Verlag: Carpet Bombing Culture, 2013
ISBN 10: 1908211148 ISBN 13: 9781908211149
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Haute-Ville, Quebec, 1983
Anbieter: Anthology Booksellers, Portland, OR, USA
Staplebound wraps. Zustand: Very Good. 4to. In French. Corners bumped.
Verlag: Haute-Ville, Quebec, 1983
Anbieter: Anthology Booksellers, Portland, OR, USA
Staplebound wraps. Zustand: Very Good. 4to. In French. Wrappers handled and edgeworn, corners bumped.
Verlag: HUMANOIDES ASS., 2022
ISBN 10: 2731628790 ISBN 13: 9782731628791
Anbieter: booksXpress, Bayonne, NJ, USA
Soft Cover. Zustand: new.
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Verlag: Van Der Plas Gallery, New York, 2022
Anbieter: Village Works, New York, NY, USA
Erstausgabe
Soft cover. Zustand: New. Higgins, E.F. (Ed Higgins); Gunderson, Riley (book designer) (illustrator). 1st Edition. Published in association with the E.F. Higgins III show at Van Der Plas Gallery in NYC in May and June 2022. Due to the weight, size and/or rarity of this book, we will request an additional $4(domestic) to $14 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding.
Verlag: Neoist Embassy, Toronto, 1992
Anbieter: Springhead Books, Rochester, Vereinigtes Königreich
Soft cover. Zustand: Very Good. Two Neoist manifestos and a covering insult from Hungarian born, Canadian-based artist Istvan Kantor. 'Thus Spoke Monty Cantsin?' is 14 pages and stapled at corner with a 'Fuck Neoism Now' sticker and dated January 1991. 'How to Supersede Neoism?' is 8 leaves stapled at corner with a 'Resistance is our Business!' sticker and is undated. Covering letter/insult to previous owner, 'Nomen Est Omen', has a yellow symbol drawn over it is thick felt tip and is dated July 15 1992. In a brown envelope which also includes a one page photocopy of 'Critics Praise Stewart Home! Addendum to Smile Magazine#11'. Light horizontal crease through all, staples starting to rust. Photographs available on request. All books dispatched same or next working day in robust packaging.
Verlag: Toronto, Ontario: Rampike, (1987). (1987)., 1987
Anbieter: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, USA
Zustand: Very good. - Narrow folio, 15-3/4 inches high by 6 inches wide. Pictorial wraps titled in black with a color illustration by Darinka Blagaj spanning both the front & back covers. The covers are lightly rubbed and soiled with a couple of tiny chips to the middle of the spine. 87 & [1] pages with profuse illustrations throughout. Very good. A special issue subtitled "Ontology" of this twice yearly literary periodical with contributions in English and French. Worth noting is an interview with Monty Cantsin, titled "Neoism Now An Anti-Credo". Other contributions include Dennis Cooley's "Cooley Enters the Theological Debates", Richard Kostelanetz's "John Cage on His Successors An UR -Conversation", Richard Martel's French language " Rhapsodie en Rouge", Fernando Aguiar's "Performance: The Live Intervention", Carol Dallaire's photographs, Misha Chocholak's "The Koi", Raymond Federman's French language "Ceci n'est pas le Commencement: Excerpts from Double or Nothing", Philippe Sollers' "Interview on Femmes * With Catherine Francblin, Translated by Philip Barnard and Cheryl Lester", etc.
Verlag: ARTCORE EDITIONS, 1986
Anbieter: The Idea of the Book, Portland, OR, USA
Erstausgabe
Soft cover. Zustand: Very Good. 1st Edition. First edition of 100, of which this is no. 68. Softcover 8vo in gray wrappers printed in black, with pages printed in black or varying colors on varying paper stock. Includes two gatefolds, one of which is die cut, rubberstamps, and several tipped in items, including a small photo, stickers, collage elements, and a stapled in flattened drinking straw. Unpaginated [ca. 54 pp.] Text mostly in German, some English. Artists' book published on the occasion of this 'MAIL ART KONGRESS' held in Berlin August 2-10, 1986, three years before the reunification of Germany. The printed program states that each artist would produce a hundred examples of their contribution comprising the edition of this book, and that upon participation would receive an example of the book. Furthermore, the program states that 'Everything is permitted, and will not be censored.' Includes mail art, stamp art, Xerox art, and art by Monty Cantsin, Ulli Kattenstroth, Elamraoul Khalid, Argadi Zanlar, Manuela Mangold, Graf Haufen, Andrej Skrbinek, Andreas Degener, Ahmed Borai, Peter Ouart, Jürgen O. Olbrich, Chuck Stake, W. Toogood, Fritz Balthaus, Volker Hamann, Änis Grönland, Manuela Mangold, Aryo Galaverna, Thomas Richter, A. S. Cantsin, Wolf von Pfeffer, Markus Lau, Ulf Mailänder, Maike Lef, Marc Mer, Fritz Balthaus, Ines Ruf, and Christa Strickmann. A few artists have more than one contribution, some of which are collaborative between two or more artists. Most of the contributors were from Germany, but also included a few from former Yugoslavia, Austria, and Canada. A delightful assembling magazine and documentation of the international network that is stamp and mail art. Faint small stain at upper middle of front cover and rubbing to covers, including trace amounts of wear at back cover from the stapled in drinking straw. Very good.
Verlag: Köln / Cologne, 1998
Anbieter: Verlag IL Kunst, Literatur & Antiquariat, Köln, Deutschland
Signiert
Zustand: Sehr gut. Offsetdruck orig. beschrieben, durchgestrichen, gestempelt (neoist research project), signiert, datiert von Monty Cantsin (István Kántor). Istvan Kantor / Monty Cantsin / "Amen!" (in Budapest) ist ein ungarischstämmiger kanadischer Performance- und Videokünstler, Begründer des Neoismus. Er erhielt in 2004 den Governor General's Award in visual and media arts, einen der höchsten Kunstpreise in Kanada. Size: Folio quer. Von Autor und Illustrator signiert.
Verlag: Artcore Editions, Berlin, 1987
Anbieter: Springhead Books, Rochester, Vereinigtes Königreich
Signiert
Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. The most complete anthology and sourcebook of Neoist writings and images. Includes page of Neoist stickers & 2 sparklers [NOTE: These sparklers are prohibited from postage and would be removed for shipping]. This copy no. 58 and signed by Cantsin on colophon. This copy also has a Neoist manifesto loosely inserted with text in German and English and the announcement of an exhibition at the Artcore Gallery 1 November - 27 December 1986. [156] p. : ill. ; 21 cm. Undated but circa 1987. Grey card wrapper with illustrated dust jacket. Slight shelf wear to jacket edges, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Signed by Author(s).
Verlag: György Galántai 1983 - 1985, Budapest, 1983
Anbieter: William Allen Word & Image, London, Vereinigtes Königreich
Zustand: Very Good. György Galántai and Júlia Klaniczay eds., AL: Artpool letter = Aktuális levél No.1-11 (Complete Set), György Galántai, Budapest, Hungary, 1983 -1985. A complete set of this historic samizdat art magazine, published from 1983 to 1985 by Galántai/Artpool. Texts mainly in Hungarian with some English summaries. Design, layout, and production by György Galántai. Contributors include: György Galántai and Júlia Klaniczay (Eds.), Francesca Alinovi, Imre Bak, Bela Bartok, Miklos Beladi, Akos Birkas, Julien Blaine, William Burroughs, Monty Cantsin, Henri Chopin, Miklos Erdely, Wolfgang Ernst, Eva Forgacs, Tibor Hajas, Istvan Haraszty, Jozef Jakovits, Joan Jonas, Beke Laszlo, Kassak Theatre, Dora Maurer, Erdely Miklos, Tobit Papp, Gyula Pauer, Geza Perneczky, Mark Perry, Miklos Szentkuthy, Janos Szirtes, Annamaria Szoke, Adam Tabor, Min Tanaka, Gabor Toth, Ben Vautier, Janos Veto and others. A list of contributions can be seen at www.artpool.hu/Al/al01.html."AL tries to establish a little known art-from in Hungary - bookwork - and to explore its possibilities while looking for solutions only possible in workshop activities" - György Galántai statement on back cover of issue 2. In fact, this is definitely a Samizdat magazine but had to be declared as a bookwork as Júlia Klaniczay has written to us "We declared our Artpool Letter to be a bookwork (a graphic work). This way we by-passed the need to ask for a permission for publishing (which we would never get)."The first 9 issues have various interventions including rubber stamps, stickers, inserts, folded poster, plastic envelope inserts with printed cards etc. Very unusually, we have the complete set of envelopes for the first 9 issues (A5 format) which are each uniquely hand-stamped with three numbers. When you correspond this with the information on the booklets, one understands the numbering system. The first number on the envelope is the issue number. The second number is the the print run for that issue (there appears to be 5 print runs of 50 copies each). The final number is the individual number within that print run. The envelopes are in poor condition with tears and wear, but it is still important to have them to work out the unusual numbering system. All copies of the magazine have a slightly different but corresponding numbering system handwritten and signed by Galántai either on the back cover on inside back cover where the print run of 50 copies is indicated by roman numerals. 300 - 500 copies of each issue were printed.The complex numbering system was due to restrictions by the authorities on publications. As Júlia Klaniczay explains, artists could produce books u to an edition of 50 copies without applying for permission from the authorities. In the case of this magazine, "whenever a series of 50 was sold, we printed another 50." On page 69 of AL 5, there is a pencil-ticked book reference for publications relating to Galántai's Balatonboglari Chapel exhibition project in the early 1970s. Further to this a previous owner has added their own more expansive list of related publications to this important collective art project (loose sheet, biro and pencil on both sides, over 25 publications listed by hand).Together with double-sided broadsheet, describing the AL Letters published by Artpool at the same time as AL 4 was published, dated March 1984. Issues 1-9 measure 210x145 mm. Issues 10-11 measure 293x210 mm.