bauer isabel (29 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. Book is unread and has little to no wear.

Zustand: New. In.

Paperback. Zustand: New.

Zustand: New. In.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware -Dem Vergessen entreißenRudolf Großmann (1882 1941) war ein renommierter Maler und Grafiker und seiner spitzen Feder wegen auch ein gefürchteter Chronist. In Porträts und Café- und Straßenszenen zeichnete er sehr facettenreich das Leben in der Großstadt nach, in Zeitschriften wie etwa dem Simplicissimus veröffentlichte er in den 1910er und -20er Jahren Texte und Illustrationen; zudem illustrierte er Bücher für Autoren wie Joachim Ringelnatz und Erich Kästner. Heute ist Rudolf Großmann nur noch Interessierten und Spezialisten für die 1920er Jahre ein Begriff. Vor dem Hintergrund der Frage, warum er weitestgehend in Vergessenheit geraten ist, stellen Ausstellung und Buch sein Werk mit Fotoarbeiten zeitgenössischer KünstlerInnen gegenüber. Seine grafischen und malerischen Arbeiten aus der Sammlung des Museums für Neue Kunst Freiburg werden mit den fotografischen Positionen aus der Sammlung der Kunststiftung DZ BANK kombiniert. Dabei erweisen sich vor allem Rudolf Großmanns Porträtzeichnungen, denen ein fotografischer Blick zu eigen ist, als sinnvolle Pendants der Werke etwa von Wolfgang Tillmans, Sven Johne, Nan Goldin oder Gisèle Freund. Der multiperspektivische Blick von Barbara Probst oder die Raumkonstruktionen von Beate Gütschow zeigen überdies, wenn sie auf Rudolf Großmanns zeichnerische Szenen treffen, dass trotz des zeitlichen Sprungs von über 100 Jahren eine gewaltige atmosphärische Nähe besteht. Rudolf Großmann besaß eine gewisse Äquidistanz zu den bekannten Stilen seiner Zeit, was sein Werk unvergleichlich macht und zugleich eine Nähe zur Fotografie herstellt. Das aber konnte auch ihn nicht vor der Verfolgung durch den Nationalsozialismus schützen, sodass auch seine Kunst als entartet gebrandmarkt wurde und er sich in seinem Geburtsort Freiburg zunehmend zurückzog.Ausstellung:Museum für Neue Kunst Freiburg, 28/10/2022 19/2/2023 208 pp. Englisch, Deutsch.

Taschenbuch. Zustand: Neu. Neuware -Dem Vergessen entreißenRudolf Großmann (1882 1941) war ein renommierter Maler und Grafiker und seiner spitzen Feder wegen auch ein gefürchteter Chronist. In Porträts und Café- und Straßenszenen zeichnete er sehr facettenreich das Leben in der Großstadt nach, in Zeitschriften wie etwa dem Simplicissimus veröffentlichte er in den 1910er und -20er Jahren Texte und Illustrationen; zudem illustrierte er Bücher für Autoren wie Joachim Ringelnatz und Erich Kästner. Heute ist Rudolf Großmann nur noch Interessierten und Spezialisten für die 1920er Jahre ein Begriff. Vor dem Hintergrund der Frage, warum er weitestgehend in Vergessenheit geraten ist, stellen Ausstellung und Buch sein Werk mit Fotoarbeiten zeitgenössischer KünstlerInnen gegenüber. Seine grafischen und malerischen Arbeiten aus der Sammlung des Museums für Neue Kunst Freiburg werden mit den fotografischen Positionen aus der Sammlung der Kunststiftung DZ BANK kombiniert. Dabei erweisen sich vor allem Rudolf Großmanns Porträtzeichnungen, denen ein fotografischer Blick zu eigen ist, als sinnvolle Pendants der Werke etwa von Wolfgang Tillmans, Sven Johne, Nan Goldin oder Gisèle Freund. Der multiperspektivische Blick von Barbara Probst oder die Raumkonstruktionen von Beate Gütschow zeigen überdies, wenn sie auf Rudolf Großmanns zeichnerische Szenen treffen, dass trotz des zeitlichen Sprungs von über 100 Jahren eine gewaltige atmosphärische Nähe besteht. Rudolf Großmann besaß eine gewisse Äquidistanz zu den bekannten Stilen seiner Zeit, was sein Werk unvergleichlich macht und zugleich eine Nähe zur Fotografie herstellt. Das aber konnte auch ihn nicht vor der Verfolgung durch den Nationalsozialismus schützen, sodass auch seine Kunst als entartet gebrandmarkt wurde und er sich in seinem Geburtsort Freiburg zunehmend zurückzog.Ausstellung:Museum für Neue Kunst Freiburg, 28/10/2022 19/2/2023 208 pp. Englisch, Deutsch.

Paperback. Zustand: New.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: New.

Paperback. Zustand: New.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Jerry Bauer (Photograph) and George Salter (dust j (illustrator). [6], 293, [5] pages. With the Compliments of the Author card laid in. The illustrated dust jacket has some wear, tears, chips, and soiling. Giorgio Bassani (Bologna, 4 March 1916 Rome, 13 April 2000) was an Italian novelist, poet, essayist, editor, and international intellectual. In 1935 he enrolled in the Faculty of Letters of the University of Bologna. Commuting to lectures by train (third class) from Ferrara, he studied under the art historian Roberto Longhi. His ideal of the "free intellectual" was the liberal historian and philosopher Benedetto Croce. Despite the anti-Semitic race laws which were introduced in 1938, he was able to graduate in 1939. In 1940, his first book, Una città di pianura ("A City of the Plain"), was published under the pseudonym "Giacomo Marchi" in order to evade the race laws. Also in 1958, Bassani's novel Gli occhiali d'oro was published, an examination, in part, of the marginalization of Jews and homosexuals. Together with stories from Cinque storie ferraresi (reworked and under the new title Dentro le mura (1973)), it was to form part of a series of works known collectively as Il romanzo di Ferrara, which explored the city, with its Christian and Jewish elements, its perspectives and its landscapes. The series includes: Il giardino dei Finzi-Contini (The Garden of the Finzi-Continis, 1962); Dietro la porta (1964); L'airone (1968) and L'odore del fieno (1972). These works realistically document the Italian Jewish community under Fascism in a style that manifests the difficulties of searching for truth in the meanderings of memory and moral conscience. Elizabeth (Isabel) Madeleine Quigly FRSL (17 September 1926 14 September 2018) was a British writer, translator and film critic. Between 1956 and 1966, she was film critic of The Spectator. She served as literary editor of The Tablet from 1985 to 1997. She also contributed to numerous journals and newspapers, and served on the jury of various literary prizes including the Booker Prize jury in 1986. She also translated more than 100 books from Italian, Spanish and French. Her most notable translations are Silvano Ceccherini's The Transfer, for which, in 1967, she won the John Florio Prize, and Giorgio Bassani's The Garden of the Finzi-Continis. According to Robin Healey's Twentieth-Century Italian Literature in English Translation, Quigly was one of the top 10 translators of Italian literature of the last 70 years. The Garden of the Finzi-Continis is an Italian historical novel. It chronicles the relationships between the narrator and the children of the Finzi-Contini family from the rise of Benito Mussolini until the start of World War II. The Garden of the Finzi-Continis is considered the best of the series of novels that Bassani produced about the lives of Italian Jews in the northern Italian city of Ferrara. Although the novel focuses on the relationships between the major characters, the shadow of creeping Italian fascism, especially the racial laws that restricted Jews' participation in Italian society, looms over all the novel's events. The novel opens with a brief prologue set in 1957 in which the narrator, an Italian Jew, describes a visit to the Ferrara cemetery where the Finzi-Contini family mausoleum stands, empty in all but two slots: a young child, Guido, who died of illness before the narrator was born; and Alberto, the son of the Finzi-Continis and a friend of the narrator's, who died of lymphogranulomatosis (Hodgkin's disease) before the mass deportation that sent the remainder of the family to a concentration camp in Germany. At this point, the narrator reveals that none of the Finzi-Continis survived. The first part of the book covers the narrator's childhood experiences, describing the various social circles of the local Jewish population and the mystery around the Finzi-Contini children, Alberto and Micòl, who were schooled separately from the other Jewish children and who only appeared at the main school for the annual exams. The narrator fails his math test in this particular year, the first time he has failed any of the annual exams required for promotion, and he takes off on his bike out of fear of his father's reaction. He ends up outside the walls of the Finzi-Continis' mansion, where he has a conversation with Micòl, the Finzi-Continis' pretty daughter. The narrator is invited by Micòl to enter the garden. He excuses himself out of concern for the safety of his bicycle. She then comes over the wall to show him a safe hiding place, but while hiding his bike he dallies in contemplation of Micòl - and loses his chance to see the garden until years later. The next two parts of the book cover the years when the children are all in or just out of college. The racial laws have restricted their ability to socialize with the Ferrarese Christians, and so the narrator, Alberto, Micòl, and Giampi Malnate (an older Christian friend with socialist views) form an informal tennis club of their own, playing several times a week at the court in the Finzi-Continis' garden. During these visits, the narrator declares, shyly at first but more and more forcefully, his love for Micòl. However, her attitude towards the narrator remains one of friendship so that the relationship slowly peters out. The final section of the book covers the slow fading of the narrator's involvement in the tennis club, his futile attempts to restart the romance with Micòl, and his growing friendship with Malnate. First American Edition [Stated], Presumed first printing.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

Taschenbuch. Zustand: Neu. Phänomen Großmann trifft auf künstlerische Fotografie | Kat. Museum für Neue Kunst Freiburg | Isabel Herda (u. a.) | Taschenbuch | Kartoniert / Broschiert | Deutsch | 2022 | Snoeck | EAN 9783864423987 | Verantwortliche Person für die EU: Snoeck Verlagsgesellschaft mbH, Postfach:13 02 17, 50739 Köln, mail[at]snoeck[dot]de | Anbieter: preigu.

25 cm. 200 Seiten, zahlr. Abb. (Seite 125 - 189 Faksimile "Muster- und Preisbuch der Bestecke und Tafelgeräte aus Alpacca-Silber I.- 1911) Hardcover.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: Good. Bauer, Lothar (illustrator). Mit Widmung.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Zustand: Sehr gut. 57 S., rote OLeinwand, 26,5 x 21,5 cm quer, private Widmung im Vorsatz, sonst sehr gepflegt erhalten, Buchblock gerade. Buch.

Hardback. Zustand: New.

Hardback. Zustand: New.

kart. Zustand: Neu. 207 Seiten ; 28 cm NEUBUCH ! 9783864423987 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Deutsch Gewicht in Gramm: 550.

Hardback. Zustand: New. 3.

Hardback. Zustand: New. 3.

brosch. Zustand: Gut. 140 S. : Ill., graph. Darst., Kt. ; 24 cm Leichte Gebrauchsspuren, sonst guter Zustand. ED1203 Sprache: Deutsch Gewicht in Gramm: 440.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1929 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 490 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 490 Maryland Geological Survey,Berry, Edward Wilber, 1875-1945,Knopf, Eleanora Frances Bliss, 1883-,Jonas, Anna I. (Anna Isabel), 1881-,Mathews, Edward Bennett, 1869-,Watson, Edward Hahn, 1902-,Carter, William T. (William Thomas), 1877-,Snyder, Joseph M., 1889-,Bruce, Oscar Clayton, 1891-,Nunn, Roscoe,Bauer, L. A. (Louis Agricola), 1865-1932,Besley, F. W. (Fred Wilson), 1872-1960.

Leather Bound. Zustand: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1929. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 490, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 490.