Verlag: Everyman's Library Children's Classics 1992-2001, London, 1992
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
EUR 148,51
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbCloth. Zustand: Near Fine. R. de la Neziere; Stephen Gooden (illustrator). A delightful set of Aesop and Fontaine's fables, illustrated and published for the 'Everyman's Library Children's Classics' Two lovely anthologies of classic fables from Aesop and Jean de La Fontaine.Published for the Everyman's Library Children's Classics series.In the publisher's original cloth binding, decorated with gilt and a front board illustration. Presented here with a cloth-backed clamshell, with spine label.Comprising Sir Edward Marsh's translation of Fontaine and Sir Roger L'Estrange's translation of Aesop. Both illustrated with fifteen colour plates and vignettes to Fontaine's fables and numerous full page drawings to Aesop's.Clamshell provided by Eric Sweet, a keen collector of private press and fables. He studied at the Brighton College of Art, before moving to London to work as a letteringartist and typographer for advertising agencies, later becoming the head ofBirmingham School of Printing. Sweet's bindings are unique and striking, reflecting the topics of the volumes in distinctivestyle. In the publisher's original cloth binding, with illustrations pasted to the front boards. Held together with a cloth-backed clamshell. Externally, lovely, with only a residue mark left by label to the rear board of 'Aesop'. Clamshell is damp stained to the top edge. Internally, firmly bound with bright and clean pages. Near Fine. book.
Verlag: John Lane The Bodley Head; Angus & Robertson 1899-1977, London, 1899
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
EUR 166,34
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbCloth. Zustand: Near Fine. Percy J. Billinghurst (illustrator). First edition. Two scarce editions of Aesop's fables, including the very scarce first edition of the Percy J. Billinghurst illustrated edition, and a late twentieth century edition also featuring his illustrations. Two volumes of the fables of Aesop, both featuring the illustrations of Percy J. Billinghurst.The first of these two volumes is the very scarce first edition of this charming late nineteenth century edition of Aesop's fables, with this edition from the English version of English pamphleteer Sir Roger L'Estrange, featuring an introduction from Kenneth Grahame - author of 'The Wind of the Willows' - and illustrated by Percy J. Billinghurst.Illustrated with a frontispiece, and with full page illustrations throughout - included in the pagination - from illustrator and bookplate designer Percy J. Billinghurst.The second volume is the scarce 1977 first edition of George Beal's retelling of the fables, which also features Billinghurst's illustrations throughout.Aesop's Fables are a collection of brief moral tales attributed to a storyteller believed to have lived in ancient Greece around the 6th century BCE. These tales typically feature animals as characters who embody human traits and behaviours, teaching practical life lessons through their interactions. Classic fables like "The Tortoise and the Hare," "The Boy Who Cried Wolf," and "The Ant and the Grasshopper" use simple narratives to convey enduring wisdom about virtues such as perseverance, honesty, and hard work.Housed in a cloth slip case In the publisher's original pictorial cloth bindings, housed in cloth slip case. Externally, excellent, with bump to head of 1899 volume. Internally, firmly bound. Pages of 1977 volume exceptionally clean and bright, with the odd spot to the 1899 volume. Slip case in excellent condition. Near Fine. book.
Verlag: Frederick Warne and Co, London, 1887
Anbieter: Rooke Books PBFA, Bath, Vereinigtes Königreich
Verbandsmitglied: PBFA
EUR 231,68
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbCloth. Zustand: Fine. None stated (illustrator). A strikingly bound copy of Aesop's fables, with charming illustrations throughout, bound by Eric Sweet with moire cloth panels and a cloth chemise and slipcase. A new edition. Part of the 'Chandos Classics' series.Bound by Eric Sweet, a keen collector of private press and fables. He studied at the Brighton College of Art, before moving to London to work as a letteringartist and typographer for advertising agencies, later becoming the head ofBirmingham School of Printing. Sweet's bindings are unique and striking, reflecting the topics of the volumes in distinctivestyle.Illustrated with one hundred and ten monochrome illustrations, including a frontispiece, and an illustrated title page.A charming collection of fables credited to Aesop, a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition has been translated by Samuel Croxall and Sir Roger L'Estrange, and contains George Fyler Townsend's and L. Valentine's 'new applications, morals, etc'.Bound in cloth with moire cloth panels, endpapers and blanks renewed, with a cloth chemise and slipcase. Bound in cloth with moire cloth panels, endpapers and blanks renewed, with a cloth chemise and slipcase. Externally lovely. The chemise is lovely, and the slip excellent with light damp staining to the head. Internally firmly bound with bright and generally clean pages with the odd minor spot only. Light owner's stamp to the title page. Fine. book.
Verlag: Ernest Benn Limited, London, 1928
Anbieter: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, USA
Signiert
EUR 1.581,33
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbAlcuin Press (illustrator). small 4to. full brown leather, the front cover gilt with a rich design of crowned A's, with ornamental center and corners, gilt leather turn-ins, all edges gilt, crimson moire satin endpapers. (12) pages. Limited to 50 numbered copies printed by the Alcuin Press on handmade paper. Small dampstain on outer margin of first few pages. Spine lightly faded. Slipcase slightly cracked. Else a lovely copy in a lovely signed binding by A. Genova, Venezia (stamped on rear board). With 24 full-size reproductions of the Gheeraerts etchings of 1567. A stunning edition of Aesop's Fables. full brown leather, the front cover gilt with a rich design of crowned A's, with ornamental center and corners, gilt leather turn-ins, all edges gilt, crimson moire satin endpapers.
Erscheinungsdatum: 1926
Anbieter: Henry Sotheran Ltd, London, Vereinigtes Königreich
EUR 1.069,30
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbWaltham Saint Lawrence, Berkshire: The Golden Cockerel Press, 1926. Large 8vo., cream-backed brown publisher's boards lettered in gilt to spine; housed in the rather scarce printed dust jacket; with 11 wood engravings by Celia M. Fiennes; pp. [viii], iii-v, [i]; 94, [vi]; almost entirely unopened, spine tips lightly bumped; previous bookseller sticker to lower paste-down, else a near-fine example, the jacket good to very good only, but seldom found at all, lightly spotted, browned along spine and to folds, chipped to extremities with some closed tears along spine. Scarce thus. Provenance: bookplate of Alma Ruth Levenson to the front paste-down. Limited to just 350 copies, this no. 268. Text reprinted from the 1692 edition of the Fables.L'Estrange originally published his version of the fables in 1692, and the translation is now thought to be one of the most popular. His edition of Aesop was commissioned by a group of booksellers and appeared two years after Locke first recommended Aesop as a first reading book for children. Muir writes it was ?the best and largest collection of fables in English, and he had children especially in mind when making his compilation? The DNB notes of L?Estrange?s Aesop that it was ?an assemblage of fables and facetiae from a variety of sources, ancient and modern, the second volume being wholly unAesopian. The trenchant reflections added to the individual fables possess a strong political animus and were to draw severe criticism from the later whig fabulist Samuel Croxall; but all L'Estrange's translations have some degree of political colouring". The simplistic yet highly effective wood engravings are by Celia M. Fiennes, a direct descendant of the 17th-century travel writer Celia Fiennes. She was an accomplished printmaker and illustrator - in the same year as this publication, she produced twelve wood engravings for the Cresset Press edition of Matthew Stevenson's 1661 work The Twelve Moneths.