Alexandra büttner (10 Ergebnisse)

Broschiert. Zustand: Sehr gut. 48 Seiten, Heft in sehr gutem Zustand, GE-3294 9783897357686 Auf Grund der aktuellen PPWR-Regelung der EU (Papier-Recycling mit Anmeldpflicht und hohen Kosten) können wir in der EU zur Zeit nur nach Österreich und Frankreich versenden. ! Versand in die Schweiz, Großbritannien und weltweit ist weiter möglich! Sprache: Deutsch Gewicht in Gramm: 238. …

Softcover. Zustand: VG. Gold and tan stapled wraps, 48 pp., many color illus. Text is in German. Issued in conjunction with a 2012 exhibition focusing on the digitizing of manuscripts from the cloister library in Lorsch, Germany. Includes background of the project as well as close-up images of medieval handwritten pages to be scanned.…

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Hardcover. Zustand: Brand New. 290 pages. 10.75x7.50x1.00 inches. In Stock.

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Rilegato. Zustand: nuovo. Zustand des Schutzumschlags: nuovo. Book Series Corpus Rubenianum Ludwig Burchard, vol. 27.2 About this series Add to Wishlist Works in Collaboration Frans Snijders and Other Masters Anne T. Woollett, Nils Büttner, Elizabeth McGrath, Alexandra N. Bauer Pages: 290 p. Size:175 x 260 mm Illustrations:65 b/w, 42 col. Language(s):English Publication Year:2025 Buy print version € 180,00 EXCL. VAT RETAIL PRICE ISBN: 978-1-915487-58-2 Hardback Available The present volume is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. Subject(s) Baroque & Rococo painting BIO Anne T. Woollett is Curator of Paintings, J. Paul Getty Museum, Los Angeles, CA, USA; Nils Büttner is Professor of Art History at the State Academy of Art and Design in Stuttgart; Elizabeth McGrath is Professor Emerita of Art History and Honorary Fellow of the Warburg Institute, University of London; Alexandra Nina Engel is Curator of German, Dutch and Flemish Paintings, Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg (SPSG), Potsdam, Germany. Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller 'cabinet' paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens's possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist's estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens's oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. …

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Zustand: As New. Unread book in perfect condition.

hardcover, dusjacket, 290 pages, Size:175 x 260 mm, Illustrations:65 b/w, 42 col., Language(s):English. *New. ISBN 9781915487582. Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens?s studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter?s death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller ?cabinet? paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens?s possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist?s estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens?s fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens?s oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. -- Catalogue Raisonné Rubens and Snijders: An Enduring Alliance Rubens and Paul de Vos Rubens and Cornelis Saftleven 0 g.…

Rilegato. Zustand: nuovo. Pages: 290 p.Illustrations:65 b/w, 42 col. Language(s):English. Publication Year:2025. ISBN: 978-1-915487-58-2. Brepols. Hardback - Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller 'cabinet' paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens's possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist's estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens's oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. TABLE OF CONTENTS Preface and Acknowledgments Catalogue Raisonné Rubens and Snijders: An Enduring Alliance Rubens and Paul de Vos Rubens and Cornelis Saftleven Appendix: Documents Relating to The Recognition of Philopoemen (No. 1) Figures Bibliography Indexes I: Collections II: Subjects III: Other Works by Rubens Mentioned in the Text IV: Names and Places.…