camilo pessanha (90 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: New. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Zustand: New. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

8°, original illustrated wrappers. As new. 94 pp., (2 ll.). *** First published in 1920. Saraiva and Lopes (p. 977) describe Pessanha's work as "o melhor conjunto de poemas simbolistas portugueses, que exerceram profunda influencia na geração de Orpheu." Pessanha aimed to avoid any sentimental expression, and to achieve simplicity, precision and an "equilibrio fonético" (ibid., p. 978).Camilo Pessanha (1867-1926) helped found the Portuguese Symbolist movement while studying at Coimbra University, where he and several friends (Eugénio de Castro, António Nobre, Alberto de Oliveira and Alberto Osório de Castro) published Os Insubmissos and Boémia Nova. Pessanha seems to have been indifferent to whether his own works were published, and during the 1880s and 1890s, only a few of his poems appeared, scattered in various periodicals. In 1894 he left for Macau, where he spent most of the rest of his life. On a trip to Lisbon in 1916, he dictated many of his works, which he knew by heart, and rarely wrote down. Some of these appeared in the review Centauro. Clepsydra appeared four years later, from the press of his cousin Ana de Castro Osório.***.

Rayon : Poésie Editeur : La différence Date de parution : 1991 Description : In-12, 127 pages, broché, occasion, très bon état, texte portugais en regard. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. ATTENTION : Les expéditions de plus de 2 kilos se voient appliquer un supplément de port. Un envoi en Mondial Relay est possible en France et en Europe. IMPORTANT : Le service économique d'envoi de livres à l'international "livres et brochures" prendra fin au 1er juillet 2025. Clients internationaux, profitez des derniers mois de ce tarif très avantageux. N'hésitez pas à vous renseigner avant de passer commande. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 44558.

Couverture souple. Zustand: Bon. 127 p. Cote et cachets (dont sur la tranche) de biblio.

Brossura. Zustand: nuovo. senza sovraccoperta. prima edizione.

Zustand: NEW.

16°, original illustrated wrappers. As new. 27 pp., (1 l.) *** Camilo Pessanha (1867-1926) helped found the Portuguese Symbolist movement while studying at Coimbra University, where he and several friends (Eugénio de Castro, António Nobre, Alberto de Oliveira and Alberto Osório de Castro) published Os Insubmissos and Boémia Nova. Pessanha seems to have been indifferent to whether his own works were published, and during the 1880s and 1890s, only a few of his poems appeared, scattered in various periodicals. In 1894 he left for Macau, where he spent most of the rest of his life. On a trip to Lisbon in 1916, he dictated many of his works, which he knew by heart, and rarely wrote down. Some of these appeared in the review Centauro. Clepsydra appeared four years later, from the press of his cousin Ana de Castro Osório.***.

Encuadernación de tapa blanda. Zustand: Nuevo. 21x12 cm. 484 pp. La traducción está llamada a desempeñar un decisivo papel. Por un lado, en el plano antes aludido de la dimensión internacional de los hechos literarios; por otro, en la necesidad de que los textos fuertes, difíciles, complejos, no queden aislados en sus lenguas respectivas. Dicho de otra manera: si es absolutamente vital que esos textos, en su paso a otras lenguas, conserven sus valores literarios, no es menos trascendental identificar los textos mismos, reconocerlos, en medio de la desvalorización casi generalizada en que está inmersa hoy nuestra cultura. la poesía, especialmente (que incluye, lato sensu, la prosa narrativa y el teatro más abiertos a la experiencia de la palabra), ha sido víctima casi atávica de esa falta de identificación, de esa invisibilidad. Tenemos, pues, una responsabilidad considerable ante esos textos, tanto en un sentido como en otro, es decir, tanto en su reconocimiento como en su circulación internacional (y en la calidad de esa circulación).

Large 8°, original printed wrappers with dust jacket. As new. 131 pp., (3 ll., 2 ll. advt.), extensive endnotes, illustrations. *** FIRST and ONLY EDITION.***.

Brochura. Zustand: Excelente. 1997. Editorial Presen?. Lisboa. 1 volume. In-8? 19cm. 63 p?inas. Broc. Fixa?o do texto por Paulo Franchetti. Acompnha CD com poemas ditos por Lu? Lima Barreto.Edi?o muito cuidada com estojos pr?rios para o Livro e o CD e para estes conjuntamente. Livro e CD e estojos interiores em estado de novo.

Zustand: good. Lisboa; Edições Ática; In-8º de 128(4) páginas; BrochadoExemplar com ténues manchas na capa de brochura e lombada, miolo em bom estado de conservação, possui uma assinatura de posse. Lisbon; Attica Editions; In-8th of 128(4) pages; broached Copy with faint stains on the brochure cover and spine, core in good condition, bears a signature of ownership.

Brochura. Zustand: New. Usually dispatch in 5/6 days. Expedite shipment with DHL.

Zustand: New. Idioma/Language: Portugués. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Brochura. Zustand: New. Usually dispatch in 5/6 days. Expedite shipment with DHL.

Soft Cover. Zustand: Good. Zustand des Schutzumschlags: Good. In-8º 128 pp. B. 2ª edição da Ática integrada na colecção «Poesia». Book.

Zustand: Fine. ~ Facsimile edition of the galley proofs of No. 3 of the Quarterly Review of Literature ORPHEU with the texts of the proofs printed in July 1917 of Orpheu 3 to appear in October 1917 and which was never published. The last 8 pages of this third volume include: 1) a fragment of Álvaro de Campos' "Saudação a Walt Whitman" which Pessoa never finished, although he had announced its publication, but which is missing from the magazine's galley proofs; 2) Camilo Pessanha's poem "Os violoncelos", which Pessoa had expressed a desire to include in a place of honor in Orpheu 3, but which only appeared in the single issue of the magazine Centauro. Loosely inserted are four reproductions of paintings by Amadeu de Souza Cardoso whose work Fernando Pessoa had even considered including in this third issue of Orpheu ~ Wrappers designed by João Louro ~ [3]+168-227+[8]p ~ 24x16x1cm. ~ In Fine condition ~ LANGUAGE: Português // We accept PayPal & EU bank transfer in EUROS //. Magazines & Periodicals.

Zustand: Bueno. EAN: 9789727082919 Tipo: Libros Título: Clepsydra / Estabelecimento de Texto, Introdução Crítica, Notas E Comentários por Paulo Franchetti Autor: Pessanha, Camilo Editorial: Lisboa : Relógio d'Água Formato: Libro de bolsillo.

[2],15, [3] p. : (24 cm) : broch. Muito bom exemplar. Exemplar n.º 78. Opúsculo publicado por Petrus na "Colecção Quinhentista".

Couverture souple. Zustand: Bon. Portugais.Sans date,circa 2000.Ensaio de edicao de Gustavo Rubim.Desenhos de Cruzeiro Seixas.65 p.Poids 350 gr.Format 24,5 x 17 cm.

Soft cover. Zustand: Very Good. 1st Edition. In Portuguese. Brochado, 24x15cm, 131p.1a. edição de 3 mil exemplares. Muito bom estado. [novas].

Brochura. Zustand: New. Usually dispatch in 5/6 days. Expedite shipment with DHL.

Zustand: good. Lisboa; Imprensa Nacional Casa da Moeda; In-8º de 130(14) páginas; Brochado Exemplar em bom estado de conservação geral. Lisbon; National Press Casa da Moeda; In-8th of 130 (14) pages; Brooch Copy in good condition.

Soft Cover. Zustand: Good. Introdução por Isabel Pascoal. 2.ª Edição. Biblioteca Ulisseia de Autores Portugueses, N.º 25. Editora Ulisseia. S.l. [Lisboa]. 1996. De 19x12 cm. Com 94, [iv] págs. Brochado. Exemplar com vestígios de etiqueta comercial na capa posterior. Camilo de Almeida Pessanha (Coimbra, 1867 - Macau, 1926) formou-se em direito em 1891, na Universidade de Coimbra. Depois de desempenhar o cargo de Procurador Régio de Mirandela e de exercer advocacia em Óbidos, partiu para Macau em 1894 para exercer as funções de professor do liceu, onde conheceu Venceslau de Morais. Em 1900 assumiu o cargo de conservador do Registo Predial de Macau. Fez estadias na metrópole de 1905 a 1909 e em 1915. Além das poesias escreveu ensaios sobre a civilização e a literatura chinesas e traduziu poesias chinesas. Ref.: Jacinto do Prado Coelho, Camilo Pessanha. In Dicionário das Literaturas Portuguesa Galega e Brasileira, página 604 e 605. Language: Português / Portuguese Location/localizacao: I-116-A-53.

Soft Cover. Zustand: Good. De. Apresentação crítica, selecção, notas e sugestões para análise literária de Tereza Coelho Lopes. 2.ª Edição. Colecção Textos Literários, n.º 7. Editorial Comunicação. Lisboa. 1983. De 19x12 cm. Com 134, [v] págs. Brochado. Exemplar com assinatura de posse na folha de rosto, etiqueta comercial na capa posterior, etiqueta da editora na folha de guarda anterior, anotações e sublinhados a lápis. Language: Português / Portuguese Location/localizacao: I-193-H-34.

Couverture souple. Zustand: Satisfaisant. coleccao"poesia" fondada por luiz de montalvor.551p.poids 670gr.format 19x14cm.

Large 8°, original illustrated wrappers. As new. 333 pp., occasional footnotes, chronology, bibliography, analytical index. One of 1,000 copies. *** FIRST and ONLY EDITION. Pessanha (1867-1926) helped found the Portuguese symbolist movement while studying at the University of Coimbra, where he and several friends (Eugénio de Castro, António Nobre, Alberto de Oliveira and Alberto Osório de Castro) published Os Insubmissos and Boémia Nova. Pessanha seems to have been indifferent about whether his own works were published, and only a few of his poems appeared in the 1880's and 1890's, scattered in periodicals. In 1894 he left for Macau, where he spent most of the rest of his life. On a trip back to Lisbon in 1916, he dictated many of his works (which he knew by heart, and rarely wrote down), some of which appeared in the review Centauro. Clepsydra appeared four years later, from the press of his cousin Ana de Castro Osório. A second edition appeared in 1945, and there have been a number of editions since.***.

8°, original illustrated wrappers (minor soiling and a small fold mark in lower outer corner of front wrapper). Title page in red & black. Some passages marked in pencil in outer margins. In good condition. Former owner's signature and date 1969 in ink in upper inner corner of front free endleaf. 551 pp., (1 l.). *** Third edition of a work first published in 1920, and again in 1945. Aside from the poems in the second edition, this volume contains about 40 pages of poems that did not appear earlier, plus interesting introductory essays (pp. 13-155), and a lengthy supplementary essay by João de Castro Osório (pp. 331-465), as well as many notes and variant readings.Saraiva and Lopes (p. 977) describe Pessanha's work as "o melhor conjunto de poemas simbolistas portugueses, que exerceram profunda influencia na geração de Orpheu." Pessanha aimed to avoid any sentimental expression, and to achieve simplicity, precision and an "equilibrio fonético" (ibid., p. 978).Camilo Pessanha (1867-1926) helped found the Portuguese Symbolist movement while studying at Coimbra University, where he and several friends (Eugénio de Castro, António Nobre, Alberto de Oliveira and Alberto Osório de Castro) published Os Insubmissos and Boémia Nova. Pessanha seems to have been indifferent to whether his own works were published, and during the 1880s and 1890s, only a few of his poems appeared, scattered in various periodicals. In 1894 he left for Macau, where he spent most of the rest of his life. On a trip to Lisbon in 1916, he dictated many of his works, which he knew by heart, and rarely wrote down. Some of these appeared in the review Centauro. Clepsydra appeared four years later, from the press of his cousin Ana de Castro Osório.***.