cecilie hogsbro (10 Ergebnisse)

Hardbound. Zustand: VG. In Danish with English summary. Black and white boards, 103 pp, profuse color and bw images. Exhibition held 4. February - 18. April 1993, featuring the works of Peter Bonde, Jes Brinch, Ingvar Cronhammer, Torben Ebbesen, Erik A. Frandsen, Hein Heinsen, Poul Ingemann, Per Kirkeby, Michael Kvium, Christian Lemmerz, Richard Mortensen, Ane Mette Ruge, Jacob F. Schokking, Soren Ulrik Thomsen, Elisabeth Toubro, Svend Wiig Hansen. The book contains articles, a written symposium and an artists section, all created under the inspiration of the theme of evil.

8vo. Pp: Unnumbered. First edition. White dust jacket with black text. White paper covers. Illustrated throughout in colour.ISBN: 9788790857998 Soiled tail edge, else near fine.

Zustand: new. Pages: 341 Language: English. The exhibition catalog The Danish Golden Age comprises the very best of Danish painting from 1800 to 1864 and constitutes the largest presentation yet seen of Danish Golden Age visual art. During the 19th century, art that combined equal parts magical and realistic imagery grew out of a society marked by great upheaval. In these works, a parallel universe emerged in which everyday misery was highlighted by its very absence. Drawing inspiration from their immediate surroundings, artists created irresistible images that invite the viewers to imagine themselves in another place, yet to find fascination in the virtually surreal attention to detail.Mundane scenes depicted with an incisive and realistic attention to detail are typical of the period. The images give today's viewer a sense of proximity to the people, society and nature of a bygone age.The Danish Golden Age, flourishing amidst political, military and economic disasters, can be confidently described as genuine world art. Keyword: 19th century, painting, Danish art Artists included: Christen Kobke, Christoffer Wilhelm Eckersberg, Elisabeth Jerichau-Baumann, Christen Kobke, Martinus Rorbye, Constantin Hansen, Peter Christian Skovgaard, Frederik Sodring, Johan Thomas Lundbye and Wilhelm Marstrand. Language: English Illustration: in colour Editor: Cecilie Hogsbro Ostergaard Weight: 2186 gr Exhibition: Nationalmuseum, Stockholm; Statens Museum for Kunst, Copenhagen; Petit Palais, Paris 2019-20 9789171008923.

paperback. Zustand: Very Good. One Third size dust jacket has a closed tear. Book has light shelf wear. In Near Fine condition. No Markings. Catalogue of a travelling exhibition. U.S. orders are shipped from N.Y. state.

Zustand: Very good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. The dust jacket has a little wear. 341 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Kaspar Bonnén, 2008. Large 8vo. 175 pages. Illustrations in b/w and colour. Orig. softcover. Very Good+.

Hardcover. 251 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L07294 9788775512201 Sprache: Deutsch Gewicht in Gramm: 1500.

Softcover. Zustand: VG+. Softcover laminated with cloth and a BW reproduction on front and reverse. 295 pages, generously illustrated (some color). She was uncompromising, intensely self-critical and lived most of her life in poverty. But her message of community continues to inspire today. This spring's exhibition at SMK, 'Sonja Ferlov Mancoba', focuses on one of the most important Danish artists of the modern age. Learn the whole story about this prominent sculptor, and explore her poetic, warlike figures. The exhibition follows Sonja Ferlov Mancoba (1911-84) throughout her career, beginning in the 1930s where she was affiliated with the artists' association Linien (The Line) and explored Surrealism alongside fellow artists such as Richard Mortensen and Ejler Bille. In 1936 she set out for Paris, where she rented a studio next to Alberto Giacometti, now a world-famous artist. Ferlov Mancoba created semi-abstract beings, warrior figures and masks out of clay and plaster. However, she was extremely critical of her own work, discarding many of her pieces. She even threw one of her most important works into a lake because it would not 'behave.' She never really got involved with the commercial art market and as a result she lived in great poverty.

32x22 cm. 336, (4) s. Rikt illustrerad. Förlagets klotband med skyddsomslag. Mycket fint skick.