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Hardcover. Zustand: Good. No Jacket. First Thus. Light wear to edges of book.
Verlag: Parigi, 1657
Anbieter: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italien
Karte
Incisione originale su rame (cm. 15x12 più ampi margini) da un disegno di Jacques Stella tratta dall'opera 'Les jeux et plaisirs de l'enfance'. Carta filigranata. Prima, rara tiratura. Ottimo esemplare.
Verlag: Parigi, 1657
Anbieter: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italien
Karte
Incisione originale su rame (cm. 15x12 più ampi margini) da un disegno di Jacques Stella tratta dall'opera 'Les jeux et plaisirs de l'enfance'. Carta filigranata. Prima, rara tiratura. Ottimo esemplare.
Verlag: Parigi, 1657
Anbieter: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italien
Karte
Incisione originale su rame (cm. 15x12 più ampi margini) da un disegno di Jacques Stella tratta dall'opera 'Les jeux et plaisirs de l'enfance'. Carta filigranata. Prima, rara tiratura. Ottimo esemplare.
Verlag: Parigi, 1657
Anbieter: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italien
Karte
Incisione originale su rame (cm. 15x12 più ampi margini) da un disegno di Jacques Stella tratta dall'opera 'Les jeux et plaisirs de l'enfance'. Carta filigranata. Prima, rara tiratura. Ottimo esemplare.
Verlag: Paris: Chez Joubert, graveur et marchand d'estampes, rue des Mathurins, aux 2. Piliers d'Or : Aux Galleries du louvre avec privil. du Roy et chez Chereau et Joubert, 1675,, 1675
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. Oblong folio. 55 x 25.7cm. Engraved title and 24 plates, numbered 1-25. Light surface soiling to title, some light scattered foxing, patch of staining within image of first 13 plates, later half calf, and marbled boards rubbed. .OCLC Number420623459.? A copy of the 60 metre-long stucco relief by Giulio Romano in the Sala degli stucchi, Palazzo del Tè, Mantua.Series of engravings after drawings of a stucco frieze, depicting the entrance of Emperor Sigismund into Mantua in 1432. The reliefs were created between 1526 and 1532 in the Sala degli Stucchi of the Palazzo del Te, probably by Primaticcio, possibly working with Giulio Romano.
Verlag: circa 1667-1710, 1667
Anbieter: Charles Russell, ABA, ILAB, est 1978, Cirencester, Vereinigtes Königreich
Buch
Oblong folio, bound in later half calf containing 41 FINE ENGRAVED PLATES - paper size uniform 16 3/4 x 12 1/2 inches, plate mark sizes vary slightly 12 1/2 x 9 1/2 inches. Made up as follows- PASTORALES, engraved title and 16 plates engraved by Claudine Stella after her father Jacques Stella. 4 PLATES OF THE SEASONS, 12 PLATES OF THE MONTHS OF THE YEAR AND 4 PLATES OF THE TIMES OF DAY (Matin, Midi, Soir, Nuit)- published by Jean Mariette after Claude Simpol and believed to have been published under the title Les Divertissemens et les Occupations de la Campagne. Followed by a suite of 4 GENRE SCENES published by Mariette after Jean Cotelle. Condition- 4 plates with ink grid marks (possibly from a printers error) and a marginal stain, all in Pastorales- plus a light old waterstain to the upper margin of the last four plates. Good dark impressions. A VERY RARE COLLECTION OF BUCOLIC OR PASTORAL ENGRAVINGS, peasants at play, dancing etc - divided into distinct sets. The title of Pastorales with an inscription Ex Libris MOYNIER DE FOURQUES and an old collectors stamp in the margin saying Remember G. H. with a Unicorn head. REFERENCES - In 1667 Claudine Bouzonnet Stella published Les Pastorales, a set of sixteen prints of rural subject-matter which have been called the chefs d' uvre of the pastoral genre in seventeenth-century France.Claudine Bouzonnet, Jacques Stella and the Pastorales, Print Quarterly, XXV, 2008, 4, p. 393. Claude Simpol - in 2008 the two suites in this volume showing the four seasons and the twelve months (and presumably the 4 times of day) were definitively attributed to him by Jamie Mulherron under the collective title Les Divertissemens et les Occupations de la Campagne (Claude Simpol's Divertissemens for Jean Mariette', Print Quarterly, vol. 25, no. 1, March 2008, pp. 23-36). They had previously been attributed to Jacques Stella. Mulherron also describes Jean Colette work as the closest equivalent to Simpol's pastorals. which have so far escaped all art-historical attention.