereinigtes KönigreichCitiRetail
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EUR 40,92
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Paperback. Zustand: new. Paperback. The first granular study of nineteenth-century composer devotiona network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made com…posers into figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culturea culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
- Softcover
Anbieter: Rarewaves USA United, HEBRON, KY, USARarewaves USA United
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 47,24
EUR 42,80 VersandVersand innerhalb von USAAnzahl: 2 verfügbar
Paperback. Zustand: New. The first granular study of nineteenth-century composer devotion-a network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers i…nto figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culture-a culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration.
