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Verlag: Edinburgh University Press, 2016
ISBN 10: 1474419682 ISBN 13: 9781474419680
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Sprache: Englisch
Verlag: Franz Deuticke NaN
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Hardcover. Zustand: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke.
Sprache: Englisch
Verlag: Wien : Hölder-Pichler-Tempsky - Wien : Österr. Bundesverl.,, 1947
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S. 4.20. Zustand: Gut. 71 S. ; 8 Insgesamt gutes, ordentliches Exemplar. Altersgemäße Spuren der Zeit vorhanden. Innen sehr gut erhalten, lediglich bräunliche Verfärbung der Seiten durch die Zeit. Sprache: Englisch Gewicht in Gramm: 150.
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Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474428932 ISBN 13: 9781474428934
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paperback. Zustand: Very Good. Edinburgh University Press, 2022. Trade paperback in VG condition; 241 pages.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474428932 ISBN 13: 9781474428934
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In den WarenkorbPaperback. Zustand: New. Film and Domestic Space: Architectures, Representations, DispositifEdited by Stefano Baschiera and Miriam De RosaAlthough film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines and with case studies of directors such as Chantal Akerman, Agnes Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Beka and Louise Lemoine this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities, and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images.
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Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474428932 ISBN 13: 9781474428934
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Brossura. Zustand: new. A cura di Di Chiara F. e Baschiera S.Sesto San Giovanni, 2018; br., pp. 138, cm 15x21.(Cinema). Libro.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474419682 ISBN 13: 9781474419680
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In den WarenkorbPaperback. Zustand: New. In its heyday from the late 1950s until the early 1980s Italian horror cinema was characterised by an excess of gore, violence and often incoherent plot-lines. Films about zombies, cannibals and psychopathic killers ensured there was no shortage of controversy, and the genre presents a seemingly unpromising nexus of films for sustained critical analysis. But Italian horror cinema with all its variations, subgenres and filoni remains one of the most recognisable and iconic genre productions in Europe, achieving cult status worldwide. One of the manifestations of a rich production landscape in Italian popular cinema after the Second World War, Italian horror was also characterised by its imitation of foreign models and the transnational dimension of its production agreements, as well as by its international locations and stars.This collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most representative directors (Mario Bava and Dario Argento) and the wider role it has played within popular culture.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474419682 ISBN 13: 9781474419680
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474428932 ISBN 13: 9781474428934
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ISBN 10: 1474428932 ISBN 13: 9781474428934
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Paperback. Zustand: new. Paperback. Although film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines and with case studies of directors such as Chantal Akerman, Agnes Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Beka and Louise Lemoine this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images. Drawing on a broad range of theoretical disciplines and with case studies of directors such as Chantal Akerman, Agnes Varda, Claire Denis andTodd Haynes this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474419682 ISBN 13: 9781474419680
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Soft cover. Zustand: Very Good. 5th or later Edition. Book is in a good condition.
Sprache: Englisch
Verlag: Edinburgh University Press, Edinburgh, 2016
ISBN 10: 1474419682 ISBN 13: 9781474419680
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Paperback. Zustand: new. Paperback. In its heyday from the late 1950s until the early 1980s Italian horror cinema was characterised by an excess of gore, violence and often incoherent plot-lines. Films about zombies, cannibals and psychopathic killers ensured there was no shortage of controversy, and the genre presents a seemingly unpromising nexus of films for sustained critical analysis. But Italian horror cinema with all its variations, subgenres and filoni remains one of the most recognisable and iconic genre productions in Europe, achieving cult status worldwide. One of the manifestations of a rich production landscape in Italian popular cinema after the Second World War, Italian horror was also characterised by its imitation of foreign models and the transnational dimension of its production agreements, as well as by its international locations and stars.This collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most representative directors (Mario Bava and Dario Argento) and the wider role it has played within popular culture. This collection brings together for the first time a range of contributions aimed at a new understanding of the Italian horror cinema genre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Edinburgh University Press, 2022
ISBN 10: 1474428932 ISBN 13: 9781474428934
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Wien, Franz Deuticke,, 1954
Anbieter: Alte Bücherwelt, Perg, Österreich
Signiert
8°. A British and Amerikan Reader I Learn English Lehrgang der Englischen Sprache 5. Teil, hrsg. Franz Deuticke, Wien, 2. durchgtes. Aufl. 1954, OHlwd, 360 S m. Textabb. gebr. leicht best. sonst guter Zustand. in Englischer Sprache Sprache: Englisch Gewicht in Gramm: 850.
Sprache: Italienisch
Verlag: Edizioni Falsopiano (20 ottobre 2004), 2004
ISBN 10: 8887011788 ISBN 13: 9788887011784
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Paperback. Zustand: New.
Sprache: Englisch
Verlag: Edinburgh University Press, GB, 2022
ISBN 10: 1474428932 ISBN 13: 9781474428934
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Paperback. Zustand: New. Film and Domestic Space: Architectures, Representations, DispositifEdited by Stefano Baschiera and Miriam De RosaAlthough film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines and with case studies of directors such as Chantal Akerman, Agnes Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Beka and Louise Lemoine this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities, and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474419682 ISBN 13: 9781474419680
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
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