Berrettini mark (17 Ergebnisse)
Sprache: Englisch
Verlag: University of Chicago press, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Sprache: Englisch
Verlag: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
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Paperback. Zustand: New. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini d…iscusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career.
Sprache: Englisch
Verlag: MO - University of Illinois Press, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Sprache: Englisch
Verlag: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Sprache: Englisch
Verlag: John Wiley & Sons, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
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Sprache: Englisch
Verlag: University of Illinois Press, Baltimore, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
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Paperback. Zustand: new. Paperback. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. B…errettini discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career. Examining a director whose work shrewdly eschews cinematic realism Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Univ of Illinois Pr, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Paperback. Zustand: Brand New. 136 pages. 8.00x5.25x0.50 inches. In Stock.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Zustand: New. pp. 144.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Sprache: Englisch
Verlag: University of Illinois Press, 2011
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- Softcover
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Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
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Zustand: New. Examining a director whose work shrewdly eschews cinematic realism Series: Contemporary Film Directors. Num Pages: 136 pages, 21 black and white photographs. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 210 x 142 x 9. Weight in Grams: 192. . 2011. 1st Edition. Paperback. . . . .
Sprache: Englisch
Verlag: University of Illinois Press, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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- Softcover
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Zustand: New. Examining a director whose work shrewdly eschews cinematic realism Series: Contemporary Film Directors. Num Pages: 136 pages, 21 black and white photographs. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 210 x 142 x 9. Weight in Grams: 192. . 2011. 1st Edition. Paperback. . . . . Boo…ks ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Illinois Press, Baltimore, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Paperback. Zustand: new. Paperback. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. B…errettini discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career. Examining a director whose work shrewdly eschews cinematic realism Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: University of Illinois Press, US, 2011
Serie: Contemporary Film Directors, Buch 20 von 58. Buch 20 von 58 - Contemporary Film Directors
- Softcover
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Paperback. Zustand: New. Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini d…iscusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life. Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. Employing close analysis and theories related to cinematic narrative and to realism, the book's critical appraisal of Hartley's films considers aspects of American independent cinema and postwar European cinema, antirealism, and minimalism. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career.
