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Paperback. Zustand: Wie neu. 136 S., with notes. Like new. Sprache: Englisch Gewicht in Gramm: 360.

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Paperback. Zustand: Sehr gut. 136 p., sheet music Das Exemplar ist in einem sehr guten und sauberen Zustand ohne Anstreichungen. / The copy is in a very good and clean condition without markings. -- CONTENTS -- Candelas Galas: -- Don Giovanni: Models and Reproductions -- Brad Eden: -- Strains of Elvish Songs and Voices: Victorian Medievalism, Music, and Tolkien -- Lisa Wersal: -- Rich in Love: Images and Perspectives in the Songs of David Roth -- Julie Goodspeed-Chadwick: -- "Do You Think You Have a Choice? - Forget "Power to the People"; Hyper-reality, Hegemony, and Consumerism in R & B and Alternative Rock -- Anne Berthelot: -- From Purcell to Albeniz: Merlin at the Opera -- Robert S. Haller: -- Malory Meets Wagner in Madrid: Albéniz's Merlin and the Mythologizing of Arthur -- Edward Green: -- Marcabru and the Foundations of Modern Song -- Angélica Minero Escobar: -- "Anywhere Out of the World": Escapism in Baudelaire- -- Duparc's "L'Invitation au voyage" -- Reviews -- Michael Halliwell: -- Opera and the Novel: The Case for Henry James -- (Mark Herman) -- Dag Norberg: -- An Introduction to the Study of Medieval Latin Versification (Charlene Shipman) -- Christian Speck: -- Das italienische Oratorium 1625-1665: Musik und Dichtung (Edward Rutschman) -- Mary Hunter: -- The Culture of Opera Buffa in Mozart's Vienna -- (Bertil van Boer). Sprache: Englisch Gewicht in Gramm: 250.…

Hardback or Cased Book. Zustand: New. The Musical Life of Joseph Martin Kraus: Letters of an Eighteenth-Century Swedish Composer. Book.

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hardcover. Zustand: New. New, in shrink wrap.

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Paperback. Zustand: new. Paperback. Music in the Classical World: Genre, Culture, and History provides a broad sociocultural and historical perspective of the music of the Classical Period as it relates to the world in which it was created. It establishes a background on the time span1725 to 1815offering a context for the music made during one of the more vibrant periods of achievement in history. Outlining how music interacted with society, politics, and the arts of that time, this kaleidescopic approach presents an overview of how the various genres expanded during the period, not just in the major musical centers but around the globe. Contemporaneous treatises and commentary documenting these changes are integrated into the narrative.Features include the following: A complete course with musical scores on the companion website, plus links to recordingsand no need to purchase a separate anthologyThe development of style and genres within a broader historical frameworkExtensive musical examples from a wide range of composers, considered in context of the genreA thorough collection of illustrations, iconography, and art relevant to the music of the ageSource documents translated by the authorValuable student learning aids throughout, including a timeline, a register of people and dates, sidebars of political importance, and a selected reading list arranged by chapter and topicA companion website featuring scores of all music discussed in the text, recordings of most musical examples, and tips for listeningMusic in the Classical World: Genre, Culture, and History tells the story of classical music through eighteenth-century eyes, exposing readers to the wealth of music and musical styles of the time and providing a glimpse into that vibrant and active world of the Classical Period. Music in the Classical World: Genre, Culture, and History provides a broad sociocultural and historical perspective of the music of the Classical Period as it relates to the world in which it was created, one of the more vibrant periods of achievement in history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Zustand: New. New casewrapped hardcover. Text is clean and free of marks or underlining. Includes chronology and bibliography. xxiv, 639 pp. Fast shipping in a secure book box mailer with tracking. The Historical Dictionary of Music of the Classical Period covers the music of the Classical Period (1728-1800) with both forerunners and successors briefly described. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on composers, genres, styles, significant patrons or musicians, musical instruments, and terms demonstrating the global reach of the music of this era. This book is an excellent access point for students, researchers, and anyone wanting to know more about classical music.…

Paperback. Zustand: Sehr gut. 198 p., sheet music Der Einband ist leicht berieben, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. / The cover shows slight wear, but otherwise this is a very good, clean copy with no markings. -- CONTENTS -- Jeff S. Dailey: -- Defending The Grand Duke -- Wallace McClain Cheatham: -- The Umukoro Songs: Reflections from the Studio of the Composer -- Jean Kreiling: -- Amy Clampitt on Beethoven: Music, Memory, and Poetic Polyphony -- Kimberly Fairbrother Canton: -- The Emperor Jones Meets Porgy and Bess: William Grant Still, Langston Hughes, and their Troubled Island -- Jürgen Thym: -- Discovering "Musical Impressionism" by Way of Eichendorff and Schumann: Wolf and Pfitzner at the Threshold -- Bruce Brown: -- so würde sie noch besser auf den Text gemacht seyn:" Zonca, Raaff, and Mozart's First Aria for Idomeneo -- Yuri Porras: -- The Songs in Agustín Moreto's La vida de San Alejo: Their Function and Significance -- Edward Green: -- Reconsidering Rousseau's Le devin du village: An Opera of Surprising and Valuable Paradox -- Reviews -- Michael Halliwell: -- Opera and the Novel: The Case for Henry James -- (Mark Herman) -- Linda Hutcheon and Michael Hutcheon: -- Opera: The Art of Dying -- (Mark Herman) -- Edmund J. Goehring: -- Three Modes of Perception in Mozart: The Philosophical, -- Pastoral, and Comic in Cosi fan tutte -- (Edward Green) -- Paul-André Bempéchat, editor: -- Liber amicorum Isabelle Cazeaux: Symbols, Parallels and Discoveries in Her Honor -- (Edward Rutschman) -- Jeff S. Dailey: -- Sir Arthur Sullivan's Grand Opera Ivanhoe and Its Musical Precursors: Adaptations of Sir Walter Scott's Novel for the Stage, 1819-1891 -- (Ronald Cross) -- Kristi Brown-Montesano: -- Understanding the Women of Mozart's Operas -- (Mark Herman) -- Philip Gossett: -- Divas and Scholars: Performing Italian Opera -- (Peter Laki) -- Robin D. Moore: -- Music and Revolution: Cultural Change in Socialist Cuba -- (Alira Ashvo-Muñoz) -- Andrew Shenton: -- Olivier Messiaen's System of Signs: Notes Towards -- Understanding His Music -- (Rachel Bergman) -- Corrigenda to Volume 15 -- Contributors to this Volume -- Style Sheet and Guidelines for Contributors. Sprache: Englisch Gewicht in Gramm: 250.…

Hardcover. Zustand: Near Fine. Book.

4°, Leinen. Zustand: Gut. 160 Seiten Ca. 25 x 33 cm . Sehr gutes gepflegtes Exemplar aus der Privatbibliothek eines Musikbibliothekar 1 Sprache: Englisch Gewicht in Gramm: 1548.

Zustand: New.

Zustand: New.

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Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 372 pages. 9.25x6.25x1.00 inches. In Stock.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

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Zustand: New. Joseph Martin Kraus (1756-1792) led an illustrious, if brief, career as an acclaimed composer in the age of Haydn and Mozart. At 26 he embarked on a four-year European grand tour that secured his reputation as musician and composer. Like Mozart, Kraus was a.

Buch. Zustand: Neu. Neuware - Joseph Martin Kraus (1756-1792) led an illustrious, if brief, career as an acclaimed composer in the age of Haydn and Mozart. At 26 he embarked on a four-year European grand tour that secured his reputation as musician and composer. Like Mozart, Kraus was a prolific correspondent. His letters to his family give an unusually intimate picture of the private man, showing a slice of domestic life in the 18th century among the emerging middle class. These letters include one of the few descriptions of the great Handel Centenary Festival from an outsider, critiques of the operas performed in Paris by Piccinni, the first mention in history of Mozart's Le Nozze di Figaro, and descriptions of the art and archeology of Pompeii. These documents are as crucial to understanding Kraus's life and works as they are revelatory of a composer's milieu in the 18th century.…