Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: Langenscheidt LNY, 1998
ISBN 10: 0887296807 ISBN 13: 9780887296802
Anbieter: Housing Works Online Bookstore, New York, NY, USA
Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. Minimal shelfwear. Paperback.
Verlag: Bristol Cultural Development Par, 2009
ISBN 10: 0955074223 ISBN 13: 9780955074226
Anbieter: Bookmans, Tucson, AZ, USA
Hardcover. Zustand: Good. Satisfaction 100% guaranteed.
Verlag: Bristol Cultural Development Partnership, 2009
ISBN 10: 0955074223 ISBN 13: 9780955074226
Anbieter: Walden Books, London, Vereinigtes Königreich
Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Please note that this is a heavy item and may require extra postage for international shipping.; Dust jacket stiff and clean, sunned a trifle unevenly; Boards firm and clean, titling embossed; Internally clean, no ownership mark or annotation, generously illustrated in colour and B+W; Binding tight. Overall an attractive, sturdy copy in very good condition. ; 11.2 X 8.7 X 1.3 inches; 280 pages.
Verlag: The Poetry Society, London, 1975
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. Volume 66, Number 1. Quarto. 62pp. Printed wrappers. Spine ends bumped, wraps with uneven sunning, toning, and a few light stains, thus very good. Includes work by Iain Sinclair, George Oppen, Andrew Crozier, John James, B. Catling, and others.
Verlag: Poetry Society, Earls Court, London, 1975
Anbieter: William Allen Word & Image, London, Vereinigtes Königreich
Zustand: Near Fine. Zustand des Schutzumschlags: very good +. Poetry Review Vo.66, No.1 A4, mimeo in yellow wraps with brown silkscreen design by Jennifer Cobbing. 66 pages, paginated, unsigned. Together with stapled National Poetry Centre Newsletter (7 printed pages in 4 sheets). As the editor's note explains in this volume: 'With this issue, the fifteenth under the present editor, Poetry Review assumes a new format which it is hoped will better accommodate the spatial forms of the wide variety of poems in today's poetry scene'. As such, the formal inventiveness of the new poetry required a more open, larger format of increased possibilities. In 1971, the British beat poet and critic Eric Mottram took over the editorial helm at Poetry Review and subsequently helped publish 20 issues over 6 years. During this period, Bob Cobbing and other small press avant-garde poets of the underground scene, took over the Poetry Society's building in Earls Court and breathed life into the periodical, as the concrete, visual and experimental poetry synonymous with the British Poetry Revival replaced modernist and lyric. During this period, and under the influence of Mottram (an associate of Burroughs and Ginsberg), the periodical was also notable for its publishing of American poets. For the patriotic Review, Mottram's approach to the Americans eventually resulted in his downfall. The saga is documented in the 2006 publication: Peter Barry, Poetry Wars: British Poetry of the 1970s and the Battle of Earls Court, Salt, 2006. Condition: Contents slight age toning to pages near fine. Dustjacket: Some fading to edges and spine, light surface wear Very Good +.