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Verlag: Southern Illinois University Pre, 1987
ISBN 10: 080931312XISBN 13: 9780809313129
Anbieter: HPB-Ruby, Dallas, TX, USA
Buch
hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Verlag: Southern Illinois University Press, 1987
ISBN 10: 080931312XISBN 13: 9780809313129
Anbieter: SecondSale, Montgomery, IL, USA
Buch
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Verlag: Southern Illinois University Press, 1987
ISBN 10: 080931312XISBN 13: 9780809313129
Anbieter: Irish Booksellers, Portland, ME, USA
Buch
Zustand: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Verlag: Brand: Southern Illinois University Press, 1987
ISBN 10: 080931312XISBN 13: 9780809313129
Anbieter: Ergodebooks, Houston, TX, USA
Buch
Hardcover. Zustand: Good. David Michael Hertz explicates the relationship between the music and poetry of the Symbolist movement, tracing it from its inception in Baudelaire s verse and Wagner s music to its final transformation into Modernism in the works of Schoenberg. Hertz begins by examining the concept of the period, the well-rounded phrase of verse or music, which was attacked first in Wagner s use of the leitmotif and unusual intervals such as the tritone.Such musical elements created a feeling of emotion directly expressed, unhampered by convention. This approach was further developed by Mallarmé , who stripped his verse of its conventional framework in an attempt to create images of pure emotion. Mallarmé in turn influenced Debussy. Hertz shows that in setting Mallarmé s verse, Debussy moved further away from the standard harmonic structures of the nineteenth century, particularly in his use of tonal ambiguity.Hertz explores the aesthetic of the Symbolist movement as embodied in the unique forms that characterized the era, the tone poem and the lyric play. He dem- onstrates the particular importance of Maeterlinck s Pellé as et Mé 1isande, which was scored by Debussy. A revolutionary work difficult to characterize, it speaks gracefully of the transformation of Romanticism into Modernism.Citing examples of art, literature, and music, Hertz finds ultimately that the Symbolist aesthetic came to encompass the entire artistic world. Only a scholar thoroughly at home in both the literary and musical realms and possessing a sovereign command of the cultural climate and currents of the period would be able to deliver exactly what his subtitle promises: a musico- literary poetics of the Symbolist movement.
Verlag: Southern Illinois University Press, 1987
ISBN 10: 080931312XISBN 13: 9780809313129
Anbieter: Books Unplugged, Amherst, NY, USA
Buch
Zustand: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.31.
Verlag: Southern Illinois University Press, 1987
ISBN 10: 080931312XISBN 13: 9780809313129
Anbieter: Books Unplugged, Amherst, NY, USA
Buch
Zustand: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 1.31.
Verlag: Southern Illinois University Press, 1993
ISBN 10: 080931746XISBN 13: 9780809317462
Anbieter: Irish Booksellers, Portland, ME, USA
Buch
Zustand: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Verlag: Southern Illinois University Press, 1993
ISBN 10: 080931746XISBN 13: 9780809317462
Anbieter: Twice Sold Tales, Ashfield, MA, USA
Buch
Hardcover. Zustand: Very Good. owner's name cut out of front end paper (minor) slight staining to closed page edge - otherwise dust jacket and cover fine binding strong contents clean now in mylar cover - enjoy.
Verlag: Brand: Southern Illinois University Press, 1987
ISBN 10: 080931312XISBN 13: 9780809313129
Anbieter: Ergodebooks, Houston, TX, USA
Buch
Hardcover. Zustand: New. David Michael Hertz explicates the relationship between the music and poetry of the Symbolist movement, tracing it from its inception in Baudelaire s verse and Wagner s music to its final transformation into Modernism in the works of Schoenberg. Hertz begins by examining the concept of the period, the well-rounded phrase of verse or music, which was attacked first in Wagner s use of the leitmotif and unusual intervals such as the tritone.Such musical elements created a feeling of emotion directly expressed, unhampered by convention. This approach was further developed by Mallarmé , who stripped his verse of its conventional framework in an attempt to create images of pure emotion. Mallarmé in turn influenced Debussy. Hertz shows that in setting Mallarmé s verse, Debussy moved further away from the standard harmonic structures of the nineteenth century, particularly in his use of tonal ambiguity.Hertz explores the aesthetic of the Symbolist movement as embodied in the unique forms that characterized the era, the tone poem and the lyric play. He dem- onstrates the particular importance of Maeterlinck s Pellé as et Mé 1isande, which was scored by Debussy. A revolutionary work difficult to characterize, it speaks gracefully of the transformation of Romanticism into Modernism.Citing examples of art, literature, and music, Hertz finds ultimately that the Symbolist aesthetic came to encompass the entire artistic world. Only a scholar thoroughly at home in both the literary and musical realms and possessing a sovereign command of the cultural climate and currents of the period would be able to deliver exactly what his subtitle promises: a musico- literary poetics of the Symbolist movement.
Verlag: Southern Illinois University Press, 1993
ISBN 10: 080931746XISBN 13: 9780809317462
Anbieter: dsmbooks, Liverpool, Vereinigtes Königreich
Buch
Hardcover. Zustand: New. New. book.