acker gordon (10 Ergebnisse)

Paperback. Zustand: Good. 1569010811 Unmarked text. Great reading copy.

Paperback. Zustand: new. Acker, Gordon J (illustrator). Paperback. General Nikolai Karpoff of the Soviet Military Intelligence and the Zaporozhian Sich, a clandestine underground group dedicated to the overthrow of communism, join forces in a masterful series of maneuvers threading through the labyrinths of power. Together, they manipulate the supreme commanders of both East and West to secure freedom for the people of the Eastern Bloc. In a series of power plays that have stretched over three hundred years, the rise of democracy and the fall of the Berlin Wall depend on one final checkmate. Content copyright 2011-20 Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Zustand: new. Acker, Gordon J (illustrator). Paperback. Matt Kurk, a man, but not an ordinary man. A man with special abilities. Abilities that compel him to develop an inexpensive, unlimited, clean energy source which changes the political landscape of the world. In the process he becomes the richest man in the world, and possibly the most powerful. But a man like that naturally creates enemies. Other men and even governments, with evil intentions, covet that power. The Day the Republic Died is a novel where a little bit of science fiction collides with a whole lot of modern day politics. Matt Kurk's adventures lead him from the depths of the ocean floor of the Gulf of Mexico to the heights of the mountains of Afghanistan with hearings in the United States Congress along the way. Will big government stifle the development of this clean energy source? Matt Kurk wants to do good with his inventions, and he is a reasonable man, but don't make him mad! Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Zustand: New. Acker, Gordon J (illustrator). Print on Demand.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. Reviews by Lisa Liebmann, Charles Hagen, Ronny H. Cohen, Donald Kuspit, Richard Flood, Jeanne Silverthorne, Kate Linker, Edit deAk, Lisa Liebmann, Nancy Stapen, Michael Bonesteel, Christopher Knight, Melinda Wortz, Suzaan Boettger, Ronny H. Cohen, Max Wechsler, Gérard-Georges Lemaire, Annelie Pohlen, and Saskia Bos. Cover: Barry Le Va.

Paperback / softback. Zustand: New. Acker, Gordon J (illustrator). This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback / softback. Zustand: New. Acker, Gordon J (illustrator). This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

64 pp.; 25.5 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring/Summer 1980 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "Circuits," featuring texts on and by Kathy Acker, Rosemary Hochschild, Joan Jonas, Joseph Kosuth on Ad Reinhardt, Gordon Matta-Clark, Glenn O'Brien, Panels, Steve Pollack, Jeanne Quinn, Real Estate Show, Carolee Schneemann, Fiona Templeton; "Lisa Kahane;" "Burk Uzzle;" "Thomas Lawson;" "Earl Ripling;" "Non Serial Concerns," Christian de Boschnek with Pat Lasch; "A Conversation with Keith Sonnier: Machine 1980;" "Joan Logue: Selections from recent Electronic Portraits series NYC, 1980;" "Dialogue: Sarah Charlesworth with Betsy Sussler;" "Bobby;" "Dike Blair;" "Dialogue," Malcolm Morley with Les Levine; "Richard Serra;" "Alan Suicide: Prophet of The Little Guys' Apocalypse," by Edit deAk; "(New) New Wave New York," by Michael Oblowitz; "Music," by Raybeats, A-Band, Ad Hock Rock, Bush Tetras, Container, 8-Eyed Spy, Liquid Idiot, Lounge Lizards, Untouchables, Youthinasia "Cinema: 31 Filmmakers on their work," with essays by Michael Oblowitz, Yvonne Rainer, and Manuel de Landa. Front Cover Photo: Still from Clara Weyergraf / Richard Serra film still "Steelmill / Stahlwerk," 1979. Back cover photo by Robert Mapplethorpe, "112 Workshop, 325 Spring Street, NYC, 1980." Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 252. Very Good. Light edgewear to covers, and light handling wear. 1.3 cm. light soiling to recto. Contents clean and unmarked.

Softcover. Zustand: Very Good. First edition. Complete in six volumes. Octavos. Stapled printed wrappers, except for the second volume where the wrappers are unprinted, as issued. The third volume bears the author name "Peter Gordon" as issued. Issue one with sticker shadow, creasing and subtle dampstain at one corner; issue two with small stain, corner creased and rear corner badly torn; and the remaining volumes with only light sunning, overall very good or better. The second of Acker's three six-volume novels; all written in parts, issued separately, in very limited numbers, and consequently very difficult to find complete in original form.

Vintage studio still photograph of Sandy McLeod, shot by (and credited at the right margin to) Nan Goldin, from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image. An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square, soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars, with a screenplay by Kathy Acker, music by John Lurie, cinematography by frequent Jarmusch collaborator Tom de Cillo, and still photography by Nan Goldin. Set and shot on location in New York. 8 x 10 inches. Near Fine.