Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
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ISBN 10: 1862181012 ISBN 13: 9781862181014
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In den WarenkorbZustand: New. 2012. Paperback. . . . . .
Verlag: University of Huddersfield, GB, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: New. This book celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol the hand-made machine - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book. The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to making things well. It explores the balance between hand skills and technology within a works production with particular reference to Richard Sennetts review of material culture in The Craftsman. Shibusa includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori.
Verlag: University of Huddersfield, GB, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: New. This book celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol the hand-made machine - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book. The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to making things well. It explores the balance between hand skills and technology within a works production with particular reference to Richard Sennetts review of material culture in The Craftsman. Shibusa includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori.
Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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Verlag: University of Huddersfield, 2019
ISBN 10: 1862181616 ISBN 13: 9781862181618
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In den WarenkorbZustand: New. A series of provocations, observations and reflections upon ambient - based on the Ambient@40 International Conference held in February 2018 at the University of Huddersfield.KlappentextrnrnA series of provocations, observations and reflecti.
Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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In den WarenkorbZustand: New. 2012. Paperback. . . . . . Books ship from the US and Ireland.
Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. 552.
Verlag: Saint Philip Street Press, 2020
ISBN 10: 1013293924 ISBN 13: 9781013293924
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Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
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Verlag: Saint Philip Street Press, 2020
ISBN 10: 1013293924 ISBN 13: 9781013293924
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In den WarenkorbZustand: New. KlappentextrnrnThis collection of essays has been assembled and developed from papers given at the Ambient@40 International Conference held in February 2018 at the University of Huddersfield. The original premise of the conference was not merely.
Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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ISBN 10: 1862181012 ISBN 13: 9781862181014
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ISBN 10: 1013293932 ISBN 13: 9781013293931
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Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
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ISBN 10: 1862181012 ISBN 13: 9781862181014
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ISBN 10: 1862181012 ISBN 13: 9781862181014
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In den WarenkorbZustand: New. KlappentextrnrnThis collection of essays has been assembled and developed from papers given at the Ambient@40 International Conference held in February 2018 at the University of Huddersfield. The original premise of the conference was not merely.
Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
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In den WarenkorbPaperback. Zustand: new. Paperback. This book celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol the hand-made machine - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book. The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to making things well. It explores the balance between hand skills and technology within a works production with particular reference to Richard Sennetts review of material culture in The Craftsman. Shibusa includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Verlag: Saint Philip Street Press, 2020
ISBN 10: 1013293932 ISBN 13: 9781013293931
Sprache: Englisch
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In den WarenkorbZustand: New. pp. 256.
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In den WarenkorbZustand: New. Über den AutorMonty Adkins is a composer, performer, and Professor of Experimental Electronic Music at the University of Huddersfield. He has written and edited books on the relationship between art and music, ambient music, the wor.
Verlag: Saint Philip Street Press, 2020
ISBN 10: 1013293924 ISBN 13: 9781013293924
Sprache: Englisch
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Verlag: University of Huddersfield, 2012
ISBN 10: 1862181012 ISBN 13: 9781862181014
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: new. Paperback. This book celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol the hand-made machine - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book. The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to making things well. It explores the balance between hand skills and technology within a works production with particular reference to Richard Sennetts review of material culture in The Craftsman. Shibusa includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.