charles demuth (97 Ergebnisse)

hardcover. Zustand: near fine. Zustand des Schutzumschlags: good. DEMUTH, Charles. (illustrator). Few black-and-white illustrations. 8vo, blue cloth, d.w.; dust wrapper worn. Norman: University of Oklahoma Press, (1971). A near fine copy in a good dust wrapper.

Paperback. Zustand: Near Fine. 1st. 88 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Age toning. First paperback edition. Profusely illustrated. Size: 4to.

Paperback. Zustand: Very Good. Paperback. Binding sound, text clean, light shelfwear. 32-page illustrated exhibition catalogue. Book.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Profusely Illustrated (illustrator). Softcover, 240 pages, good condition; ex-gallery copy with sticker taped around bottom of spine; sticker, stamp and pencil numbers on first two pages; no other internal marks. Foreign shipping may be extra.

Paperback. Zustand: Very Good. 1st. 100 pages, illustrations (some colour); 25 cm. Exhibition held October 5 to November 14, 1971, and at other museums through April 16, 1972. Firm binding, clean text. Previous owner's signature/flyleaf, otherwise unmarked. Another copy available. Size: 8vo.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. New York, 1950; green cloth covered boards; mild edge and corner wear; blue illustrated jacket with edge and corner wear, top corner of front flap clipped; and housed in a Gaylord cover; 4to - over 9 3/4" to 12" tall; Previous owner's name on free front end paper; Interior is clean and unmarked; 96 pages.

Paperback. Zustand: Very Good. 1st. [36] pages, illustrations (some colour), portrait; 28 cm. Exhibition held September 24 to November 6, 1966, at the William Penn Memorial Museum, Pennsylvania Historical and Museum Commission, Harrisburg, Pennsylvania. Firm binding, clean inside copy. Spine bumped at the heel. Age toning. Size: 4to.

Paper. Zustand: Good. Paper.

Paperback. Zustand: Very Good. VG+, solid and clean save for previous owner's name and info stamped at top of front free end page.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Profusely Illustrated (illustrator). 1st Edition. 1st edition. Hardbound in dust jacket. Minor wear to dust jacket corners & edges, otherwise very good.

Hardcover exhibition catalog with dustjacket, 96 pages, good condition: the dj has a couple large pieces missing from edges and corners; tiny bump to right outer edge of pages; no internal marks.

paperback. Zustand: Very Good. Pages unmarked, mild wear.

paperback. Zustand: near fine. Demuth, Charles (illustrator). First. Frontispiece, and 116 color plates. 240 pages, 4to, glossy pictorial wrappers (small faint crease on bottom right of front cover). New York: Whitney Museum in conjunction with Abrams, (1987). First softcover edition. A near fine copy. Catalog of an exhibition at the Whitney Museum, October 1987 to January 1988 -- the first major book on Demuth.

Hardcover with dustjacket, 96 pages, fair condition: small loss at top and bottom of spine; dj spine very tattered; foxing to outer page edges; no internal marks. Foreign shipping may be extra.

Oversized Paperback. Zustand: Good. Profusely Illustrated (illustrator).

Softcover, 74 pages, very good condition, no internal marks, clean and crisp.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Good. Postcard in Good condition, unmailed, with a little writing on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Good. Postcard in Good condition, unmailed, with a little writing on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Good. Postcard in Good condition, unmailed, with a little writing on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Zustand: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: Good. Stapled book with stains on back cover. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Zustand: Gq. Jacket: Good. Hard.

Fine 28.0 x 25.0cms 40 Colour & 19 b/w Illusts Fine Soft Cover Demuth's watercolours shaped early American modernism and reflected early 20th century homoerotic practices. SALE PRICE.

paperback. Zustand: fine. DEMUTH, Charles (illustrator). 182 illustrations, including 116 in color. 240 pages. 4to, glossy pictorial wrappers. New York: Whitney Museum/Harry N. Abrams, (1987). A fine copy. Catalog of an exhibition at the Whitney Museum, October 1987 to January 1988.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Like New. Dust jacket condition: Like New. Appears as new and unread. When Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions and had overlooked their greatest subjects--the skyscraper and the machine. Meanwhile, the artists associated with Alfred Stieglitz and his "291" gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art. The crossfire between Duchamp and Stieglitz and their respective circles defined a critical moment in early twentieth-century American art. Debating Modernism includes reproductions of work by artists from both camps, from Charles Demuth, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley. An essay by curator Debra Bricker Balken traces the threads of the debate through the 1910s and 20s, and also addresses the appearance of sexualized imagery in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed camps. Jay Bochner's essay focuses on the artists' respective violations of American expectations about art. 172 pages. Stieglitz, Alfred, 1864-1946--Exhibitions, Duchamp, Marcel, 1887-1968--Exhibitions, Modernism (Art)--United States--Exhibitions, Stieglitz Circle (Group of artists)--Exhibitions.