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Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: As New. Unread book in perfect condition.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Used: Very Good. 1999 paperback clean text tiny cover wear 148 pages{{{ L-12.

Zustand: As New. Unread book in perfect condition.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9780708316658.

Zustand: Good. Text in English/German. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. May contain underlining and/or highlighting. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Zustand: New. No Jacket. University of Wales Press 2004 hardback, no dj as issued, A BRAND NEW BOOK IN PRISTINE CONDITION, UNUSED. Full refund if not satisfied. 24 hour despatch. Synopsis Hans-Ulrich Treichel, "one of the greatest talents of contemporary literature" (Die Zeit), is a poet, essayist and professor of German Literature at the University of Leipzig. He has enjoyed a meteoric rise to fame since the publication of his first novel, Der Verlorene in 1998. Translated into English as Lost, it has been described as "an extraordinary portrait of broken love, of the ways that loss undoes a family; the way the ghosts of the past can haunt a present" Treichel?s second novel, equally well received, was Tristanakkord (The Tristan Chord), published in 2000. Both widely acclaimed novels were bestsellers in Germany and have been translated into twenty-one languages. This monograph will be of interest to both scholars and students of contemporary German literature. It is the first academic assessment (in English or in German) of Treichel's work, which ranges from novels to poetry and academic writing. It begins with a previously unpublished essay by Treichel, a biographical essay and an interview. Subsequent essays include an overview of his career and readings of individual works, as well as discussing Treichel?s aesthetics and the relationship of his academic and literary writings. The volume concludes with a full bibliography.

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Zustand: Wie Neu. Zustandsbeschreibung: Mängelexemplar. The Narrative Vision of Wolfgang Koeppen. Wolfgang Koeppen's critical and popular reputations stem largely from his literary success in the 1950s, a success which has overshadowed the author's activities in the earlier years of his career. It is in the interest of redressing this imbalance that the present study has been undertaken. It traces a consistent line of development from Koeppen's journalistic activities in the Berlin of the 1930s, through his earliest creative writing, and on, in this light, to the post-war publications for which he is most famous. It is thus possible to place the whole of Koeppen's career within the social and literary context of sixty years of German history. 352 Seiten, broschiert (British and Irish Studies in German Language and Literature; Vol. 9/Peter Lang Verlag 1993). Statt EUR 90,95. Gewicht: 494 g - Softcover/Taschenbuch - Sprache: Englisch.

Hardback. Zustand: New. New essays on the influence of politics on 20c. German culture, not only during the Nazi and Cold War eras but in periods when the effects are less obvious.The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture, which is most obvious in the case of the Third Reich and the German Democratic Republic, where the one-party control of all areas of life was extended to the arts; these were expected to conform to the idealsof the day. But the relationship between politics and the arts has not always been one purely of coercion, censorship, collusion, and opportunism. Many writers greeted the First World War with quite voluntary enthusiasm; others conjured up the National Socialist revolution in intense Expressionist images long before 1933. The GDR was heralded by writers returning from Nazi exile as the anti-fascist answer to the Third Reich. And in West Germany, politicsdid not dictate artistic norms, nor was it greeted with any great enthusiasm among intellectuals, but writers did tend to ally themselves with particular parties. To an extent, the pre-1990 literary establishment in the Federal Republic was dominated by a left-liberal consensus that German division was the just punishment for Auschwitz. United Germany began its existence with a fierce literary debate in 1990-92, with leading literary critics arguing that East and West German literature had basically shored up the political order in the two countries. Now a new literature was required, one that was free of ideology, intensely subjective and experimental in its aesthetic. In 1998, the author Martin Walser called for an end to the author's role as "conscience of the nation" and for the right to subjective experience. This is the first book to examine this crucial relationship between politics and culture in Germany. William Niven and James Jordan are readers in German at the University of Nottingham Trent.