Alexandra gerstein (83 Ergebnisse)

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Henry Moore : Shadows on the Wall
Curtis, Penelope; Gerstein, Alexandra (EDT); Gottardo, Ketty (EDT); Mille, Charlotte De; Bruni, Laura (CON)
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Paperback. Zustand: New. Uncovers the significance of walls in the drawings of Henry Spencer Moore after World War II. Henry Spencer Moore (1898-1986) was one of the most influential British artists of the twentieth century. This book and exhibition offer a new reading of Moore's celebrated Shelter series and the artist's fascin…ation with images of walls during and immediately after World War II. Henry Moore: Shadows on the Wall accompanies a focused exhibition at the Courtauld Gallery. After the destruction of his London studio early in World War II, Henry Moore began drawing figures sheltering from bomb raids in the London Underground. The walls of these sheltered spaces came to absorb his attention in an altogether new way, becoming scene-setters and key components of his drawings. This fascination with the bricks and the presence of walls, their texture, mass, and volume, became especially important after his project to illustrate the wartime radio play The Rescue, based on Homer's Odyssey. Henry Moore, a collaboration with the Henry Moore Foundation, suggests for the first time that the walls in his drawings offer a new way to understand some of his most individual and monumental post-war sculpture projects.

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Henry Moore : Shadows on the Wall
Curtis, Penelope; Gerstein, Alexandra (EDT); Gottardo, Ketty (EDT); Mille, Charlotte De; Bruni, Laura (CON)
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Paperback. Zustand: New. Uncovers the significance of walls in the drawings of Henry Spencer Moore after World War II. Henry Spencer Moore (1898-1986) was one of the most influential British artists of the twentieth century. This book and exhibition offer a new reading of Moore's celebrated Shelter series and the artist's fascin…ation with images of walls during and immediately after World War II. Henry Moore: Shadows on the Wall accompanies a focused exhibition at the Courtauld Gallery. After the destruction of his London studio early in World War II, Henry Moore began drawing figures sheltering from bomb raids in the London Underground. The walls of these sheltered spaces came to absorb his attention in an altogether new way, becoming scene-setters and key components of his drawings. This fascination with the bricks and the presence of walls, their texture, mass, and volume, became especially important after his project to illustrate the wartime radio play The Rescue, based on Homer's Odyssey. Henry Moore, a collaboration with the Henry Moore Foundation, suggests for the first time that the walls in his drawings offer a new way to understand some of his most individual and monumental post-war sculpture projects.

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Paperback. Zustand: new. Paperback. Uncovers the significance of walls in the drawings of Henry Spencer Moore after World War II. Henry Spencer Moore (1898-1986) was one of the most influential British artists of the twentieth century. This book and exhibition offer a new reading of Moore's celebrated Shelter series and the arti…st's fascination with images of walls during and immediately after World War II. Henry Moore: Shadows on the Wall accompanies a focused exhibition at the Courtauld Gallery. After the destruction of his London studio early in World War II, Henry Moore began drawing figures sheltering from bomb raids in the London Underground. The walls of these sheltered spaces came to absorb his attention in an altogether new way, becoming scene-setters and key components of his drawings. This fascination with the bricks and the presence of walls, their texture, mass, and volume, became especially important after his project to illustrate the wartime radio play The Rescue, based on Homer's Odyssey. Henry Moore, a collaboration with the Henry Moore Foundation, suggests for the first time that the walls in his drawings offer a new way to understand some of his most individual and monumental post-war sculpture projects. Henry Spencer Moore (18981986) was one of the most influential British artists of the twentieth century. This catalogue considers Moores celebrated Shelter drawings as the point of departure for a new reading of the artists fascination with images of walls, during and immediately after World War II. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Zustand: Brand New. 90 pages. 8.27x0.04x8.27 inches. In Stock.

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Zustand: New. 2024. 1st Edition. paperback. . . . . .

Verlag: The Courtauld Gallery ; Fondation Louis Vuitton ; Paul Holberton Publishing, London, Paris, London 2019
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First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Summary; The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogu…e and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London. Physical Description; xxi, 346 pages : illustrations (chiefly color) ; 29 cm. Notes; Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019. Subjects; 1900-1999. Art Private collections. Art Private collections England London 20th century Exhibitions. Courtauld (Samuel) Collection. Courtauld (Stephen) Collection. Courtauld Institute Gallery (London). Courtauld Institute of Art Courtauld Collection. Courtauld, Samuel, 1876-1947. Courtauld, Samuel, 1876-1947 Art collections Exhibitions. England London. Essays. Exhibition catalogs. Fondation Louis Vuitton (Paris, France). Fondation Louis Vuitton (Paris, France) Exhibitions. Fondation Louis Vuitton (Paris, France) Expositions. Illustrated works. Impressionism (Art). Impressionism (Art) Exhibitions. 3 Kg.

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Soft cover. Zustand: Fine. 1st Edition. Please note that, depending on size and destination, we may request a payment to cover any extra shipping & postage charges. Proceeds to Amnesty International. Abe2619. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gi…ft Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors.

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Henry Moore : Shadows on the Wall
Curtis, Penelope; Gerstein, Alexandra (EDT); Gottardo, Ketty (EDT); Mille, Charlotte De; Bruni, Laura (CON)
- Softcover
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Verlag: The Courtauld Gallery ; Fondation Louis Vuitton ; Paul Holberton Publishing, London, Paris, London 2019
- Softcover
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First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Summary; The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogu…e and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London. Physical Description; xxi, 346 pages : illustrations (chiefly color) ; 29 cm. Notes; Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019. Subjects; 1900-1999. Art Private collections. Art Private collections England London 20th century Exhibitions. Courtauld (Samuel) Collection. Courtauld (Stephen) Collection. Courtauld Institute Gallery (London). Courtauld Institute of Art Courtauld Collection. Courtauld, Samuel, 1876-1947. Courtauld, Samuel, 1876-1947 Art collections Exhibitions. England London. Essays. Exhibition catalogs. Fondation Louis Vuitton (Paris, France). Fondation Louis Vuitton (Paris, France) Exhibitions. Fondation Louis Vuitton (Paris, France) Expositions. Illustrated works. Impressionism (Art). Impressionism (Art) Exhibitions. 1 Kg.

Sprache: Englisch
Verlag: Paul Holberton Publishing / Courtauld Gallery / Musee Rodin, London 2016
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Paperback. Zustand: New. 1st Edition. Qto., 192 pages, colour illustrated. A New copy.

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Paperback. Zustand: Brand New. 120 pages. 10.26x8.51x10.24 inches. In Stock.