alison saar (50 Ergebnisse)

Zustand: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

paperback. Zustand: Very Good.

Paperback. Zustand: Very Good. 1st Edition. No markings.

Softcover, 82 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

0 1: 00 PM. Very good. museum of art stamp, piece consists of a one pive foldout that features five pages of text and ilustrations.

Paperback. Zustand: Near Fine. Oversize wraps with minor wear, like new with no faults to note.

Paperback. Zustand: Fine. 1st. 80 pages, colour illustrations; 28 cm. Monograph series; no. 29. Catalogue of an exhibition held at the UCLA Fowler Museum of Cultural History, November 12, 2000 to May 13, 2001. Firm binding, clean inside copy. *** "Although the sculpture of African American artist Alison Saar is influenced by African objects and ideas, this volume does not seek to establish direct linkages, opting instead to present dialogues. It features an extended interchange between noted Africanist and art historian Mary Nooter Roberts and Saar, and through a series of beautfully photographed images, it also establishes a visual dialogue between Saar s frequently large-scale sculptural pieces and the intimate and intricate works of the Luba peoples of the Democratic Republic of the Congo." - Publisher. Size: 4to. Collectible.

Paperback. Zustand: Very good +. First Edition. Body POLITICS: The Female Image in Luba Art and the Sculpture ol Alison Saar is the exhibition catalog for the 2000 the show at the UCLA FOWLER MUSEUM OF CULTURAL HISTORY. Text by Mary Nooter Roberts and Alison Saar. 80 pages. Paper with satiff wraps. Color reproduyctions. 11' x 8 1/2". Very good + condition.

Zustand: Like New. Alison Saar (illustrator). Text block, wraps and binding are in like new condition, without markings of any kind. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Stiff Wrappers. Zustand: Fine Condition. 79 pages. Paperback Texts in English. Crisp, tight, sharp and clean condition, essentially "as new." 103 illustrations in color. Monograph series no. 29. Illustrated endpapers. Bibliography. Book.

Paperback. Zustand: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

First Edition. Paperbound, tri-folded, 7 3/4Ó x 9Ó. An illustrated catalogue issued to accompany an exhibit of art works by Alison Saar. Fine in printed wrappers.

Softcover. Zustand: Near Fine. First edition. Small quarto. 82pp. Illustrated from color photographs. Pictorial wrappers. Spine ends gently bumped, near fine.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Paperback. Zustand: Very Good. duped: Prints By Alison Saar with an essay by J. Susan Isaacs and an artist's statement by Saar. 32 pages, paper with stiff cover. Color reproductions. Very good condition.

Original publishers sewn paperback, pictorial frontcover, large 4to: frontispiece, 82pp., very richly illustrated, 100 objects depicted and described, bibliography, credits, notes on authors. Very fine copy - as new. Volume 29: Monograph Series.

Ephemera. This is not a book. The original pamphlet for an exhibition titled "Art en Route: MTA Arts for Transit" and held at PaineWebber Art Gallery, NYC, July 14 - September 23, 1994. The show presented artworks created for the Metropolitan Transportation Authority that were on view the length of the New York metropolitan train and subway lines. The pamphlet includes images of works by Romare Bearden, Andrew Leicester, Elizabeth Murray, Roy Lichtenstein, and Alison Saar as well as architectural renderings. The text outlines the history of the program. Single sheet, machine-folded to 8 panels (double parallel fold); 8 color illustrations; list of programs; 4 x 9 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address, abrasions and postal marks on rear.

Soft cover. Zustand: Very Good.

Hardback. Zustand: New. Mirror, Mirror collects the vast body of prints made by Los Angeles-based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged-empowering the content of the image while resisting the flat repetitive nature of the medium.

Softcover with metal spiral binding, 86 pages; very good condition, owner's name and date stamp; no other internal marks. Foreign shipping may be extra.

Hardback. Zustand: New. Mirror, Mirror collects the vast body of prints made by Los Angeles-based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged-empowering the content of the image while resisting the flat repetitive nature of the medium.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Hardcover. Zustand: Brand New. 127 pages. 11.00x10.00x0.75 inches. In Stock.

softcover. Zustand: Fine copy. Well-illustrated (illustrator). 1st. Tall 8vo, 32 pp., Signed by the artist on the title page.

Soft Cover. Zustand: As New. First Edition; First Printing. Tight, clean and crisp. The book appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. ; 14 color plates. Essay by Mary Davis MacNaughton. Published on the occasion of the exhibition at Ruth Chandler Williamson Gallery, Scripps College, March 18 - April 16, 2000.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Poster with text printed on rear, measuring 21 x 14 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

0 23 p. Very good. very lightest of shelfwear, near fine.