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Sprache: Englisch
Verlag: Palgrave MacMillan 1/1/2012, 2012
ISBN 10: 1349335223 ISBN 13: 9781349335220
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Paperback or Softback. Zustand: New. Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema. Book.
Sprache: Englisch
Verlag: Palgrave MacMillan 9/28/2012, 2012
ISBN 10: 0230299539 ISBN 13: 9780230299535
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Sprache: Englisch
Verlag: Palgrave Macmillan 2012-01, 2012
ISBN 10: 1349335223 ISBN 13: 9781349335220
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Zustand: New. pp. 288.
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Zustand: New. Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity. Num Pages: 280 pages, biography. BIC Classification: APF; HPCF3; HPN. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2012. 1st ed. 2012. paperback. . . . .
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity. Num Pages: 280 pages, biography. BIC Classification: 1DDF; APFA; HPCF3. Category: (P) Professional & Vocational. Dimension: 224 x 137 x 20. Weight in Grams: 462. . 2012. 2012th Edition. hardcover. . . . .
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In den WarenkorbPaperback. Zustand: Brand New. 271 pages. 8.50x5.51x0.64 inches. In Stock.
Sprache: Englisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10: 3039115634 ISBN 13: 9783039115631
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Zustand: New. Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity. Num Pages: 280 pages, biography. BIC Classification: 1DDF; APFA; HPCF3. Category: (P) Professional & Vocational. Dimension: 224 x 137 x 20. Weight in Grams: 462. . 2012. 2012th Edition. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity. Num Pages: 280 pages, biography. BIC Classification: APF; HPCF3; HPN. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2012. 1st ed. 2012. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10: 3039115634 ISBN 13: 9783039115631
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Sprache: Englisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10: 3039115634 ISBN 13: 9783039115631
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Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Phenomenology and the Future of Film | Rethinking Subjectivity Beyond French Cinema | J. Chamarette | Taschenbuch | ix | Englisch | 2012 | Palgrave Macmillan | EAN 9781349335220 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
Sprache: Englisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2009
ISBN 10: 3039115634 ISBN 13: 9783039115631
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 109,05
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In den WarenkorbPaperback. Zustand: Like New. Like New. book.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - As theoretical positions and as affective experiences, the twin currents of contrition - guilt and shame - permeate literary discourse and figure prominently in discussions of ethics, history, sexuality and social hierarchy. This collection of essays, on French and francophone prose, poetry, drama, visual art, cinema and thought, assesses guilt and shame in relation to structures of social morality, language and self-expression, the thinking of trauma, and the ethics of forgiveness. The authors approach their subjects via close readings and comparative study, drawing on such thinkers as Adorno, Derrida, Jankélévitch and Irigaray. Through these they consider works ranging from the medieval Roman de la rose through to Gustave Moreau's Symbolist painting, Giacometti's sculpture, the films of Marina de Van and recent sub-Saharan African writing. The collection provides an état-présent of thinking on guilt and shame in French Studies, and is the first to assemble work on this topic ranging from the thirteenth to the twenty-first century. The book contains nine contributions in English and four in French.