Burg daniel (33 Ergebnisse)

paperback. Zustand: Very Good.

Paperback. Zustand: Very Good. 5th. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. 5th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 5th. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Very Good condition. 5th edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. A Review Copy, with the publisher's slip mounted on the ffep. A First American Printing. A bilingual text with the Russian translated by David Burg and Arthur Boyars. 8vo. - over 7¾ in. - 9¾ in. 77pp., including notes on the poems. A Near Fine copy with slight shelfwear; the Very Good unclipped dust jacket has minor edgewear and a 3.5 in. fold to the back flap.…

TRADE PAPERBACK. Zustand: Used; Very Good. Used; Very Good. Random House Puzzles and Games 2003 Paperback. Book Condition; Very Good . 2003. TRADE PAPERBACK.

g+/g+, prev owner names scribbled out frt & back. dj rubbed/sm chips/tears, a few little ink marks inside book. 1st (stated). Binding is brown cloth.

Cloth. Zustand: Near Fine +. Zustand des Schutzumschlags: Fair. First Printing.

Soft cover. Zustand: Very Good. 1st Edition. 2nd printing, tight, sound, with clean texy.

Soft Cover. Zustand: Very Good. Volume 11, No. 3, July 2002. 186 pp. Vol. 11, Number 3, July 2002 only! ISSN: 1043-4070. Solidly bound copy with minimal external wear, crisp pages and clean text.

Taschenbuch. Zustand: Neu. Neuware -Zwischen 2018 und 2024 entwickelte sich generative KI von ersten Sprachmodellen sowie Bild- und Videogeneratoren zu machtvollen multimodalen Systemen und KI-Agenten. Der Band Six Years: The Generativization of the Arts, 2018-2024 untersucht das Verhältnis von Kunst und KI. Generative KI steht für Systeme mit neuartigen kognitiven und agentiellen Vermögen. Sie verändert, wessen Wissen und Erfahrungen zählen, verschiebt Arbeitsverhältnisse und Urheber\*innenrechte. Sie ermöglicht neue Formen der Kontrolle und Überwachung und treibt einen enormen Verbrauch an Energie und Rohstoffen an.Künstlerische und literarische Praxen reagieren darauf: aneignend, kritisch, abolitionistisch. In Anlehnung an Lucy R. Lippards Six Years: The Dematerialization of the Art Object from 1966 to 1972 versammelt das Buch Essays, ein kuratiertes Al Art Dataset sowie eine Chronik der Jahre 2018-2024. Textbeiträge von Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez Lars Pinkwart und anderen beleuchten die ästhetischen und politischen Dimensionen der Generativierung.Generative AI: A Chronology and Essay CollectionBetween 2018 and 2024, generative Al evolved from the earliest language models and image and video generators into powerful multimodal systems and Al agents. The volume Six Years: The Generativization of the Arts, 2018-2024 studies the interrelation between art and Al. Generative Al denotes systems with novel cognitive and agential capabilities. It changes whose knowledge and experiences count and dislocates labor relations and authors' rights. It enables new forms of control and surveillance and drives an enormous consumption of energy and raw materials.Artistic and literary practices respond in a range of ways: appropriative, critical, abolitionist. With a nod to Lucy R. Lippard's Six Years: The Dematerialization of the Art Object from 1966 to 1972, the book gathers essays, a curated Al art dataset, and a chronology of the years from 2018 to 2024. Writings by Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez, Lars Pinkwart, Rainer Rehak, and others shed light on the aesthetic and political dimensions of generativization. 210 pp. Englisch.…

Taschenbuch. Zustand: Neu. Neuware -Zwischen 2018 und 2024 entwickelte sich generative KI von ersten Sprachmodellen sowie Bild- und Videogeneratoren zu machtvollen multimodalen Systemen und KI-Agenten. Der Band Six Years: The Generativization of the Arts, 2018-2024 untersucht das Verhältnis von Kunst und KI. Generative KI steht für Systeme mit neuartigen kognitiven und agentiellen Vermögen. Sie verändert, wessen Wissen und Erfahrungen zählen, verschiebt Arbeitsverhältnisse und Urheber\*innenrechte. Sie ermöglicht neue Formen der Kontrolle und Überwachung und treibt einen enormen Verbrauch an Energie und Rohstoffen an.Künstlerische und literarische Praxen reagieren darauf: aneignend, kritisch, abolitionistisch. In Anlehnung an Lucy R. Lippards Six Years: The Dematerialization of the Art Object from 1966 to 1972 versammelt das Buch Essays, ein kuratiertes Al Art Dataset sowie eine Chronik der Jahre 2018-2024. Textbeiträge von Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez Lars Pinkwart und anderen beleuchten die ästhetischen und politischen Dimensionen der Generativierung.Generative AI: A Chronology and Essay CollectionBetween 2018 and 2024, generative Al evolved from the earliest language models and image and video generators into powerful multimodal systems and Al agents. The volume Six Years: The Generativization of the Arts, 2018-2024 studies the interrelation between art and Al. Generative Al denotes systems with novel cognitive and agential capabilities. It changes whose knowledge and experiences count and dislocates labor relations and authors' rights. It enables new forms of control and surveillance and drives an enormous consumption of energy and raw materials.Artistic and literary practices respond in a range of ways: appropriative, critical, abolitionist. With a nod to Lucy R. Lippard's Six Years: The Dematerialization of the Art Object from 1966 to 1972, the book gathers essays, a curated Al art dataset, and a chronology of the years from 2018 to 2024. Writings by Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez, Lars Pinkwart, Rainer Rehak, and others shed light on the aesthetic and political dimensions of generativization. 210 pp. Englisch.…

Paperback. Zustand: new. New Copy. Customer Service Guaranteed.

Taschenbuch. Zustand: Neu. Neuware - Zwischen 2018 und 2024 entwickelte sich generative KI von ersten Sprachmodellen sowie Bild- und Videogeneratoren zu machtvollen multimodalen Systemen und KI-Agenten. Der Band Six Years: The Generativization of the Arts, 2018-2024 untersucht das Verhältnis von Kunst und KI. Generative KI steht für Systeme mit neuartigen kognitiven und agentiellen Vermögen. Sie verändert, wessen Wissen und Erfahrungen zählen, verschiebt Arbeitsverhältnisse und Urheber\*innenrechte. Sie ermöglicht neue Formen der Kontrolle und Überwachung und treibt einen enormen Verbrauch an Energie und Rohstoffen an.Künstlerische und literarische Praxen reagieren darauf: aneignend, kritisch, abolitionistisch. In Anlehnung an Lucy R. Lippards Six Years: The Dematerialization of the Art Object from 1966 to 1972 versammelt das Buch Essays, ein kuratiertes Al Art Dataset sowie eine Chronik der Jahre 2018-2024. Textbeiträge von Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez Lars Pinkwart und anderen beleuchten die ästhetischen und politischen Dimensionen der Generativierung.Generative AI: A Chronology and Essay CollectionBetween 2018 and 2024, generative Al evolved from the earliest language models and image and video generators into powerful multimodal systems and Al agents. The volume Six Years: The Generativization of the Arts, 2018-2024 studies the interrelation between art and Al. Generative Al denotes systems with novel cognitive and agential capabilities. It changes whose knowledge and experiences count and dislocates labor relations and authors' rights. It enables new forms of control and surveillance and drives an enormous consumption of energy and raw materials.Artistic and literary practices respond in a range of ways: appropriative, critical, abolitionist. With a nod to Lucy R. Lippard's Six Years: The Dematerialization of the Art Object from 1966 to 1972, the book gathers essays, a curated Al art dataset, and a chronology of the years from 2018 to 2024. Writings by Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez, Lars Pinkwart, Rainer Rehak, and others shed light on the aesthetic and political dimensions of generativization.…

Zustand: New. Satisfaction Guaranteed or your money back.

paperback. Zustand: As New. 5th.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware -Zwischen 2018 und 2024 entwickelte sich generative KI von ersten Sprachmodellen sowie Bild- und Videogeneratoren zu machtvollen multimodalen Systemen und KI-Agenten. Der Band Six Years: The Generativization of the Arts, 2018-2024 untersucht das Verhältnis von Kunst und KI. Generative KI steht für Systeme mit neuartigen kognitiven und agentiellen Vermögen. Sie verändert, wessen Wissen und Erfahrungen zählen, verschiebt Arbeitsverhältnisse und Urheber\*innenrechte. Sie ermöglicht neue Formen der Kontrolle und Überwachung und treibt einen enormen Verbrauch an Energie und Rohstoffen an.Künstlerische und literarische Praxen reagieren darauf: aneignend, kritisch, abolitionistisch. In Anlehnung an Lucy R. Lippards Six Years: The Dematerialization of the Art Object from 1966 to 1972 versammelt das Buch Essays, ein kuratiertes Al Art Dataset sowie eine Chronik der Jahre 2018-2024. Textbeiträge von Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez Lars Pinkwart und anderen beleuchten die ästhetischen und politischen Dimensionen der Generativierung.Generative AI: A Chronology and Essay CollectionBetween 2018 and 2024, generative Al evolved from the earliest language models and image and video generators into powerful multimodal systems and Al agents. The volume Six Years: The Generativization of the Arts, 2018-2024 studies the interrelation between art and Al. Generative Al denotes systems with novel cognitive and agential capabilities. It changes whose knowledge and experiences count and dislocates labor relations and authors' rights. It enables new forms of control and surveillance and drives an enormous consumption of energy and raw materials.Artistic and literary practices respond in a range of ways: appropriative, critical, abolitionist. With a nod to Lucy R. Lippard's Six Years: The Dematerialization of the Art Object from 1966 to 1972, the book gathers essays, a curated Al art dataset, and a chronology of the years from 2018 to 2024. Writings by Nora Al-Badri, Jenni Bohn, Jonny-Bix Bongers, Violaine Boutet de Monvel, A.A. Cavia, Daniel Falb, Susanne Grabenhorst, Orit Halpern, Christian Heck, Eva Jaeger, Charlotte Kent, Joan Kinyua, Egor Kraft, Anna Kraher, Mattis Kuhn, Christoph Marischka, Emily Martinez, Lars Pinkwart, Rainer Rehak, and others shed light on the aesthetic and political dimensions of generativization.DISTANZ Verlag GmbH, Hallesches Ufer 78, 10963 Berlin 210 pp. Englisch.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First printing of the first bilingual edition, and first edition in English, published in the UK by Calder & Boyars in 1971. Translated by David Burg and Arthur Boyars. This is the less common hardcover issue - there was also a paper-covered issue with a larger print-run. Issued as No. 12 in the Signature series of shorter works, distinguished by the highly personal and imaginative approach of the author to his subject (as stated on the front flap of the dustwrapper). ***Near fine in light-grey cloth-covered boards with gilt titles to the spine. The boards are beautifully bright, clean and unmarked. No bumps. No creases. Corners sharp. Page block edges spotless, including the top edge. No reading lean to the binding. Spine tight. Internally also near fine, with no inscriptions. Clean pages without any foxing. No creases or tears. ***In a near fine printed dustwrapper, which has been neatly corner price-clipped. The dustwrapper is complete, with just minimal rubbing at the edges. No creases, chips or tears. Spine of dustwrapper very clean with light fading to the red titles. Back panel of dustwrapper nice and clean even though white. ***204mm x 136mm. 77 pages including a Note on the Poems plus two pages of titles in the Signature series. ***'This collection of twenty-one poems composed in a Moscow prison while Yuli Daniel was under investigation, and on trial is the first volume of Daniel's poetry ever to be published and, as such, offers a unique record of his remarkable poetic achievement. (Quote taken from the back panel of the dustwrapper) ***'Yuli Markovich Daniel (15 Nov 1925 - 30 Dec 1988) was a Russian writer and Soviet dissident known as a defendant in the Sinyavsky-Daniel trial in 1966. Daniel wrote and translated works of stories and poetry critical of Soviet society under the pseudonyms Nikolay Arzhak and Yu. Petrov published in the West to avoid censorship in the Soviet Union. Daniel and Andrei Sinyavsky were convicted of anti-Soviet agitation in a show trial, becoming the first Soviet writers convicted solely for their works and for fiction, serving five years at a labour camp.' (Wiki) ****First printing of the first bilingual edition, and first edition in English, in really nice collectable condition. An uncommon book in hardcover, especially in this near fine condition. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. …

Paperback. Zustand: Sehr gut. 1.auflage. oktav paperback. sehr gutes exemplar. erstausgabe, ungelesen, illustrierte-original-heft, mit original frontispiz (ganzseitige zeichnung auf bildtafel), mit vielen s/w fotografien, 39 seiten, altersbedingt leicht lichtgebräunt sonst in tadellosem zustand erhalten.…

HARDCOVER. Zustand: New. Zustand des Schutzumschlags: Fine. 1st Edition. Very large 4to in black cloth covered boards, 88pp, colour plates, etc. Text in English, Hebrew and German . [CONDITION: An AS NEW copy in an almost AS NEW complete Dust Jacket (two tiny closed edge-tears to head of spine panel, looks new in its removable transparent protector) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…