Verlag: J. Paul Getty Museum, 1997
ISBN 10: 0892364726 ISBN 13: 9780892364725
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Verlag: J. Paul Getty Museum, 1997
ISBN 10: 0892364726 ISBN 13: 9780892364725
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Verlag: J. Paul Getty Museum, 1997
ISBN 10: 0892364726 ISBN 13: 9780892364725
Anbieter: GreatBookPricesUK, Castle Donington, DERBY, Vereinigtes Königreich
Zustand: New.
Verlag: J. Paul Getty Museum, 1997
ISBN 10: 0892364726 ISBN 13: 9780892364725
Anbieter: GreatBookPricesUK, Castle Donington, DERBY, Vereinigtes Königreich
Zustand: As New. Unread book in perfect condition.
Verlag: London: Thames and Hudson ,, 1992
Anbieter: Antiquariat Tautenhahn, Lübeck, Deutschland
x, 412 Seiten, OLnbd., 18 x 12 cm in OLn.-Kassette, 30 x 24 cm. Faksimile des 1561-1562 vom dem Kalligraphen Georg Bocskay und dem Illustratoren Joris Hoefnagel (auch Georg Hoefnagel) erstellten Werks. - Mit Beiträgen u.a. von Lee Hendrix und Thea Vignau-Wilberg. - In englischer Sprache. - Kassette minimal berieben, sonst und insgesamt gutes Exemplar.
Verlag: Getty, Malibu, 1992
ISBN 10: 089236212X ISBN 13: 9780892362127
Anbieter: Rarities etc., Warwick, NY, USA
Hardcover (in Slipcase). Zustand: Fine. Zustand des Schutzumschlags: No Dust Jacket. Facsimile Edition. GEORG BOCSKAY and JORIS HOEFNAGEL. Mira Calligraphiae Monumenta, Malibu: Getty Museum, 1992.12mo, facsimile of a 16th-century manuscript, pp. x, 412, brown cloth boards with gilt lettering to spine and gilt lettering and calligraphic decoration on front, slipcased, color illustration.Model Book of Calligraphy was written by the scribe Bocskay in 1561-62 and illuminated by Hoefnagel 30 years later with flowers, insects and other images of the natural world. He added an alphabet, bringing the total number of pages to 150. They are reproduced here in the original size. The rest of the book is made up of essays by 2 experts on the manuscript.Condition of this book:Fine in stained slipcase. Size: 12mo. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Renaissance 16thc to 17thc; Antiquarian & Rare. ISBN: 089236212x. ISBN/EAN: 9780892362127. Pictures of this item not already displayed here available upon request. Inventory No: 53750.
Verlag: Thames and Hudson, London, 1992
Anbieter: THOMAS RARE BOOKS, Yaxley, SUFFOLK, Vereinigtes Königreich
Erstausgabe
Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. Joris Hoefnagel (illustrator). 1st Edition. 412pp. 151 colour plates each with a full description in English. Brown cloth binding with a fine colured d.j. Contained within a green presentation box with a folding lid [ a trifle dusty]. Colour illus. plate pasted to the top bpard and the volume set within a fitted surround. IIlustrated facsimile of the original illuminated manuscript. Please email for photos.
Verlag: The J. Paul Getty Museum, Malibu, CA, 1992
ISBN 10: 089236212X ISBN 13: 9780892362127
Anbieter: Arcana: Books on the Arts, Culver City, CA, USA
Verbandsmitglied: ESA
Gilt-Stamped Cloth in Slipcase. Zustand: Near Fine. First Printing. 414pp, 170 color illustrations. Text in English. Designed by Lorraine Wild. "In 1561-62 Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were further embellished by Joris Hoefnagel, Europe's last great manuscript illuminator. This book, now in the collection of the Getty Museum, is reproduced here in complete facsimile form, accompanied by a commentary that includes a full description; a discussion of the work's patron, Rudolf II, and his cultural and historical milieu; biographies of Hoefnagel and Bocskay; and an analysis of the manuscript's role in their careers. The manuscript's remarkable calligraphy will be of particular interest not only to scholars but to collectors, graphic designers, and typographers as well". Designed by the estimable Lorraine Wild, this gem-like volume faithfully reproduces the manuscript's exquisite plates alongside translations of the original text and iconography. A most handsome example of the exceedingly uncommon 1992 first J. Paul Getty Museum printing of this important work in the publisher's gilt-stamped linen slipcase that shows some light soiling along with minute fraying to the seams of the cloth along two of the edges. Illustrated Book.