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Hardcover. Zustand: new. Hardcover. For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Hardcover. Zustand: new. Hardcover. For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

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Paperback. Zustand: New. Studies in Gothic Art; Table of Contents: Jonathan Alexander, Homeless and Marginalised: a Leaf from the 'Ghistelles Hours' - Tim Ayers, Collegiate Identity and the Art of Lancastrian Reform: The Stained Glass of Merton College, Oxford in the Early Fifteenth Century - Ron Baxter, Speech and Writing in the Gospels of Matilda of Canossa - Dusan Buran, The Crucifix in Kezmarok - a Little Known Masterpiece by Master Paul of Levoca - Joanna Cannon, An Enigmatic Italian Panel Painting of the Crucifixion in Narodni Galerie, Prague - Nicola Coldstream, Eleanor of Castile and the New Jerusalem - Kathleen Doyle, Bernard of Clairvaux's Apologia as a Work of Medieval Rhetoric -Lindy Grant, Gold Bezants on the Altar: Coronation imagery in the Bibles Moralisees - Jeffrey F. Hamburger, Bloody Mary: Traces of the peplum cruentatum in Prague - and in Strasbourg - Michael Kauffmann, The Meaning of Biblical Imagery in Churches: Is the Liturgy the Answer? - Peter Kidson, Recollections of a Maverick - Robert Maniura, Image, Space and Holy Place in the Cult of Our Lady of Cz?stochowa - John Lowden, Inventing Biblical Narrative: The Kiss of Cain in the Bible moralisees - Richard Marks, To the Honour and the Pleasure of Almighty God, and to the Comfort of the Parishioners: the Rood and Remembrance - David Park, Repairing 'that Vision by which Christ May be Seen': the St Swithun Cycle at Corhampton, and the Depiction of Patronal Saints in English Romanesque Wall Painting - Janet Robson, Assisi, Rome and the Miracle of the Crib at Greccio - Agnieszka Ro?nowska-Sadraei, Jagiellonians and the Internationalisation of National Saints - Milada Studnickova, Archbishop Jan of Jenstein and a new Iconography of the Visitation of St Elizabeth to the Virgin Mary: Mystic Vision and its Visualization as an Instrument of Church Policy - Robert Suckale, A Statuette of the Saviour in the Style of the Virgins on Lions - Maria Theisen, Picturing Frana - Achim Timmermann, Astwerk and ars moriendi: Reflections on a Poor Sinner's Cross in Heilbronn (1514) - Rose Walker, Sisters and Suburbs: Some Reflections on Berengaria of Navarre and her Cistercian Foundation outside Le Mans - Beth Williamson, "The Ordered Exercise of Intellection": the Manipulation of Devotional Technologies - Evelin Wetter, Issues of Negotiation: Church Treasures and Sovereign Claims in the Mark Brandenburg.…

Hardback, Pages: 192, Size:210 x 275 mm, Illustrations:8 b/w, 64 col., Language: English. ISBN 9781915487056. Summary For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception. TABLE OF CONTENTS Heidi C. Gearhart, Preface: Honoring Elizabeth Sears Achim Timmermann, Publications by Elizabeth Sears I. Thinking: Categories and Definitions in Medieval Art History Paul Binksi, The Name of the Rose Paroma Chatterjee, The Trouble with Antithesis Robert A. Maxwell, Negotiating 'Fausses oeuvres' Kirk Ambrose, A Divergent Centaur on the Font at Bro Helmut Puff, Speaking (of) Furniture: The 'Wrangelschrank' (1566) Achim Timmermann, 'You Will Offer a Ship of Silver': A Brief History of Medieval Votive Ships II. Seeing: Reading Medieval Manuscripts Lucy Freeman Sandler, A Flying Book in the Bedford Hours Elina Gertsman, Abstractive Image in Medieval Jewish Art Elizabeth C. Teviotdale, Time in the Stammheim Missal Beatrice Kitzinger, Crafting (and) Godesscalc's Colophon Ulrich Rehm, Seeing/Reading: Illuminators in Connection and Conflict with an Initial Letter in the Dover Bible Kathryn A. Smith, Vanities and Verities: Reading Nebuchadnezzar's Dream in the Welles-Ros Bible Jacqueline Jung, The Pleasures and Perils of Women's Agency in the 'B chlein von der geistlichen Gemahelschaft' Megan McNamee, Writing Weaving in Nuremberg, c. 1500 III. Writing: Historiographical Studies William Diebold, Bernward's Hildesheim through the Ages: The Ottonians and Their Art in Gardner's 'Art through the Ages, 1926-2020' Kathryn Brush, Between Manhattan and Ann Arbor: Arthur Kingsley Porter and Fiske Kimball on Colonial America David Ganz, The Grand Master of our Order: Ludwig Traube, Mommsen and Warburg Kevin Korsyn, Musical-Poetic Images in Schubert: David Lewin and Anthony Newcomb on Musical Meaning in 'Auf dem Flusse' 0 g.…

Brossura. Zustand: nuovo. Pages: 427 p. Illustrations:335 b/w, 50 col. Language(s):English. Publication Year:2017. Brepols. ISBN: 978-2-503-54652-0. Paperback -- SUMMARY Erected in large numbers from about 1200 onwards, and featuring increasingly sophisticated designs, wayside crosses and other edifices in the public sphere such as fountains, pillories and boundary markers constituted the largest network of images and monuments in the late medieval world. Not only were they everywhere, they were also seen by nearly everyone, because large sections of the populace were constantly on the move. Carrying an entire spectrum of religious, folkloric and judicial beliefs, these monuments were indeed at the very heart of late medieval life. This is the first critical study of these fascinating and rich structures written by a medievalist art historian. Focusing on the territories of the former Holy Roman Empire, this investigation considers such important edifices as the towering wayside crosses of Wiener Neustadt and Brno or the elaborate pillories of Kasteelbrakel and Wrocław, though less ostentatious works such as the Bildstöcke of Franconia and Carinthia or the high crosses of Westphalia and the Rhineland are equally examined. In addition, the study looks at the homiletic, literary, devotional and artistic imagination, in which wayside crosses and other such structures helped constitute a spiritual and allegorical landscape that very much complemented and put pressure on the physical landscapes traversed and inhabited by the contemporary public. TABLE OF CONTENTS A Short Introduction Chapter 1: From the Ahenny Crosses to the Zderad Column: Northern Sacroscapes to c. 1500 Part 1: High cross (1), picture stone, and Irminsul: Competing monuments in northern and northwestern Europe to c. 1100 Part 2: High cross (2), discoidal cross, and Bildstock: Monumental landscapes in the Holy Roman Empire, c. 1100 1530 Part 3: Eleanor Cross, high cross (3), and Spinnerin am Kreuz: The great turriform monument in northern Europe, c. 1270 1470 Chapter 2: In the City: Persuasion and Protection Part 1: The market cross: Commerce and the law. Excursus: The market crosses of Britain and Ireland Part 2: The pillory: Degradation through elevation Part 3: The fountain: Regeneration and civic munificence Part 4: Lion, Rider, Roland: Making and faking civic history Part 5: The Stations of the Cross: The city as Jerusalem Part 6: The cemetery lantern: Illuminating the city of the dead Chapter 3: On the Road: Perdition and Perpetuity Part 1: The poor sinner s cross: Crime, punishment, and redemption, I Part 2: The penance cross: Crime, punishment, and redemption, II Part 3: Battle crosses and accident crosses: Disaster, trauma, and remembrance Part 4: Pilgrimage- and processional crosses, safe conduct- and border stones: Trajectories and boundaries.…