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Paperback. Zustand: New. This catalogue accompanies an exhibition at the Barber Institute of Fine Arts that will shine a spotlight on Pieter Brueghel the Younger (1564 - 1637/38), an artist who was hugely successful in his lifetime but whose later reputation has been overshadowed by that of his famous father, Pieter Bruegel the Elder (c.1525 - 1569). Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur shares recent research into the Barber's comical yet enigmatic little painting, Two Peasants Binding Firewood, setting out fresh insights and offering a new appreciation of a figure whose prodigious output and business skills firmly established and popularised the distinctive 'Brueghelian' look of Netherlandish peasant life. Born in Brussels, Pieter Brueghel the Younger was just five years old when his renowned father died prematurely. Clearly talented, by the time he was around 20 years old, Brueghel the Younger was already registered as a master in Antwerp's Guild of Saint Luke. Between 1588, the year of his marriage, and 1626, he took on nine apprentices, demonstrating that he had established a successful studio. His workshop produced an abundance of paintings, ranging from exact copies of famous compositions by his father, to pastiches and more inventive compositions that further promoted the distinctive Bruegelian 'family style', usually focused on scenes of peasant life. He was, as a consequence, later deemed a second-rate painter, capable of only producing derivative works. This exhibition and book highlight how a more sophisticated understanding is now emerging of a creative and capable artist, and a savvy entrepreneur, who exploited favourable market conditions from his base in cosmopolitan Antwerp. From this deeper understanding of his practice, his favoured subjects and the market for them, we gain a more profound and compelling insight into the society in which he operated and its preoccupations and passions. A dozen other versions of Two Peasants Binding Firewood exist and, by examining some of them alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and book will explore how Brueghel the Younger operated his studio to produce and reproduce paintings, and the extent to which the entire enterprise was motivated by trends in the contemporary art market.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. This catalogue accompanies an exhibition at the Barber Institute of Fine Arts that will shine a spotlight on Pieter Brueghel the Younger (1564 - 1637/38), an artist who was hugely successful in his lifetime but whose later reputation has been overshadowed by that of his famous father, Pieter Bruegel the Elder (c.1525 - 1569). Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur shares recent research into the Barber's comical yet enigmatic little painting, Two Peasants Binding Firewood, setting out fresh insights and offering a new appreciation of a figure whose prodigious output and business skills firmly established and popularised the distinctive 'Brueghelian' look of Netherlandish peasant life. Born in Brussels, Pieter Brueghel the Younger was just five years old when his renowned father died prematurely. Clearly talented, by the time he was around 20 years old, Brueghel the Younger was already registered as a master in Antwerp's Guild of Saint Luke. Between 1588, the year of his marriage, and 1626, he took on nine apprentices, demonstrating that he had established a successful studio. His workshop produced an abundance of paintings, ranging from exact copies of famous compositions by his father, to pastiches and more inventive compositions that further promoted the distinctive Bruegelian 'family style', usually focused on scenes of peasant life. He was, as a consequence, later deemed a second-rate painter, capable of only producing derivative works. This exhibition and book highlight how a more sophisticated understanding is now emerging of a creative and capable artist, and a savvy entrepreneur, who exploited favourable market conditions from his base in cosmopolitan Antwerp. From this deeper understanding of his practice, his favoured subjects and the market for them, we gain a more profound and compelling insight into the society in which he operated and its preoccupations and passions. A dozen other versions of Two Peasants Binding Firewood exist and, by examining some of them alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and book will explore how Brueghel the Younger operated his studio to produce and reproduce paintings, and the extent to which the entire enterprise was motivated by trends in the contemporary art market.

Paperback. Zustand: new. Paperback. The reappraisal of an artist who never managed to escape the shadow of his famous father-until now. Pieter Brueghel the Younger (1564-1638) was a Belgian artist who, despite enjoying great success, was forever eclipsed by his renowned father, Pieter Bruegel the Elder (1525-69). During his career, Brueghel the Younger's prodigious output and business acumen popularized the distinctive depiction of Netherlandish peasant life historians recognize today, yet he was constantly deemed a second-rate, derivative painter. Peasants and Proverbs rewrites this narrative by focusing on recent research into Brueghel the Younger's Two Peasants Binding Firewood. These collected writings highlight the emerging understanding of this under-sung artist and savvy entrepreneur who operated his studio to produce and reproduce paintings, and the extent to which his enterprise was motivated by trends in the contemporary art market. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Zustand: Brand New. 108 pages. 8.00x8.00x0.50 inches. In Stock.

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Paperback. Zustand: Brand New. 300 pages. 8.75x6.00x1.00 inches. In Stock.

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Paperback. Zustand: Brand New. 300 pages. 8.75x6.00x1.00 inches. In Stock.

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Hardcover. Zustand: Good. vii, 516 p. : ill. ; 25 cm. ; ISBN: 0891813020 ; LCCN: 77-91023 ; OCLC: 3712812 ; blue cloth with gold lettering ; numerous illustrations, and several full-color stratigraphic plates ; slightly knocked ; a little musty ; Contents: Resolution of Seismic Reflections / Robert E. Sheriff -- Rock Physics in Seismic Interpretation / A. R. Gregory --[Seismic Stratigraphy and Global Changes of Sea Level]: Sequence as a Unit of Analysis / P. R. Vail, R. M. Mitchum, Jr., S. Thompson, III -- : Relative Changes of Sea Level from Coastal Onlap / P. R. Vail, R. M. Mitchum, Jr., S. Thompson, III -- : Global Cycles of Relative Changes of Sea Level / P. R. Vail, R. M. Mitchum, Jr., S. Thompson, III -- : Chronostratigraphic Significance of Seismic Reflections / P. R. Vail, R. G. Todd, J. B. Sangree -- : Stratigraphic Interpretation of Seismic Relection Patterns in Depositional Sequences / R. M. Mitchum, Jr., P. R. Vail, J. B. Sangee -- : Seismic Stratigraphic Interpretation Procedure / R. M. Mitchum, Jr., P. R. Vail -- : Identification of Upper Triassic, Jurassic and Lower Cretaceous Seismic Sequences in Gulf of Mexico and Offshore West Africa / R. G. Todd, R. M. Mitchum, Jr. -- : Seismic Interpretation of Clastic Depositional Facies / J. B. Sangee, J. M. Widmier -- : Seismic Recognition of Carbonate Buildups / J. N. Bubb, W. G. Hatelid -- : Glossary of Terms Used in Seismic Stratigraphy / R. M. Mitchum, Jr. -- Seismic-Strategraphic Interpretation of Depositional Systems : Examples from Brazilian Rift and Pull-Apart Basins / L. F. Brown, W. L. Fisher -- Seismic Facies and Sedimentology of Terrigenous Pleistocene Deposits in Northwest and Central Gulf of Mexico / Charles J. Stuart, Charles A. Caughey -- Stratigraphic and Seismic Evidence for Late Cretaceous Growth Faulting, Denver Basin, Colorado / Robert J. Weimer, T. L. Davis -- Application of Amplitude, Frequency and Other Attributes to Stratigraphic and Hydrocarbon Determination / M. T. Taner, R. E. Sheriff -- Seismic Exp oration for Strategraphic Traps / Milton B. Dobrin -- Analysis of High Resolution Seismic Data / Herman C. Sieck, George W. Self -- Stratigraphic Modeling and Interpretation : Geophysical Principles and Techniques / Norman S. Neidell, Elio Poggiagliomi -- Geologic Considerations for Strategraphic Modeling and Interpretation / L. D. Meckel, Jr., A. K. Nath -- Seismic Stratigraphic Model of Depositional Platform Margin, Eastern Anadarko Basin, Oklahoma / William E. Galoway, Marshall S. Yancey, Arthur P. Whipple -- A Case History of Geoseismic Modeling of Basal Morrow-Springer Sandstones, Watonga-Chicasha Trend : Geary, Oklahoma : T13N, R10W / William A. Clement -- Practical Stratigraphic Modeling and Interpretation / M. W. Schramm, Jr., E . V. Dedman, J. P. Lindsey ; G. Book.

Paperback. Zustand: New. This catalogue accompanies an exhibition at the Barber Institute of Fine Arts that will shine a spotlight on Pieter Brueghel the Younger (1564 - 1637/38), an artist who was hugely successful in his lifetime but whose later reputation has been overshadowed by that of his famous father, Pieter Bruegel the Elder (c.1525 - 1569). Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur shares recent research into the Barber's comical yet enigmatic little painting, Two Peasants Binding Firewood, setting out fresh insights and offering a new appreciation of a figure whose prodigious output and business skills firmly established and popularised the distinctive 'Brueghelian' look of Netherlandish peasant life. Born in Brussels, Pieter Brueghel the Younger was just five years old when his renowned father died prematurely. Clearly talented, by the time he was around 20 years old, Brueghel the Younger was already registered as a master in Antwerp's Guild of Saint Luke. Between 1588, the year of his marriage, and 1626, he took on nine apprentices, demonstrating that he had established a successful studio. His workshop produced an abundance of paintings, ranging from exact copies of famous compositions by his father, to pastiches and more inventive compositions that further promoted the distinctive Bruegelian 'family style', usually focused on scenes of peasant life. He was, as a consequence, later deemed a second-rate painter, capable of only producing derivative works. This exhibition and book highlight how a more sophisticated understanding is now emerging of a creative and capable artist, and a savvy entrepreneur, who exploited favourable market conditions from his base in cosmopolitan Antwerp. From this deeper understanding of his practice, his favoured subjects and the market for them, we gain a more profound and compelling insight into the society in which he operated and its preoccupations and passions. A dozen other versions of Two Peasants Binding Firewood exist and, by examining some of them alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and book will explore how Brueghel the Younger operated his studio to produce and reproduce paintings, and the extent to which the entire enterprise was motivated by trends in the contemporary art market.

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Zustand: New. &Uumlber den AutorRobert Wenley is the deputy director of collections and research at the Barber Institute of Fine Arts.KlappentextThe reappraisal of an artist who never managed to escape the sha.

Paperback. Zustand: new. Paperback. The reappraisal of an artist who never managed to escape the shadow of his famous father-until now. Pieter Brueghel the Younger (1564-1638) was a Belgian artist who, despite enjoying great success, was forever eclipsed by his renowned father, Pieter Bruegel the Elder (1525-69). During his career, Brueghel the Younger's prodigious output and business acumen popularized the distinctive depiction of Netherlandish peasant life historians recognize today, yet he was constantly deemed a second-rate, derivative painter. Peasants and Proverbs rewrites this narrative by focusing on recent research into Brueghel the Younger's Two Peasants Binding Firewood. These collected writings highlight the emerging understanding of this under-sung artist and savvy entrepreneur who operated his studio to produce and reproduce paintings, and the extent to which his enterprise was motivated by trends in the contemporary art market. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Zustand: New. This catalogue accompanies an exhibition at the Barber Institute of Fine Arts that will shine a spotlight on Pieter Brueghel the Younger (1564 - 1637/38), an artist who was hugely successful in his lifetime but whose later reputation has been overshadowed by that of his famous father, Pieter Bruegel the Elder (c.1525 - 1569). Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur shares recent research into the Barber's comical yet enigmatic little painting, Two Peasants Binding Firewood, setting out fresh insights and offering a new appreciation of a figure whose prodigious output and business skills firmly established and popularised the distinctive 'Brueghelian' look of Netherlandish peasant life. Born in Brussels, Pieter Brueghel the Younger was just five years old when his renowned father died prematurely. Clearly talented, by the time he was around 20 years old, Brueghel the Younger was already registered as a master in Antwerp's Guild of Saint Luke. Between 1588, the year of his marriage, and 1626, he took on nine apprentices, demonstrating that he had established a successful studio. His workshop produced an abundance of paintings, ranging from exact copies of famous compositions by his father, to pastiches and more inventive compositions that further promoted the distinctive Bruegelian 'family style', usually focused on scenes of peasant life. He was, as a consequence, later deemed a second-rate painter, capable of only producing derivative works. This exhibition and book highlight how a more sophisticated understanding is now emerging of a creative and capable artist, and a savvy entrepreneur, who exploited favourable market conditions from his base in cosmopolitan Antwerp. From this deeper understanding of his practice, his favoured subjects and the market for them, we gain a more profound and compelling insight into the society in which he operated and its preoccupations and passions. A dozen other versions of Two Peasants Binding Firewood exist and, by examining some of them alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and book will explore how Brueghel the Younger operated his studio to produce and reproduce paintings, and the extent to which the entire enterprise was motivated by trends in the contemporary art market.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: New. Print on Demand pp. 22.

Zustand: New. Print on Demand pp. 22.

Zustand: New. PRINT ON DEMAND pp. 22.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1726 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 19 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 19.